Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch

circa 1670

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a design for a painting or architecture Pen-and-ink drawing in black on brownish paper, black wash Plain gold moulding with UV glass Allegory of Victory, 18th Century, Old Master Drawing, By De Wit, Figurative Jacob de Wit...

Old Master Drawing, Flemish School, Portrait or Sketch of a standing young boy. Condition : see photos The drawing is on paper.

Oak Leaf Peace Wreath with Dove and Serpent Around 1700 Black chalk on thin, brownish paper 39,8 x 52,7 cm Inscribed "N" in the centre left This drawing is probably by an Italian Ar...

Black chalk, partly washed, on paper, sheet 27.5 x 19.7 cm Plain gold moulding, 44.8 x 36 cm The Rhenish still life painter Johann Martin Metz was ...

Probably Dutch Flemish master, 17th century Ink on paper / on backing Inscribed on the upper and lower margins Size: approx. 23 x 40 cm, plus passe-partout Viewing and collection...

Ink and wash on paper Image size: 7 1/2 x 6 inches (19 x 15.25 cm) Mounted This drawing is of a Gothic style church in the Netherlands that is likely to have been built in the 15th ...

Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reversed in preparation for engraving 25 × 17.5 cm Watermark: Hunting horn, Churchill 318 (dated 1724) Unsigned Provenance Private collection, France Context & Attribution Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet. Subject In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life. Technical Analysis Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate. Place within the Oeuvre Drawings of church...

Ancient City is a drawing realized in the Early 20th Century by an unknown french master. Pencil on paper. In good conditions. The artwork is represented through deft strokes mast...