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Pierre Neveu
Le Louroux Bottereau French Landscape Watercolour by Pierre Neveu

$479.57
$737.8035% Off
£351
£54035% Off
€412.25
€634.2335% Off
CA$666.26
CA$1,025.0235% Off
A$716.66
A$1,102.5635% Off
CHF 383
CHF 589.2435% Off
MX$8,447.40
MX$12,99635% Off
NOK 4,828.80
NOK 7,428.9235% Off
SEK 4,414.44
SEK 6,791.4435% Off
DKK 3,080.21
DKK 4,738.7835% Off

About the Item

Title: Le Louroux Bottereau French Landscape Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 6.25 x 8 inches Inscribed lower right “Le Louroux Bottereau” Condition: Good overall, colours vibrant, minor edge wear consistent with age, grid lines visible Provenance: From the artist’s studio sale in France; all works by this artist in our collection originate from the artist’s estate. Description: A delicate and atmospheric French landscape by Pierre Neveu (b.1929), inscribed Le Louroux Bottereau — a commune in the Loire-Atlantique region near Nantes. The composition depicts a series of sunlit houses and farm buildings set against expansive skies and textured fields, likely inspired by the agricultural scenery of western France. Neveu’s masterful watercolour technique combines architectural precision with painterly looseness. Transparent washes of ochre, sage, and violet-grey convey the structure of the land, while the visible graphite grid lines beneath reveal the artist’s considered approach to composition and balance. The piece captures both immediacy and control — a hallmark of Neveu’s style. Educated at the École Boulle and École Nationale Supérieure des Beaux-Arts, Neveu received the Gold Medal at the Salon des Artistes Français (1994). His works often explore the relationship between light, geometry, and the quiet poetry of rural France. Stamped “Champs Élysées par Pierre Neveu” on the reverse, this study exemplifies the artist’s ability to translate the simplicity of everyday architecture into something lyrical and enduring — an evocative glimpse of the French countryside filtered through Neveu’s distinctive structural grace.

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