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Robert William Arthur Rouse (1883-1927) - Watercolour, Cattle by The River

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Fisher's gentle brushwork provides a hazy quality to this peaceful pastoral watercolour. Signed and dated to the lower right. Presented in a gilt-effect frame with cream mount. On wa...

Signed to the lower right. Presented in a gilt frame and washline mount. On paper.

This delightful watercolour by Cecil Jack Keats, depicts four horned cattle watering in a shallow river. Areas of the painting have been carefully heightened with body color by the a...

A charming countryside landscape, with cattle grazing in the foreground. Signed and dated to the lower left. Well presented in a textured gilt-effect frame with a washline mount. On ...

Circa 1900 watercolor "Lazy Stream with Cows" by Francis Stayman Medairy. Signed lower right "F.S. Medairy", PA & NY, 1856-1930. Watercolor on paper laid on card stock. An ethereal d...

Lovely 19th century English watercolor by Thomas S. Cooper in beautiful gold gilt frame. The scene depicts 2 cows in a rural setting. Incredible detail in this painting. A very fine ...

Oswald Garside. English ( b.1879 - d.1942 ). Beasts Of Burden, 1904. Watercolor. Signed & Dated Lower Right. Image size 13 inches x 16.7 inches ( 33cm x 42.5cm ). Frame size 20.1 i...

Antique American watercolor painting, landscape harvest farm scene by Frank F. English (1854 - 1922), Bucks County, Pennsylvania, Circa 1900. A very attractive painting by the celebrated Pennsylvania artist Frank F. English, the location is in Point Pleasant, Bucks County, Pennsylvania. The painting depicts a scene of blue skies with two farmers tossing hay with pitchforks & two horses harnessed to a hay wagon, with barns to the background. The painting signed lower right " Frank F. English", condition is excellent this very charming painting is ready to hang on your wall. Biography Frank F. English was born in Louisville Kentucky in 1854. In the early 1880s, he studied for five years in the evening classes of the Pennsylvania Academy of the Fine Arts. His instructors included Thomas Eakins, James P. Kelly and Thomas Anshutz. However, English's reputation primarily rests with his outstanding facility as a watercolorist; most of his known paintings are executed in this medium. English's propensity for its use coincides, appropriately enough, with the watercolor's growing popularity among other American painters. The American Water Color Society brought the medium special prominence by the late 1860s, and acceptance on the level of oil painting in 1876. That same year, the society was invited to display its works at the Philadelphia Centennial Exposition. Its members exhibited 116 watercolors, and their public exposure was enormous. It is safe to assume that during the 159-day Centennial, Frank English was among the nearly 10 million exposition attendees, surpassing attendance records at all preceding world's fairs. At age twenty-two, English, traveled to Philadelphia to see works by the Society's notables such as Samuel Colman, R. Swain Gifford, Louis Comfort Tiffany, Albert Fitch...