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Thomas Remnant Charleton (1756-1849) - Watercolour, Whitehaven, Cumbria

Early 19th Century

A beautifully executed watercolour landscape depicting a summer evening on the banks of the River Avon below Clifton. Charleton exquisitely captures this idyllic setting with vessels...

This exquisitely executed watercolour depicts a serene view over Clifton Down, with figures admiring the elevated vista of the River Avon below. The work is signed with the artist's ...

This exquisitely executed watercolour depicts a breathtaking sunset over the Severn Estuary with Penpole Point visible on the right. The work is signed with the artist's initials on ...

This exquisitely executed watercolour depicts an atmospheric view of Clovelly Bay with boats returning to the harbour before an approaching storm. The work is signed with the artist'...

Landscape is a beautiful drawing in watercolor and pencil on ivory-colored paper realized by Jan Peter Verdussen. In good condition; only a smallspots at the edges of the drawing an...

Tour d’Oudon, View on the Loire Watercolour on paper Dimensions without frame: 31.5cm x 38cm This delicate 19th-century French watercolour depicts a tranquil view of the Tour d’Oudo...

"West Point from the East Bank of the Hudson" Antique Drawing on Paper Delicate and detailed drawing by Hartford, Connecticut artist Edward Watkins Wells (1819-1898) The viewer looks out past a gate at the Hudson River, with its characteristic mountain banks. A shepherd is driving a flock of sheep towards the gate and viewer. The scene appears to have been copied from a drawing book published in 1827, based on the inscription at the bottom edge. Presented in white archival mat Mat size: 12"H x 12"W Paper size: 7.5"H x 9.25"W Notes of interest on Edward Watkinson Wells Our most significant acquisition this year came from a dealer in Philadelphia. It is a 450-page diary written over 10 years (1841-1851) by Hartford artist and dilettante Edward Watkinson Wells (1819-1898), one of the many nephews of our founder, David Watkinson (1778-1857). Edward was immersed in Hartford’s cultural life in the 1840s, exhibited his works at local fairs and gave lessons to the locals. He portrays an active involvement with with his large extended family, which often crossed and re-crossed the other prominent families of Hartford (i.e., Barnard, Channing, Dexter, Ely, Gallaudet, Gill, Goodrich, Hudson, Rockwell, Silsbee, Tappan, Terry, Tracy, Trumbull, Van Renselaer, and Wadsworth). Edward describes dancing and costume parties, soirees, teas, dinners, and receptions in private homes and public venues. He meets Charles Dickens and his wife when they come through Hartford in 1842, and describes brushes with other luminaries, such as Col. Thomas L. McKenney (who lectures on American Indians), and the Unitarian clergyman Rev. Henry Giles, who gave a pro-Irish speech. Other entertainments included a balloon ascension, exhibitions of mesmerism and hypnotism, parades, and performances by well-known groups. He also chronicles the progression of the construction of the Wadsworth Atheneum, and touches on his father’s far-reaching interests in the business world–canals, railroads, factories, and real estate. The cost of this valuable document of mid-19thC Hartford was generously underwritten entirely by a member of the Watkinson Trustees. Trinity College and the Watkinson Virtual Library has content on Edward Watkinson Wells. Yale College also: Edward Watkinson Wells also kept a diary, of which three volumes are preserved (folder 32). He describes a trip by steamboat to Florida, ca. 1855-1860, and the social life and customs he observed there. The other two volumes detail his daily life in Hartford during 1856-1860, and record the deaths of his father and David Watkinson in 1857. Other items contained in the William Wells...

Maryport is an etching realized in 1845 by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.