William Ross Cameron

Old Sausalito , San Francisco Bay, California Exhibition Piece, CSFA, CCAC, AIC

1930

Mid Century Island in the San Francisco Bay Landscape by Alexander Nepote Lovely late 1930's Impressionist watercolor of a Bay Area island by listed California artist Alexander Nepo...

Young Woman The Vegetable Seller Roma Francesco Ferraresi Original watercolor A courtyard painting of a vegetable seller by Francesco Ferraresi (1858 - 1942). the is pensive and awai...

"Boonton Falls" Forest Landscape in Watercolor on Paper Serene landscape by Hedy Pfreundschuh (American, b. 1937). A river is flowing towards the viewer, with a waterfall in the mid...

"Nature Walk" Forest Landscape in Watercolor on Paper, with Note from the Artist Dramatic sunset landscape by notable watercolorist Douglas W. Trowbridge (American, b. 1960). Signe...

Atmospheric Watercolor Landscape - Fog with Delicate Trees Delicate watercolor landscape of trees in the fog. Wet on wet brush techniques create an atmospheric background to this pi...

Seaside Street View - Original Vintage Watercolor Painting in the Style of Henry Martin Gasser (1964) A charming seaside street leads to the sand with brilliant 1-point perspective,...

"Yellow Flower" is an original watercolor on paper by Sylvia Spicuzza. The artist stamped her signature in the lower center. 6 3/4" x 10 1/4" art 14 1/2" x 17 1/2" frame Born in 1...

"Narrow is the Way Which Leads" is an original watercolor on paper by Reginald K. Gee. The artist signed the piece in the lower left. It depicts a forest in fall. 11" x 15" art Co...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...