Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

W.O.J. Nieuwenkamp
Statue of Vishnu Garuda, Bali, 1904

1904

$18,603.61
£13,850.83
€15,600
CA$25,712.45
A$27,337.65
CHF 14,783.37
MX$325,189.66
NOK 185,182.78
SEK 169,126.97
DKK 118,868.12

About the Item

Statue of Vishnu Garuda, Bali, 1904 Signed with initials Pencil and ink on paper, 21.4 x 21.3 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First European Artist in Bali, Abcoude 1997, p. 157 In ebonized frame with white mount Willem Otto Wijnand Nieuwenkamp (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch rule but Southern Bali in 1904, when Nieuwenkamp visited it, was still independent. Nieuwenkamp would be one of the last Westerners to experience a glorious medieval society in its final days. During his second visit to Bali in 1906 the Dutch decided to end the independence of South Bali and Nieuwenkamp was invited by the Governor-General van Heutz to accompany the Dutch invasion force. By contemporary European standards, the Balinese were barbarous and primitive, particularly with widows throwing themselves in the flames of the funeral pyre of their deceased husbands. But Nieuwenkamp was a singular man who saw in their society the beauty and soul that had been lost in his own. On September 20th, 1906, Denpasar, the capital of South Bali fell to the Dutch military forces. Official military briefings praised the victory which was reported with nationalistic pride on the front pages of all Dutch newspapers. As Nieuwenkamp had witnessed, the truth was far from glorious. As if in trance the Balinese, men women and children, dressed in their finest silks and jewellery and armed with ancient bejewelled krises, the Raja himself mounted atop a golden palanquin, rushed forward, the men killing their wives and children and the Dutch machinegun fire doing the rest. The once-powerful and magnificent court of Denpasar was left in ashes and as many as two thousand Balinese dead. The Dutch suffered four deads. Nieuwenkamp made drawings and saved as many beautiful architectural elements and artefacts from the rubbles as he could, most of it now in the collection of the Ethnological Museum in Leiden.
  • Creator:
    W.O.J. Nieuwenkamp (1874 - 1950, Dutch, Indonesian)
  • Creation Year:
    1904
  • Dimensions:
    Height: 8.43 in (21.4 cm)Width: 8.39 in (21.3 cm)Depth: 0.04 in (1 mm)
  • More Editions Sizes:
    21.4 x 21.3 cmPrice: $18,604
  • Medium:
  • Movement Style:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
  • Gallery Location:
    Amsterdam, NL
  • Reference Number:
    1stDibs: LU147128030282

More From This Seller

View All
Stone Statue, Madura, India, 1914
Located in Amsterdam, NL
Stone statue in the temple at Madura, India, 1914 Signed with initials top right Pencil on paper, 21.2 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. Nieuwenkamp,B...
Category

1910s Art Nouveau Landscape Drawings and Watercolors

Materials

Paper, Pencil

Stone Statue, Madura, India, 1914
Located in Amsterdam, NL
Stone statue in the temple at Madura, India, 1914 Signed with initials and dated, bottom left Pencil on paper, 25.4 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. ...
Category

1910s Art Nouveau Landscape Drawings and Watercolors

Materials

Paper, Pencil

Beach of Kusambe, Bali 1937
Located in Amsterdam, NL
Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...
Category

1930s Art Nouveau Landscape Drawings and Watercolors

Materials

Paper, India Ink, Pencil

Four Balinese, Bali (1910)
Located in Amsterdam, NL
Four Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...
Category

1910s Art Nouveau Landscape Drawings and Watercolors

Materials

Paper, Pencil

Incoming Rain, Bali, 1937
Located in Amsterdam, NL
Incoming rain, Den Pasar, Bali 1937 Signed with initials, dated and titled, bottom right Black chalk and ink on paper, 42 by 46 cm Literature: Ernst Braches en J.F. Heijbroek, W.O...
Category

1930s Art Nouveau Landscape Drawings and Watercolors

Materials

Paper, Graphite

Portrait of artist Ida Bagoes Ketut Diding, Bali, 1937
Located in Amsterdam, NL
Ida Bagoes Ketut Diding, Artist on bali 1937 Signed with initials, dated and titled, bottom centre Black chalk on paper, 29 x 31 cm Literature: Ernst Braches en J.F. Heijbroek, W....
Category

1930s Art Nouveau Landscape Drawings and Watercolors

Materials

Paper, Graphite

You May Also Like

Mid-20th century large old lavastone Vishnu statue on Garuda bird
Located in DEVENTER, NL
This lavastone sculpture is truly extraordinary, originating from Indonesia during the middle of the 20th century. Crafted from a single block of lavastone, it showcases the remarkab...
Category

Mid-20th Century Indonesian Sculptures and Carvings

Materials

Lava

Rare Engraving of Sani, Hindu Deity on Raven, Antique Print, 1806
Located in Langweer, NL
Title: Rare 1782 Sonnerat Engraving of Sani, Hindu Deity on Raven Description: This captivating antique print, titled "Sani," was created by French naturalist and explorer Pierre So...
Category

Antique Early 1800s Prints

Materials

Paper

Stunning 1808 Engraving: Subramanya on Peacock, War Deity in Hindu Mythology
Located in Langweer, NL
Title: 1806 Engraving: Subramanya on Peacock, War Deity in Hindu Mythology Description: This dynamic antique print, titled "Soupramanier," depicts the Hindu deity Subramanya, also k...
Category

Antique Early 1800s Prints

Materials

Paper

Striking 1806 Ravana Demon King Antique Print - Hindu Ramayana Engraving
Located in Langweer, NL
Title: Striking 1806 Ravana Demon King Antique Print - Hindu Ramayana Engraving Description: This dramatic antique print, titled "Ravayen, Roi de l’Île de Ceylan," depicts Ravana, t...
Category

Antique Early 1800s French Prints

Materials

Paper

Rare 1806 Engraving: Parasati s Fiery Divinity in Hindu Mythology
Located in Langweer, NL
Title: 1806 Engraving: Parasati's Fiery Divinity in Hindu Mythology Description: This captivating antique print, titled "Parasati," portrays the Hindu goddess Parvati, also known as...
Category

Antique Early 1800s Prints

Materials

Paper

Exquisite 1806 Shiva and Vishnu Harihara Print - Hindu Art Treasure
Located in Langweer, NL
Exquisite 1806 Shiva and Vishnu Harihara Print - Hindu Art Treasure Description: This remarkable antique print, titled "Brouma, Dieu Créateur," depicts Brahma, the Hindu god of crea...
Category

Antique Early 1800s Prints

Materials

Paper