Charcoal Drawings and Watercolor Paintings

medium: Chinese ink, ink stick, and charcoal on handmade paper ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is roote...

medium: Chinese ink, ink stick, and charcoal on handmade paper ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural id...

In her studio practice, Pelias embraces a process that is both intuitive and deliberate. Her work moves from paintings on canvas and works on paper to site-specific installations, ob...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

watercolor, charcoal, graphite, ink on paper 19"x25" available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates ou...

Charcoal on paper Unique work Hand-signed by the artist

Charcoal on paper Unique work Hand-signed by the artist

An original pastel-on-paper drawing by British artist Charlie Mackesy - Mackesy's clever work and style here, provide us with a glimpse into this atmospheric depiction of a Jazz Trio...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Composition, Charcoal on Paper, signed lower left, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. Pro...

In this delicate drawing, artist Josef Levi takes reference to art history by combining figures within one composition. The two characters depicted in this composition utilize the bottom half of the great artist Raphael, gradually phasing into the portrait of lovely lady named Vera. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levi had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Prashant Salvi Leap, Watercolour, Acrylic, Charcoal on Paper 22 x 30 inches, 2016 (shipped in a roll form) "I have built my career on surrealist,anatomical/botanical fantasies; beautifully rendered yet sometimes haunting and gruesome, void of irony and done with absolute sincerity. My work builds meaning primarily by exploring the unbridgeable difference between animals and people. A proactive imagery of humans and animals suggests an investigation of linguistics, the natural sciences and human sociology all in respect to the parallel universe of other species alongside us. I use a seemingly detached abstraction as a counter-point, tomy- stylised fabrications of sexual desire"- Prashant Salvi An undercurrent of eroticism, viewed with a steady detachment often can be part of Salvi's works, morphing human and animal forms and throwing psychological riddles challenging the viewer to decide where life begins or ends. Salvi's watercolours with its technical virtuosity turn images from nature to a surrealistic dance of survival. The works are challenging, complex and magically real and acknowledge life’s gentleness and aggressiveness in unison. While nature’s logic could be used to argue the very existence of an omnipotent creator, Salvi, paradoxically suggests ambiguity to life's bigger and deeper questions; answers of which he feels don't come in neat packages. " Education : Sir JJ School of Arts , Mumbai Solo Exhibition 2019 • Haptic, Jehangir Art Gallery, Mumbai 2017 • Alter-native, Karnataka Chitrakala Parishad, Bangalore 2014 • Let Every Eye Negotiate for itself. Jahangir Art Gallery, Mumbai 2011 • Lxxxll Pulse, Frankfurth, Germany. 2002 • “Skhalan” Solo Art Gallery, Mumbai. Group Show 2017/2018 • Busan International Art Fair, Busan, South Koria. 2016 • Axis of Secret Histories /All this comes back, Kochi-Muziris Biennale Collateral Exhibition, Mattancherry. 2014 • Convergence, Vam Art Gallery, Trivendram. 2013 • Small is Beautiful, Tao Art Gallery, Mumbai. 2013 • Oozing, Group Show, Tulika art Gallary, Mumbai 2013 • On Cloud 9, Kala Sanskriti Academy of Fine Arts, New Delhi-2013 2013 • JJ90s –The time of Change, J.J. School of Art,Mumbai 2012 • Indian Art Festival, MMRD Bandra, Mumbai. 2012 • ViVid World, Tao Art Gallery, Mumbai. 2012 • Online, La Sutra Gallery Mumbai. 2011 • Indian Art Festival, Nehru Centre, Mumbai 2010 • Evolve, Tao Art Gallery, Mumbai. 2009 • Indian Contemporary Art, La Sutra Gallery Mumbai. 2008 • Journey, New York Academy of Art, New York 2008. 2008 • Eight Show, Tao Art Gallery, Mumbai. 2008 • Black & White Show, Tao Art Gallery, Mumbai. 2007 • Art Works on Paper, Articulture gallery, Mumbai 2006 • Group Show, Visions Art Gallery, Mumbai 2005 • 10” Harmony Show, Mumbai. 2007 • Luise Sepra International Art Project, Lisbon, Portugal. 2003 • AIFACS Show, Mumbai 2003 • FN-FN,Figurative Narative,Curated by Neville Tuli 2002 • Majority Rules, Free Gallery Galsgow, Curated Letha Wilson. 2001 • BPM Biennial, Bose Pacia Gallery, New York. 2000 • Awareness of Environment, Mumbai. 2000 • Revolution 2000 show, Jahangir Art Gallery, Mumbai 1998 • Bombay Art Society Exhibition, Mumbai. 1993 • Close to nature, Mumbai 1992 • City Bank Art Exhibition, Mumbai. Award 2018 • Mount Shadow, National Water Colour Camp, Bhavnagar. 2001 • Winner, Bose Paica Emerging Artist Award, New York. 1995 • Solemn Abraham Best Water Colour Portrait...

Charcoal on paper. Image can be cropped to fit a frame. Original paper is longer than the image itself (see last photo). :: Drawing :: Contemporary :: This piece comes with an offi...

Debabrata Basu - Being one with Nature IV - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper. Style : Debabrata derives his style and theme by introspecting within himself....

Debabrata Basu - Man and a Horse - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper. Style : Debabrata derives his style and theme by introspecting within himself. The fear...

Chandra Bhattacharya - 12 x 16 inches (unframed size) charcoal on paper Inclusive of shipment in roll form. Style : In the last three to four years, he has engaged with the concept ...

"Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura ...

Provenance: Galerie Eigen + Art, Berlin

Charcoal on archival Ingres paper. A fountain in a park. The charcoal used for its velvety blacks and soft lights. :: Drawing :: Contemporary :: This piece comes with an official ce...

David Storey Untitled, 1993 Charcoal and pastel 29 x 19 inches (sheet) 30 x 20 inches (frame) Unsigned Natural wood frame with light white wash. Floated in window opening. 1.5'' dep...

Charcoal drawing on archival quality Ingres paper. Velvety quality of the blacks. Still life from observation. Favourite flower. When spring arrives it is time to paint nature. :: ...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

Years of collecting books, travel archives and studying art in Europe, went hand in hand with visiting historical monuments and grand palaces, remnan...

Roger Hilton (British, 1911-1975), Seated Female Nude, Charcoal on Paper, apparently unsigned, cerused wood frame. Image: 10" H x 8" W; frame: 16.5" H x 14" W. Provenance: Jonathan C...

An original pastel-on-paper drawing by British artist Charlie Mackesy - depicting the motion of a musician playing the Cello. Mackesy instantly draws y...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

The attitude is palpable in this graphite drawing by Eduardo Alvarado. Looking down at the viewer, Erina is wearing a very wide choker highlighted with a bit of gold watercolor emphasizing her long slender neck. The drawing is matted with a heavy mat. Contact the gallery for framing options. Eduardo Alvarado Erina graphite on paper 10.50h x 7.75w in 26.67h x 19.68w cm EDA021 EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo Dominguez...

Davidoff creates drawings, paintings, prints and installations that consider intricate patterns in nature and the overlaying systems used to observe, map and define organic landscape...

Davidoff creates drawings, paintings, prints and installations that consider intricate patterns in nature and the overlaying systems used to observe, map and define organic landscape...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Compositions, Charcoal on Paper, signed lower right, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. P...

The dramatic, rich markings left by charcoal appear in the earliest primitive cave painting of early humans, which are believed to have been drawn with the charcoal created from burnt sticks. Of the various kinds of charcoal available today, David Becker often chooses vine charcoal which provides a smooth, softer line. Able to produce lines with either a subtle or strong quality, charcoal is wildly versatile, allowing Becker to approach texture, shading and tone with ease. He is able to capture both gestures and emotions with an intuitive mixture of the soft and the dark. David Becker Reflection #1 charcoal on paper 36h x 25w in 91.44h x 63.50w cm DB0009 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

David Becker Adjust to Fit vine charcoal on paper 39.25h x 27.50w in 99.69h x 69.85w cm DB0025 David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Composition, Charcoal on Paper, signed lower left, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. Pro...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Davidoff creates drawings, paintings, prints and installations that consider intricate patterns in nature and the overlaying systems used to observe, map and define organic landscape...

"Cutting Power" features black, white and grey with pops of purple. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interdisciplinary artist and design...

A mixed media - charcoal, graphite, and acrylic drawing on paper. :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: ...

"Perhaps, The Wheel Is To Blame For Some Of This? II" features hues of black, white, grey, blue and purple. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-b...

"At the Threshold To The Belly Of The Beast (Jaws)" features hues of blue, red, white and black. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interd...

Charcoal work on archival quality paper. Was on the verge of falling asleep watching the liight coming through the curtains on a very hot summer afternoon in Brittany. Windows are al...

Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Unger at the University of Applied Arts in Vienna from 1974 to 1980. From 1986...

Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Unger at the University of Applied Arts in Vienna from 1974 to 1980. From 1986 ...

Acrylic on canvas

"Fishing Boat" is an original ink and charcoal drawing on handmade amate paper by Miguel Castro Leñero. The artist signed the piece lower right. This piece features a lone boat on open water...

Coal on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of Ar...

Charcoal and acrylic on canvas Nostalgia for seemingly better times, or perhaps, simultaneously, a secret yearning for worse times to come, are woven into Francisca Ahlers’s scenes,...

Charcoal drawing on paper. Actual paper size is 53.5" x 30". Drawing size is 51.5" x 28". The additional photos are of the stages of the drawing. :: Drawing :: Contemporary :: Thi...

Original drawing by Patricia Traub

Michael Tole is a figurative painter currently living in Tempe, AZ with his wife and daughters. A Texas native, most of his 20 year long career was spent in Dallas. After relocating to Tempe, his work experienced a significant shift from photo-based paintings of retail interiors to fantastical figurative inventions based on pop culture imagery he has encountered via his two daughters’ taste in music videos, and his proximity to Southern California and it’s particular brand of Disney-esque hedonism. Mr. Tole’s career includes shows in New York, Los Angeles, San Francisco, Dallas, and Miami. His work has been reviewed in Art Forum International...

Suite of 3 drawings Charcoal and Getty Fire Ash on paper, 24 x 18 in (each)

Original - Charcoal Sketch Hand Signed by Jay Russell

Original - Charcoal Sketch Hand Signed by Jay Russell

Charcoal and Getty Fire Ash on paper

Years of collecting books, travel archives and studying art in Europe, went hand in hand with visiting historical monuments and grand palaces, remnants of past golden eras. This nostalgic raking over the past encompasses these inspirational elements, weaved together with her own curiosity in loose charcoal lines depicting Baroque, whimsical and once decadent interiors. “The rooms in my paintings are small trips to the past. I look for an alternative reality through a fictional scenario, represented by a dystopian era of booms and declines.” Francisca Ahlers has exhibited internationally with Villa del Arte Galleries...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...