Charcoal Drawings and Watercolor Paintings

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

Charcoal on paper Unique work Hand-signed by the artist

Suite of 5 drawings Charcoal and Getty Fire Ash on paper, 24 x 18 in. (each)

Charcoal and Getty Fire Ash on paper

Years of collecting books, travel archives and studying art in Europe, went hand in hand with visiting historical monuments and grand palaces, remnants of past golden eras. This nostalgic raking over the past encompasses these inspirational elements, weaved together with her own curiosity in loose charcoal lines depicting Baroque, whimsical and once decadent interiors. “The rooms in my paintings are small trips to the past. I look for an alternative reality through a fictional scenario, represented by a dystopian era of booms and declines.” Francisca Ahlers...

Years of collecting books, travel archives and studying art in Europe, went hand in hand with visiting historical monuments and grand palaces, remnants of past golden eras. This nostalgic raking over the past encompasses these inspirational elements, weaved together with her own curiosity in loose charcoal lines depicting Baroque, whimsical and once decadent interiors. “The rooms in my paintings are small trips to the past. I look for an alternative reality through a fictional scenario, represented by a dystopian era of booms and declines.” Francisca Ahlers has exhibited internationally with Villa del Arte Galleries...

Pitanius "Layers of The Madness" 2023 Charcoal On Paper 26 x 40 inches About the artist Pitanius was born in 1986 in Tbilisi, Georgia. Pitanius’s artistic journey has been one o...

Years of collecting books, travel archives and studying art in Europe, went hand in hand with visiting historical monuments and grand palaces, remnants of past golden eras. This nostalgic raking over the past encompasses these inspirational elements, weaved together with her own curiosity in loose charcoal lines depicting Baroque, whimsical and once decadent interiors. “The rooms in my paintings are small trips to the past. I look for an alternative reality through a fictional scenario, represented by a dystopian era of booms and declines.” Francisca Ahlers...

Provenance: Galerie Eigen + Art, Berlin

This evocative charcoal drawing portrays a man with dark, shoulder-length hair, gazing contemplatively to the right. The artist skillfully captures the intensity of the subject’s exp...

Charcoal on paper Unique work Hand-signed by the artist

Charcoal and pastel on paper Unique work Hand-signed by the artist

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Charcoal on paper Unique work Hand-signed by the artist on the back of the drawing THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves...

28"x34" (graphite and charcoal on paper) available unframed From the series: "The Hundred Acre Wood" Ragsdale’s process begins with sketches of places and things from his past...

Ink, watercolor, pencil, charcoal pencil on paper available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates outer...

Original drawing by Patricia Traub.

Original drawing by Patricia Traub

Pair of drawings Charcoal and Getty Fire Ash on paper, 24 x 18 in. (each)

Charcoal and Getty Fire Ash on paper

Charcoal and Getty Fire Ash on paper

Jill Greenberg Slow Death 2024 Signed in pencil, verso Charcoal, oil, pastel, and Conté crayon on paper 11.75 x 8.25 inches, sheet Contact gallery for price.

Jill Greenberg Gold Canines 2024 Signed in pencil, verso Charcoal, oil, pastel, and Conté crayon on paper 11.75 x 8.25 inches, sheet Contact gallery for price.

Black and white charcoal

Born and raised in New York City, Gustavo received a masters degree in architecture from Princeton University. While at first integrating murals and sculptural elements into his arch...

Born and raised in New York City, Gustavo received a masters degree in architecture from Princeton University. While at first integrating murals and sculptural elements into his arch...

Born and raised in New York City, Gustavo received a masters degree in architecture from Princeton University. While at first integrating murals and sculptural elements into his arch...

Born and raised in New York City, Gustavo received a masters degree in architecture from Princeton University. While at first integrating murals and sculptural elements into his arch...

Watercolor, oil pastel, charcoal, ink, salt and Black 3.0 on watercolor paper, 22.25" high x 29.75" wide Pink, red, peach, orange, purple, black Framing available COA available upon...

Nelson Mandela, Qunu Landscape with Nguni Cow, Signed Original Artwork Many people are unaware that Nelson Mandela turned his hand to art in his 80's as...

Nelson Mandela, Madiba’s Nguni Bull II, Signed Original Artwork Many people are unaware that Nelson Mandela turned his hand to art in his 80's ...

Nelson Mandela, Madiba’s Nguni Bull I, Signed Original Artwork Many people are unaware that Nelson Mandela turned his hand to art in his 80's a...

Athletic Pose Charcoal and Conté crayon on paper 17.5 x 12 inches (44.5 x 30.5 cm) This work is offered by Clamp Art in New York City.

"See Looking at See" is an acrylic painting on paper. The primary subject of this work is an abstract organic form with an eye which appears to be looking in the direction of its own physique. As the title intimates, this is perhaps commenting on the capacity of intelligent life to consider the distinction between self and other. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "See Looking at See" 2006 Acrylic and Charcoal on Dutch Stonehenge Paper...

This work, marked by thin washes of acrylic, depicts a floating figure with Long’s likeness hovering over what appear to be earthly materials below - perhaps an allusion to notions o...

Protecting the Dreamers, monotype, screen print, bear, dog, bird, maps, signed unique mixed media work on paper by Melanie Yazzie As a printmaker, painter, and sculptor, my work dra...