Crayon Drawings and Watercolor Paintings

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics Stadium. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25 x 19.5 in. (63.5 x 49.53 cm), Descrip...

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - Cat and Torch. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25 x 19.5 in. (63.5 x 49.53 cm),...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Church in Prague by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Artist: Joseph Barber, American (1915 - 1998) Title: Dining Room Interior Year: circa 1945 Medium: Watercolor and Pastel on Paper, signed l.l. Size: 15 x 21 inches (38 x 53.5 cm) Fra...

A very fine pastel study of a young boy by the Italian artist Franco Matania . He is captured wearing a sun hat and polka dot handkerchief around his neck. Well presented in a blue c...

A vibrant pastel drawing by the artist Robert J. Dutton, depicting a coastal scene. Signed to the lower right-hand corner. On wove, laid to backing card. Presented in a card mount an...

Signed and inscribed in Cyrillic on the reverse. On wove.

A delicate pastel study of a female nude reclining on a bed in a simple setting. Unlike other works by the artist this one has been done in brighter pink and purple tones contrasting...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

A landscape featuring cows grazing among the trees. Presented glazed in a white mount and a wooden frame. Signed to the lower-right edge. Artist's label on the verso. On watercolour ...

Presented in a contemporary frame. Signed illegibly. On wove.

A pastel drawing of Bury Church in Sussex, shown from the grounds in springtime. A small path is seen leading through a meadow towards the church. It is well presented in a wash line...

A fine pastel study of a mother and her child, finished with delicate graphite detail. Well presented in a glazed wood frame with a gilded inner window and a washline mount.Signed a...

Pastels render a cheery study of a red-nosed barkeep enjoying a drink. The artwork has been completed on a piece of olive green wove, allowing the vibrancy of the chalk colours to tr...

A charming pastel drawing by the English artist Osmond Hick Bissell. The scene depicts a mountainous landscape view. Signed to the lower right-hand corner and inscribed to the lower ...

A delightful pastel painting, depicting a view of snow covered mountains through a magnolia tree. Signed illegibly to the lower right-hand corner. Presented in a card mount and in a ...

Artist: Franco Fusari, Italian (1945 - ) Title: Paola I Year: 2009 Medium: Conte Pastel on Paper, signed Size: 14 in. x 19.3 in. (35.56 cm x 49.02 cm) Frame Size: 22.5 x 30 inches

Woman with Floral Cloth Background (Portrait of Grace), 1944 Crayon and pencil on paper, 28 x 22 inches (71.1 x 55.9 cm) Framed dimensions: 32 1/2 x 26 1/2 inches Signed and dated at...

A delightful mid-20th century copy of Raphael's c.1514 'Madonna della Seggiola' in pastel. Raphael's choice to forgo his linear style and strict geometric form is still clear in this...

Pauline Plummer (b.1933) Original, pastel on paper. Double mounted in a glazed wooden frame. Signed and inscribed to the reverse.

"Caught" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The paper measur...

"It’s Complicated" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The pa...

Since We Were Children Ink and oil pastel on paper

Untitled 02, 2016 Wax crayon on canvas (Signed on reverse) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on ...

pastel on toned paper signed bottom left

Seated Nude 2003 Pastel on paper 23 x 17.5 inches

"Through My Tiers" is an original oil pastel and ballpoint pen on arches paper work by Lauren Rinaldi. This piece ships in the pictured archival custom frame. The paper measures 18.5...

Walpole Champneys (British, 1879 – 1961) A set of six blue crayon vignettes possibly designs for later illustrations / paintings Blue crayon on paper 11.1/4 x 15 in. (28.5 x 38.2 cm....

Soft pastel on toned archival sanded paper signed and dated bottom right corner. One of many pastel nudes by the artist who has done extensive work in the medium in addition to his o...

Tully Filmus (1903 - 1998) was a Russian/American artist who was known for his realist drawings of Jewish life. This pastel drawing on paper is signed low...

Original drawing by Lauren Rinaldi float mounted in the pictured simple white frame measuring 17in x 14in. This is an original artwork made with colored pencil, ballpoint pen, graphi...

"So, We'll Go No More a Roving" (2005) By Anna Pennati Inspired by Lord Byron Italian artist Anna Pennati gives visual expression to one of Lord Byron's most poignant and beloved poe...

Vespa Warren, circa 1961 The distinguished Cobbly of Corr Castle, a Cavalier Spring Charles Spaniel indistinctly inscribed, dated and signed 'Miriette[?] 1961/Vespa Warren' (lower le...

"Pink" is an original oil pastel on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured archival custom white frame. The finished framed dimensions ar...

Bari-Lynn Friedlander is a vibrant Miami-based abstract artist known professionally as Bari-Lynn Art. Originally from New York City's design and fashion world, working for major luxu...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

ink and pastel on paper

A unique Post-Impressionist study of a sow with piglets, captured in a vibrant range of chalk pastels. Monogrammed 'JH' to the lower right. Float mounted in a contemporary white fram...

An energetic street study by the artist Pauline Plummer (b.1933). Signed and dated to the lower right. Further signed and titled verso. Well presented behind glass in a slim wooden f...

Dione Page (1936-2021) Red Roofs, gouache and pastel. Signed, titled and dated '99. Presented in a complimenting contemporary style frame with a double card mount. On paper.

A crowd of people that stretches into infinity, all tinged blue, huddle under umbrellas during a storm and face the viewer. Given the title, it is implied that the viewer stands in t...

Terry Frost (1915-2003) Stage Design Wax crayon drawing 21 x 42 cm Sir Terry Frost was a British abstract artist known for his vibrant use of colour, geometric forms, and express...

"Sarlacc Rising," is an abstract expressionist mixed media by artist Vivian Liddell. This piece is a representation of a Sarlacc, giving abstract expression to a fictional character....

Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is not framed, but we are able to work with a framer local to you in order to have it framed and ready to hang. We can also frame it before shipment. For new listings, more work by Liddell and sales, please follow our storefront at Gallery 1202. "As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece, and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender." Vivian Liddell is an interdisciplinary artist in Athens, Georgia who works with painting, fiber and craft techniques, sculpture, printmaking, photography, animation and sound. Born in Memphis, Tennessee, she received her BFA from the University of Georgia and her MFA from the Pratt Institute in Brooklyn. Liddell’s work has been featured in solo and curated exhibitions throughout the United States, including at the Wiregrass Museum of Art, the Macon Museum of Arts and Sciences, and Trestle Gallery in Brooklyn. In 2019 she had two solo exhibitions of her “Men” series at the Versa Gallery in Chattanooga and 621 Gallery in Tallahassee, with a review of the Versa exhibition in BURNAWAY and was recently picked by Berlin curator Tina Sauerlaender as a featured artist on Foundwork. Liddell hosts a podcast (Peachy Keen) as an extension of her art practice, interviewing women on art and the South. She is an Assistant Professor of Painting and Drawing at the University of North Georgia...

Self Portrait in Underwear John Hardy, American (1923–2014) Date: 1962 Pastels on Watercolor paper, signed and dated Image Size: 23.5 x 18 inches Size: 32 x 27 in. (81.28 x 68.58 cm)

Cloudburst pastel on paper 6 x 6inches 12 x 12 inches framed 2023

Work : Original Drawing, Handmade Artwork, Unique Work. Not Framed. Museum matting & backing included, ready to be framed in a standard frame 40x30 cm. Medium : Watercolour, Gouache...

Pink Waterlily, 1940 Charcoal and pastel on textured paper 7 x 9 3/4 inches (17.8 x 24.8 cm) Signed and dated at lower center: Joseph Stella 1940 Joseph Stella’s artistic career def...

Evening Mist II pastel on paper 6 x 6inches 12 x 12 inches 2023

pastel on heavyweight toned paper unframed signed on bottom. part of a series of valentine day theme paintings ans pastelsSABOUT Stephen Basso Stephen Basso's highly original pastel...

pastel on paper, signed lower right. Henri Bernard Goetz (September 29, 1909 – August 12, 1989) was a French American Surrealist painter and engraver. He is known for his artwork, a...

Hubert Finney (1905 – 1991) Blitz Site with St Paul's Cathedral Charcoal, coloured pencil and pastel 35 x 52 cm A reclusive figure whose work has remained largely unseen, Finney stu...

Nude Pencil Drawing pair of Portraits Pencil and pastel on paper, unsigned from the artist portfolio. George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949...

Two Into One (Passage Series) John Hardy, American (1923–2014) Date: 1982 Pastel on Paper, signed Size: 39 x 27 in. (99.06 x 68.58 cm)

Untitled 2003 (Abstract Painting) Pastel, acrylic and pencil on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and ...

Oil pastel on paper Original work 57 x 53 x 3 cm (framed)

Work on paper

Work on paper