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Medium: Graphite
Dancing Foxes Pin Fall 2003 Graphite Drawing
Located in Bristol, CT
Art Sz: 9"H x 6"W
Provenance:
Gillian Dupont's The Old Habit Tack Shop Marshall, VA
Category
21st Century and Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Fox-Hunt Motif Belt Graphite Drawing
Located in Bristol, CT
Art Sz: 9"H x 12"W
Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA
Category
21st Century and Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Wool Hunting Glove 2001 Graphite Drawing
Located in Bristol, CT
Art Sz: 7 1/2"H x 9 1/2"W
Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA
Category
Early 2000s Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Winter Special Glove Graphite Drawing
Located in Bristol, CT
Art Sz: 8"H x 10 1/2"W
Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA
Category
21st Century and Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Stirrups Graphite Drawing
Located in Bristol, CT
Art Sz: 12"H x 9"W
Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA
Category
21st Century and Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Childrens Plain Riding Shirt Graphite Drawing
Located in Bristol, CT
Art Sz: 13"H x 11"W
Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA
Category
21st Century and Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
The Battle (2)
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Episodic disturbances #2 Hélène Duclos 21st Century drawing art landscape red
Located in Paris, FR
This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris.
The liquid mountain is populated by living be...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Gouache, Graphite
Le Due Fait de la Peinture by Georges Manzana Pissarro - Colourful drawing
Located in London, GB
Le Due Fait de la Peinture by Georges Manzana Pissarro (1871-1961)
27.5 x 18.3 cm (10 ⁷/₈ x 7 ¹/₄ inches)
Graphite and coloured crayon on paper
Inscribed upper left and signed lower ...
Category
1940s Graphite Drawings and Watercolor Paintings
Materials
Paper, Color Pencil, Graphite
Untitled
By Lucio Pozzi
Located in New York, NY
Untitled is a watercolor painting by Italian artist Lucio Pozzi. The canvas is signed and titled by the artist himself, and the work is currently housed at Hal Bromm Gallery.
Category
1980s Graphite Drawings and Watercolor Paintings
Materials
Watercolor, Oil Pastel, Graphite
$2,500
Vaulted Interior, 19th Century Orientalist Sketch, Graphite on Paper
Located in London, GB
Graphite on Paper
Image size: 19 x 14 inches (48.25 x 35.5 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher and...
Category
Mid-19th Century Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Go through the trials #7 Hélène Duclos 21st Century drawing art landscape red
Located in Paris, FR
This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris.
The liquid mountain is populated by living be...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Gouache, Graphite
A Triptych: The Olympic Games, Modern British Drawing, Ancient Greek, Nude
Located in London, GB
Graphite on paper
Image size of rectangular works: 33 x 43 inches (84 x 109 cm)
Image size of arched central work: 38 1/4 x 29 inches (97 x 73.5 cm)
Provenance
Private Collection of Seymour Stein, Vice President of Warner Bros Records
Sotheby's 'Modern British and Irish Art,' London, 19 May 2004, lot 92
The three impressive drawings are studies for Stroudley’s ‘Olympic Games in a Demi-Lune’. From left to right the studies depict groups of athletes practicing diving, a conversing crowd of oarsmen, hurdlers mid jump and a collection of javelin throwers. This study was created in 1930 when Stroudley practiced in the British School in Rome. There are few surviving works from Stroudley’s short stay in Rome, with the compositions from his Rome period being among the last wholly successful decorative cycles produced by a Rome Scholar prior to World War II. Indeed, as can be seen here, his drawings from this period are technically brilliant and even bear comparison with those of Eric Kennington.
James Stroudley
Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk.
Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...
Category
1930s Modern Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Cincinnati Bengals
By Jack Davis
Located in Fort Washington, PA
Date: 1990
Medium: Ink and Conte Crayon over Graphite
Dimensions: 12" x 16"
Signature: Signed
Jack Davis Cincinnati Bengals Football Illustrat...
Category
1990s Graphite Drawings and Watercolor Paintings
Materials
Ink, Graphite
"Horse Cart"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958).
One of the two most important and, so far, the most valuable of the New Hope Sc...
Category
Early 20th Century American Impressionist Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Graphite and gouache on handmade paper:
The Remains: 8
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper:
The Remains: 10
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Gouache, Handmade Paper, Graphite
Whispers
Hisses Series:
In Regret
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Gold Leaf
Whispers
Hisses Series:
In Knowing
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Gold Leaf
Whispers
Hisses Series:
In Dread
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Gold Leaf
Soft Dissolve
By Ashlie Benton
Located in Saint Louis, MO
Ashlie Benton
Soft Dissolve, 2013
Oil, graphite, gold leaf on Nepal paper
38 x 26.75 inches (96.5 x 67.9 cm)
Edition EV 2/9
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Gold Leaf
Lamp
Located in New York, NY
Lamp, 2014
Graphite on paper
40 x 51 cm
Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 1999 and 2004 he studied at the painting departm...
Category
21st Century and Contemporary Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Medusa
Located in New York, NY
Medusa, 2014
Graphite on paper
15.75 x 20.1 inches / 40 x 51 cm (framed)
Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 1999 and 2004 h...
Category
21st Century and Contemporary Contemporary Graphite Drawings and Watercolor Paintings
Materials
Graphite
The Telephone
Located in New York, NY
The Telephone, 2014
Graphite on paper
15.75 x 20.1 inches / 40 x 51 cm (framed)
Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 1999 and...
Category
21st Century and Contemporary Contemporary Graphite Drawings and Watercolor Paintings
Materials
Graphite
Rituals #1 Hélène Duclos, 21st Century Contemporary figurative art, orange green
Located in Paris, FR
Gouache, color pencil and graphite on paper
Signed lower right
Unique work
1 / Hélène DUCLOS, 2016 – Artist Statement
“Questioning the human condition and the position of being ali...
Category
21st Century and Contemporary Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Gouache, Color Pencil, Graphite
"Central Park"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork.
Signed. Complemented by a hand carved and gilt frame.
William L. Lathrop (1859-1938)
Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony.
Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades. Even though his prints were extremely beautiful, he still was impoverished. Lathrop would return to his family in Ohio, before once again attempting the New York art scene. In 1899, with great trepidation, he submitted five small watercolors to an exhibit at the New York Watercolor Club. He won the Evans Prize, the only award given, and four of the five paintings were sold the opening night. At age forty Lathrop’s career would finally take off and he became an “overnight success
Lathrop came to Phillips Mill for the first time in1898, to visit his boyhood friend, Dr. George Marshall. Shortly after, he and his family purchased the old miller’s house from Dr. Marshall. The Lathrop’s home became a social and artistic center for the growing New Hope colony. Tea and fascinating conversation was the “order of the day” every Sunday. This was a scene fondly recalled by many younger art students that Lathrop taught privately at Phillips Mill. It was common to see groups of his students painting and sketching along the banks of the canal or aboard his canal boat. He had previously taught in the Poconos and at the Lyme, Connecticut Summer School in1907, but Phillips Mill always remained Lathrop’s permanent address.
In 1928, a committee headed by Lathrop was formed to purchase the old Phillips Mill building as a place to hold community gatherings and art exhibitions. The committee had success and in 1929 the Phillips Mill Community Association was formed. This became the center of the New Hope Art Colony holding annual exhibitions and still operating today.
In 1930, Lathrop had built a sailboat he named the “Widge”. For eight consecutive seasons he sailed it along the coast of Long Island...
Category
Early 20th Century American Impressionist Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
"You Little Bears, You!"
Located in Fort Washington, PA
Signature: Signed Lower Left
Dimensions: 21.00" x 14.00"
Price on Request-
The work was published in Cosmopolitan December 1905 from a story by Annie Hamilton Donnell, "The Expedi...
Category
Early 1900s Graphite Drawings and Watercolor Paintings
Materials
Graphite
Places (1)
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest.
In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come?
Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing.
The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Pencil, Graphite
The Space of Absence
Located in Montreal, Quebec
3 sheets of A-4 sized paper.
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Pencil, Graphite
Cloud (Planet)
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Ro...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Pencil, Graphite
Places (Horreum)
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest.
In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come?
Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing.
The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Pencil, Graphite
Places (2)
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Ro...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Pencil, Graphite
Study of the Apollo Belvedere, Graphite Sketch, 19th Century
Located in London, GB
Graphite on paper
Image size: 13 3/4 x 26 inches (35 x 66 cm)
This is most likely to be a drawing from an Academy student, executed as part of their academic training. The academic ...
Category
19th Century Graphite Drawings and Watercolor Paintings
Materials
Graphite
Self Portrait, 20th Century English Artist, Graphite Drawing
By Frank Jameson
Located in London, GB
Frank Jameson
1899 - 1968
Self Portrait
Graphite on paper, signed lower right
Image size: 15 x 9 inches
Contemporary frame
Frank Jameson was born in London and later moved to Birmingham where he attended evening classes in drawing and painting at Birmingham Art School. By day he worked as an insurance salesman. During the First World War he became an officer in the Worcester Regiment and was in charge of building bridges and block houses. He returned to the Midlands but then travelled widely by rail, eventually discovering St Ives where he was inspired by the stunning scenery. He stayed and rented the Loft Studio. He also became a member of the St Ives Society of Artists and exhibited frequently with his fellow artists, especially John Park...
Category
20th Century Graphite Drawings and Watercolor Paintings
Materials
Graphite
Untitled
By Lucio Pozzi
Located in New York, NY
Untitled is a drawing by Italian artist Lucio Pozzi. The paper is signed by the artist himself, and the work is currently housed at Hal Bromm Gallery.
Category
1980s Graphite Drawings and Watercolor Paintings
Materials
Oil Pastel, Graphite
Moulin Vardon près Gournay, Graphite on Paper by Paulémile Pissarro, circa 1934
Located in London, GB
SOLD UNFRAMED
Moulin Vardon près Gournay, Graphite on Paper by Paulémile Pissarro, 1934
Graphite on paper
32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches)
Signed lower right, Paulémile-Pissarr...
Category
1930s Post-Impressionist Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Contemporary miniature graphite pencil seascape drawing black and white signed
By Bill Teeple
Located in Milwaukee, WI
"Full Moon & Clouds #4" is an original graphite drawing on paper by Bill Teeple, signed in the lower right corner of the mat. This small image of a the moon over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own.
Art size: 2" x 1 1/4"
Frame size: 14" x 11"
"I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years."
In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Contemporary miniature graphite pencil seascape drawing black and white signed
By Bill Teeple
Located in Milwaukee, WI
"Ascension #4" is an original graphite drawing on paper by Bill Teeple, signed in pencil in the lower right. This small image of a sunrise over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own.
Art size: 2 3/4" x 1 1/2"
Frame size: 11" x 14"
"I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years."
In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Minimal, black and white, graphite drawing:
PERMEATE
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Minimal, black and white, graphite drawing:
Torque
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Minimal, black and white, graphite drawing:
PIECE
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Minimal, black and white, graphite drawing:
PICK
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Minimal, black and white, graphite drawing:
Expanse
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
The Race, 20th Century Graphite Sketch, English Artist
By Gordon Scott
Located in London, GB
Graphite on paper
Image size: 11 3/4 x 16 inches (30 x 40.5 cm)
White gold frame
Gordon Scott
Gordon Scott was trained at the Royal College of Art (1934-38) under Gilbert Spencer, ...
Category
20th Century Modern Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
The Waiting Room (Europe)
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Large black and white drawing by Yvon Pissarro titled Farmhand in a Cowshed
Located in London, GB
Farmhand in a Cowshed by Yvon Pissarro (b. 1937)
Graphite on paper
56 x 76 cm (22 x 30 inches)
Signed lower left Yvon Vey
Provenance
Studio of the arti...
Category
1980s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Graphite, Paper
"Playing Dress Up in the Attic, " Original Graphite Drawing by Sylvia Spicuzza
Located in Milwaukee, WI
"Playing Dress Up in the Attic" is an original graphite drawing by Sylvia Spicuzza. The artist signed the piece. This artwork features two children playing dress-up.
8" x 5" art
19...
Category
1920s Other Art Style Graphite Drawings and Watercolor Paintings
Materials
Graphite
Death the Bride, Late 19th Century Pre-Raphaelite Graphite on Paper
Located in London, GB
Thomas Cooper Gotch RBA RI
1854 - 1931
Death the Bride
Graphite on paper
Image size: 44 x 34 inches
Pre Raphaelite Style frame
The title of the painting comes from Shakespeare. It ...
Category
Late 19th Century Pre-Raphaelite Graphite Drawings and Watercolor Paintings
Materials
Graphite
Self Portrait, Graphite Sketch 20th Century British Female Artist
Located in London, GB
Graphite on paper
Image size: 12 1/4 x 8 inches (31 x 20.25 cm)
Hand made contemporary style frame
This is a wonderful self portrait that captures the artist as she stares, unafraid...
Category
Mid-20th Century Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
The Dance (1)
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Living
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite, Watercolor
Inlands (3)
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Watercolor, Archival Paper, Graphite
Teatro
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Monumento Vittorio Emanuele
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research.
In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...
Category
2010s Contemporary Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Portrait of Bachoo, Countess Woronzow, 1946
Located in Miami, FL
Powerful pencil study of Bachoo, Countess Woronzow. Tchelitchew exaggerates the sitters features with abnormally large eyes for dramatic effect, Bachoo (Countess Bachoobai Woronzow-D...
Category
1940s Surrealist Graphite Drawings and Watercolor Paintings
Materials
Graphite
The Barbers, 19th Century Orientalist Graphite Sketch
Located in London, GB
Graphite on Paper
Image size: 12 ¼ x 19 ½ inches (36 x 50 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher and ...
Category
Mid-19th Century Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
Underworld (red)
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Graphite Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite
Miss Twisty: Back to the City - Mid-Century Female Illustrator
Located in Miami, FL
Miss Twisty is a story of a young girl who leaves the big city to spend time in the country. The book is filled with insight and humor. This work is a deftly rendered black-and-wh...
Category
1940s Academic Graphite Drawings and Watercolor Paintings
Materials
Paper, Graphite
The children of fire Haude Bernabé 21st Century Contemporary Figurative Drawing
Located in Paris, FR
Ink and graphite on paper
Signed, entitled and dated lower left by the artist
Category
2010s Outsider Art Graphite Drawings and Watercolor Paintings
Materials
Paper, Ink, Graphite
Strangers - Haude Bernabé, 21st Century, Contemporary Figurative Drawing
Located in Paris, FR
Ink and graphite on paper
Signed, entitled and dated lower right by the artist
Category
2010s Outsider Art Graphite Drawings and Watercolor Paintings
Materials
Paper, Ink, Graphite
Graphite drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Graphite drawings and watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add drawings and watercolor paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Victor Di Gesu, Howard Tangye, Robbie Cornelissen, and David Dew Bruner. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite drawings and watercolor paintings, so small editions measuring 0.1 inches across are also available Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,595,000, while the average work can sell for $893.
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