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Audrey AnastasiStudio Nude, female figure fish, art within art
$800
£604.44
€693.02
CA$1,116.49
A$1,214.83
CHF 643.24
MX$14,615.21
NOK 8,167.67
SEK 7,472.85
DKK 5,177.85
About the Item
These recently re-discovered 1984 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing observational drawings prior to the artists switch to working with her non- dominant left hand.
As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze, Anastasi's version of the female classical nude incorporates a modernist sensibility, often with a direct gaze or a palpable sense of interior life.
- Creator:Audrey Anastasi (American)
- Dimensions:Height: 41 in (104.14 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU1339114772872
Audrey Anastasi
Audrey Frank Anastasi has had 20 solo
200 group shows. Her "ref-u-gee" series will be shown in 2022 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson at the Trailside Museum
Zoo, Bear Mountain State Park, NY, and the Stations of the Cross in the auditorium of Our Lady of Angels RC Church, Brooklyn. Her work is in Valentine Museum of Art, Brooklyn, NY, Munson Williams Proctor Art Institute, Utica, NY, Museum Pinacoteca do Estado de São Paulo, Brazil, Pfizer Corporation, NY, Avon Corporation, St. Vincent's Hospital Collection, NYC
MoMA Photography Archives.
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By Audrey Anastasi
Located in Brooklyn, NY
This feminist work of a nude gazing directly at the viewer, features graphite on mylar over cut paper, aligned to amplify the forms while maintaining the delicacy of the drawing. These recently discovered 1984 oversize works on mylar and archival papers were created with a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand.
As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...
Category
1980s American Modern Figurative Drawings and Watercolors
Materials
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