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Building Nude Drawings and Watercolors

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Art Subject: Building
Under the Matterhorn - Acrylic on Canvas
Located in Soquel, CA
Under the Matterhorn - Acrylic on Canvas A sleepy village sits under the shadow of the Matterhorn in this Swiss-style painting by an unknown artist. A handful of lights illuminate w...
Category

20th Century Impressionist Figurative Drawings and Watercolors

Materials

Canvas, Acrylic

House with Portico - Original Mixed Media by A. Matheos
Located in Roma, IT
House with Portico is an original artwork realized by Alkis Matheos in the XX Century. Original mixed media (Ink, Tempera and Collage) on paper. Collage of different papers on skeet...
Category

Mid-20th Century Nude Drawings and Watercolors

Materials

Mixed Media

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Academic Study (Male Nude)
Located in London, GB
Charcoal on paper, signed by the artist (upper right), and RA visitor L. Alma Tadema, RA., and dated (lower left), 76cm x 57cm, (64cm x 88cm framed). Olivier studied at the Royal Academy Schools from 1881, where this extraordinary display of drafting took place. Olivier exhibited extensively, including the Royal Academy starting in 1883, and the Paris Salon. He exhibited at the Fine Art Society in the 1880s and at the Grafton Galleries in 1908. An official war artist in the Great War, his work is included in the collection of the Imperial War Museum. It is also contained in many regional art galleries. Drawings of the nude, called academic studies...
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Materials

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Charcoal on paper Signed by RA visitor Edwin Long and dated (lower right) 76cm × 57cm (88cm × 64cm framed) Olivier studied at the Royal Academy Schools from 1881. He exhibited exten...
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Located in London, GB
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Located in New York, NY
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Materials

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Drawing on paper MICHAL BAJSAROWICZ (born in 1963) He graduated from the Academy of Fine Arts in Poznan, achieving his diploma in 1992 at the studio of prof. B. Wegner. His mainly w...
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Study of a Fate at mid-body, a red chalk attributed to Giovanni da San Giovanni
Located in PARIS, FR
This spectacular red chalk drawing depicts an elderly woman, her eyes bulging, her hand stretched out towards the sky. This disturbing character, who seems close to dementia, and the elongation of her arm with its Mannerist overtones, plunge us into the Florentine artistic milieu of the first half of the 17th century. The proximity of this drawing to some characters in the fresco in the Pitti Palace representing The Muses, Poets and Philosophers chased from Parnassus, the last masterpiece of Giovanni da San Giovanni, leads us to propose an attribution to this artist and a dating of around 1635-1636. 1. Giovanni da San Giovanni, the painter of contradiction We take here the title of the monography dedicated to the artist by Anna Banti in 1977, which remains the reference book for this artist. The son of a notary, Giovanni Mannozzi, known as Giovanni da San Giovanni, abandoned his studies to go to Florence at the age of sixteen, where he entered the studio of Matteo Rosselli (1578 - 1650) around 1609 and enrolled in the Academy of Drawing Arts in 1612. Around 1615 he produced his first known works, mainly frescoes for the city's tabernacles. He became famous in Florence for his originality, combining an obsessive application to the study of drawing and the reading of poetry and history with a disheveled appearance. Between 1619 and 1620 he decorated the facade of the Antella Palace in Piazza Santa Croce, a decoration that still partly survives today. The death of Cosimo II in 1621 put an end to the Florentine building activity and Giovanni da San Giovanni left for Rome to find other sponsors with the painter Francesco Furini...
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Located in Brooklyn, NY
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