Head of a Bearded Man in Profile, Wearing an Officer s Jacket

c. 1890

Attributed to Armand Point (1860–1932) Portrait of a Man Pencil on paper, 15.3 x 11 cm Monogram upper right: interlaced "AP" Provenance: Private collection This expressive portra...

Artus WOLFAERTS (1581-1641) Study of a head Oil on paper, transferred on panel. 39,5 x 29 cm Unsigned Provenance Private collection, France Firstly thought to be from Rubens’s S...

French School, circa 1900 Young Woman with a Wide-Brimmed Hat Charcoal and black chalk with white highlights on thick cream laid paper 20 × 29.2 cm Academic study of a young woman ...

Follower of Giovanni Francesco Barbieri, called Il Guercino (Cento 1591 – 1666 Bologna) Sibyl or bust-length woman, seen in profile to the left, wearing a turban Red chalk on paper,...

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...

Bust of an old man with flowing beard is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art b...

Hal Frater, American (1909 - 2008) - Portrait of Bearded Man, Medium: Graphite on Paper, signed lower right, Size: 11 x 8.5 in. (27.94 x 21.59 cm)

This intimate oil portrait captures an elderly gentleman with distinctive white hair and a full beard. Painted in a realistic style, the work emphasises the character and wisdom of t...