Paloma Castello

Poli Negri I and Vilma Banky Diptych. Drawing From The Dis-enchanted series.

2016

Castello's “Exotic Delirium” installation where the artist pays tribute to the constant hybridization and miscegenation, to the richness that springs from the intersection of different universes, to the possibility of cohabitation and the need for adaptation, and to the landscape as a historical and dynamic unit... Dreams in which reality and fiction are interwoven, since, as Michel Foucault put it: "There is the possibility of making fiction work in truth, of inducing the effects of truth through fictional discourse, and from this truthful discourse to arouse, manufacture, something that does not yet exist, in other words, create fiction." ___________________________________ Paloma Castello born 1988 Bogotá, Colombia. She Uses her work to bring life to a different narrative to an object’s past. She is interested in playing with memory and relating it to the present, creating an atmosphere between reality and fiction. Her family and social background have a powerful influence on her work. She grows up surrounded by objects and anecdotes inherited from her ancestors, those objects inspire endless surreal stories. Her work emerges from these experiences; they are evidence of her “auto-fiction”.