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Roland Calliaux
The Absinthe Drinker

1925

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Young boy at Loemboeng, 1918
Located in Amsterdam, NL
Young boy at Loemboeng, 1918 Signed with initials and dated, bottom right Black chalk on paper, 25.7 x 10 cm Literature: W.O.J. Nieuwenkamp, Zwerftochten door Timor en Onderhoori...
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Young boy at Loemboeng, 1918
$17,196
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H 10.12 in W 3.94 in D 1.19 in
Portrait of Paul-César Helleu, a drawing by Rafael de Ochoa y Madrazo (ca. 1885)
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This lively drawing immerses us in the artistic world of Paris at the end of the 19th century. After meeting the painter Helleu in 1881, Rafael de Ochoa y Madrazo, a young Spanish pa...
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“Standing Nude, c. 1930” American Modernist Early Female Nude Drawing Signed
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Located in Yardley, PA
“Standing Nude, c. 1930” by Louise Nevelson (1899-1988) This wonderful early pencil drawing by Nevelson represents a nude figure, rendered with simple and confident lines that empha...
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Self Portrait, of the Gentleman himself
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Twins
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Located in West Hollywood, CA
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Young Boy at the Window by Benjamin II Vautier - Graphite on Paper - 18.5x11 cm
By Benjamin II Vautier
Located in Geneva, CH
Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...
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Car in a Village by Benjamin II Vautier - Graphite on Paper - 26x17 cm
By Benjamin II Vautier
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Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...
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Lady in Tunic by Benjamin II Vautier - Graphite on Paper - 21.5x19 cm
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Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...
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Posing Lady by Benjamin II Vautier - Graphite on Paper - 22x19 cm
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Portrait of Couple by Otto Vautier - Graphite on paper - 25x18 cm
Located in Geneva, CH
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The New Haircut, 20th Century portrait of a Young Girl, drawing
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Portrait of Adriane Madami, 20th Century Graphite on Paper
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James Stroudley 1906 -1985 Portrait of Adriane Madami Graphite on paper, signed and inscribed '1930, Adriane Madami, Assisi' Image size: 19 x 16 inches James Stroudley was born in...
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Graphite Study of a Head, Monogrammed Victorian Sketch, Gilt Fame
By Henry Perronet Briggs
Located in London, GB
Graphite on paper, monogrammed lower left Image size: 6 x 6 1/2 inches (15.25 x 16.5 cm) Contemporary style handmade gilt frame Henry Perronet Briggs Henry Perronet Briggs RA wa...
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Portrait of a Boy, Pastel Drawing, 20th Century English
By William Dring
Located in London, GB
Pastel and graphite on paper Image size: 11 x 8 1/2 inches (28 x 21.5 cm) Mounted William Dring Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth Rothwell...
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Self Portrait, Graphite Sketch 20th Century British Female Artist
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Portrait of Julieta, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley 1906 -1985 Portrait of Julieta Graphite on paper, signed and inscribed '1931' Image size: 15 x 12 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
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