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Style: Old Masters
St. John the Baptist in the wilderness , Ecce Agnus Dei (Behold the Lamb of God)
By Giovanni Francesco Barbieri (Il Guercino)
Located in Middletown, NY
Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition with some modern notations in pencil on the verso, minor cockling, and a 1-inch hor...
Category
Mid-17th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink, Watercolor, Vellum, Pencil
Mythological combat scene with Roman soldiers on horseback.
By Virgil Solis
Located in Middletown, NY
Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...
Category
16th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink, Laid Paper, Pen
Study of a bearded man in profile to the right
By Leonardo da Vinci
Located in Paris, Île-de-France
Circle of Leonardo da Vinci (Vinci, 1452 – 1519, Clos-Lucé)
First half of the 16th century
Study of a Bearded Man in Profile, Facing Right
Red chalk on paper
8 × 6 cm
Unsigned
Provenance: Private collection
This delicate drawing belongs to the Lombard school and was created by an artist working under the influence of Leonardo da Vinci, very likely within his close circle. The profile recalls the Apostle at the far left of The Last Supper, and may even derive directly from Leonardo’s own compositional sketches for the mural (Gallerie dell’Accademia, Venice, inv. 254).
While Leonardo’s version carries a profound religious and political message, this sheet reveals a more naturalistic interpretation. The precise outlines and the controlled hatching distinguish it from the master’s hand, yet the subtle modeling of the face in red chalk shows clear echoes of Leonardo’s refined technique.
Comparable examples are preserved in the Royal Collection Trust, Windsor, including The Head of an Old Man Crowned with a Wreath of Laurels (recto) and The Head of an Old Man in Profile, both originally from Francesco Melzi...
Category
16th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk, Laid Paper
Study Of A Head
Located in Paris, Île-de-France
Artus WOLFAERTS (1581-1641)
Study of a head
Oil on paper, transferred on panel.
39,5 x 29 cm
Unsigned
Provenance
Private collection, France
Firstly thought to be from Rubens’s S...
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Oil, Laid Paper
Italian School, 16th Century, Study of figures
Located in Paris, Île-de-France
Italian School, 16th Century
Studies of Figures
Pen and ink on paper,
23 × 24 cm
Unsigned
A finely executed sheet presenting vigorous figure studies, drawn with assured pen strok...
Category
16th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink
Antique French Miniature Portrait of Lady Biographical details with painting
Located in Cirencester, Gloucestershire
Miniature Portrait
French School, late 18th/ early 19th century
framed: 5.5 x 5.5 inches
board: 2 x 2 inches
provenance: private collection, France
condition: very good and sound c...
Category
Late 18th Century Old Masters Portrait Drawings and Watercolors
Materials
Watercolor
“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog
By John Russell
Located in Yardley, PA
“Hon. George King, 1788” by John Russell (1745-1806)
Regarded as Britain’s foremost pastellist, John Russell is well known for his portraits of the wealthy middle class. In particul...
Category
1780s Old Masters Portrait Drawings and Watercolors
Materials
Canvas, Paper, Pastel
CHILD - Alfonso Grassi Pastel on paper Portrait italian Painting
Located in Napoli, IT
CHILD - Pastel on paper cm.51x41 signed lower right by Alfonso Grassi, Italy.
Wooden frame with passeportout cm.94x73
Category
Late 20th Century Old Masters Portrait Drawings and Watercolors
Materials
Paper, Pastel
Italian School, late 16th century - Head of a Man and Écorché Studies of Arms
Located in Paris, Île-de-France
Italian School, late 16th century
Head of a Man and Écorché Studies of Arms
Red chalk on laid paper,
21 x 11 cm
Provenance:
Collection of Michael Jaffé CBE (1923–1997), English art historian and Director of the Fitzwilliam Museum, Cambridge
Private collection, France
This drawing, attributed to the Italian School of the late 16th century, demonstrates the influence of Michelangelo’s approach to anatomy and expression. The sheet combines two distinct studies: an anatomical rendering of arms in the écorché technique, focusing on the musculature and skeletal details, and a head of a man, drawn with careful attention to light and shadow. The use of red chalk lends the work warmth and immediacy, qualities often associated with Renaissance studies of the human form.
The écorché studies reflect the Renaissance fascination with anatomy as both an artistic and scientific pursuit. The detailed depiction of the musculature suggests the artist’s interest in understanding the mechanics of the body, a practice heavily influenced by Michelangelo’s drawings...
Category
16th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk
The Holy Family with the Infant Saint John the Baptist
By Raphael (Raffaello Sanzio da Urbino)
Located in Paris, Île-de-France
STUDIO OF RAFFAELLO SANZIO, called RAPHAEL
(Urbino 1483 – Rome 1520)
Title The Holy Family with the Infant Saint John the Baptist
Medium Pen and brown ink, brown wash, over black ch...
Category
16th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink
Study of Feet and a Figure Sketch
Located in Paris, Île-de-France
Attributed to Jacob JORDAENS (Antwerp 1593–1678)
Study of Feet and a Figure Sketch
Red and black chalk on laid paper
25.9 × 18.4 cm (10¼ × 7¼ in.)
Unsigned
Minor losses, folds, an...
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk
Roman School (circa 1590–1620) - Study Of An Executioner
Located in Paris, Île-de-France
Roman School (circa 1590–1620)
Study of a Male Executioner
Black chalk on laid paper,
275 x 199 mm
Unsigned
Formerly Giancarlo Sestieri Collection
This dynamic figure study, exe...
Category
16th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk, Laid Paper
Mercurio / Mercury
Located in Middletown, NY
A lovely, early drawing of the Roman god Mercury.
Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...
Category
Mid-18th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink, Handmade Paper, Laid Paper
Seated Woman Holding a Staff
Located in Paris, Île-de-France
Taddeo Zuccaro (Urbino 1529 – 1566 Rome) and Workshop (?)
Seated Woman Holding a Staff
Pen and brown ink, brown wash heightened with white, traces of red chalk on laid paper
37 x 27...
Category
16th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink
Study of a Sleeping Girl in a Cap
By Jean-Baptiste Greuze
Located in Middletown, NY
Graphite on greenish gray wove paper. 15 1/4 x 11 5/8 inches (390 x 295 mm). Initialed "G. B." in pencil on the lower right recto. In generally good condition with some minor scattered surface soiling. Condition is consistent with age.
____
This drawing is closely related to two known mid 18th century oils...
Category
18th Century Old Masters Portrait Drawings and Watercolors
Materials
Handmade Paper, Graphite
Italian School, 17th century - Study for the Vision of Saint Anthony
Located in Paris, Île-de-France
Italian School, 17th century
Study for the Vision of Saint Anthony
Red chalk on paper
247 x 185 mm
Unsigned
Provenance
Private collection, Paris
Collection of Count Alessandro Mag...
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk
Sibyl or bust-length woman, seen in profile to the left, wearing a turban
By Giovanni Francesco Barbieri (Il Guercino)
Located in Paris, Île-de-France
Follower of Giovanni Francesco Barbieri, called Il Guercino (Cento 1591 – 1666 Bologna)
Sibyl or bust-length woman, seen in profile to the left, wearing a turban
Red chalk on paper,...
Category
18th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk
Early 19th Century, Portrait of a young man wearing glasses, gouache
Located in Paris, FR
Early 19th Century,
Portrait of a young man wearing glasses,
gouache on paper
13 x 10.5 cm oval view
In a vintage frame : 41.5 x 39 cm, accidents and lacks in the gilding but but...
Category
1820s Old Masters Portrait Drawings and Watercolors
Materials
Gouache
Le Menuet
Located in Paris, Île-de-France
Attributed to Gabriel-Jacques de Saint-Aubin (Paris, 1724 – 1780)
Le Menuet, circa 1765–1770
Red chalk on paper
13 3/8 x 8 1/4 in (34 x 21 cm)
Verso: black chalk and red chalk
Unsi...
Category
Late 18th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk, Laid Paper
$17,798
Studies of seated figures
Located in Paris, Île-de-France
GIUSEPPE BOSSI
(1777-1815)
Studies of seated figures
Pen and ink on paper
18 x 14 cm
Provenance:
Private collection, France
Giuseppe Bossi was an Italian Neoclassical painter, dra...
Category
Early 19th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink
Ancient Persian Miniature - Original China Ink and Watercolour - 19th Century
Located in Roma, IT
Ancient Persian Miniature is an original China Ink and Watercolour realized by an artist of 19th Century.
Good condition for a little brown ...
Category
19th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink, Watercolor
Screaming Face
Located in Paris, Île-de-France
DENYS CALVAERT (Antwerp c. 1540 – 1619 Bologna), ATTRIBUTED TO
Screaming Face
Red chalk on paper
17.5 x 14.5 cm
After 1608
Unsigned
Provenance:
Unidentified collection (Lugt L.2339...
Category
Early 17th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk
Jan Cornelis Sylvius, Preacher by Rembrandt Van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606–1669 Dutch
Jan Cornelis Sylvius, Preacher
New Hollstein Dutch and Flemish (Rembrandt) 235, state 2/2
Bartsch 280
Printed by Rembrandt
Signed and dated "Rem...
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Paper, Etching
Jean-Henri Cless (1774-1812) Portrait of a young woman, signed drawing
Located in Paris, FR
Jean-Henri Cless (1774-1812)
Portrait of a young woman in a landscape
signed "Cless fec" for fecit on the lower left
Brown ink and brown ink wash on paper
Size of the sheet : 31.5 x 22 cm
Size of the motive : 24.5 x 17 cm
very simply framed under glass without actual frame 32 x 22.5 cm
This pre...
Category
Early 1800s Old Masters Portrait Drawings and Watercolors
Materials
Ink, Pencil
Study for a standing man
Located in Paris, Île-de-France
Sir Anthony van Dyck
(Antwerp 1599 - 1641 London)
STUDY FOR A PORTRAIT OF A STANDING MAN
Black and white chalk on blue-green paper
25,4 by 13,5 cm
Provenance
Prof. Julius S. Held (...
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk
$22,400 Sale Price
20% Off
Mid-19th-Century Italian Watercolour, La Velata (After Raphael), Old Master
Located in Cheltenham, GB
US buyers pay no import tariffs on this item.
This fine mid-19th-century watercolour by Italian artist Girolamo Tubino (1805-1879) is after ‘La Velata’ (Woman with a Veil...
Category
1840s Old Masters Portrait Drawings and Watercolors
Materials
Paper, Watercolor
English School early 19th century, Portrait of two children, drawing
Located in Paris, FR
English School early 19th century,
Portrait of two children,
Pencil and light heightenings of white and red gouache
29.5 x 23 cm
In quite good condition : the pape is yellowed by t...
Category
Early 1800s Old Masters Portrait Drawings and Watercolors
Materials
Pencil
Regency portrait drawing of Arabella Graham-Clarke
By John Downman
Located in London, GB
Collections:
The sitter, and by descent;
Christie's, 19th March 1928, lot 6;
Private collection to 2019
Literature:
G.C. Williamson, John Downman, A.R.A., his Life and Works, Lon...
Category
Early 19th Century Old Masters Portrait Drawings and Watercolors
Materials
Pencil, Watercolor
Studies of a kneeling female figure, an arm, a hand, and a head in profile
Located in Paris, Île-de-France
Studio of Carlo Maratti (or Maratta)
Camerano 1625 – Rome 1713
Studies of a kneeling female figure, an arm, a hand, and a head in profile
Red chalk on paper
43.4 x 26.6 cm
Unsigne...
Category
Late 17th Century Old Masters Portrait Drawings and Watercolors
Materials
Chalk
Self Portrait
Located in London, GB
Pen and ink, ink wash and pencil on paper, signed and dated (lower right), 38cm x 29cm (65cm x 55cm framed).
This penetrating and wonderfully executed self-portrait, is all the mor...
Category
1910s Old Masters Portrait Drawings and Watercolors
Materials
Paper, Carbon Pencil, Ink
Costume drawings for ‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Located in Amsterdam, NL
Joseph-Marie Vien (1716-1809)
‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...
Category
Mid-18th Century Old Masters Portrait Drawings and Watercolors
Materials
Paper, Pencil
Sketch of a Man in Profile
Located in London, GB
Sketch of a Man in Profile
17th Century French School
Ink on paper
Image Size: 10 1/2 x 7 inches (26.5 x 17.5 cm)
Framed
Provenance
The estate of Joseph McCrindle
Christies Old Masters and British Pictures and Old Master Drawings Sale 12th December 2008
This highly worked picture shows us a man depicted in profile is seen interacting with a scene that extends beyond the boundaries of the paper's composition, the pen strokes intricately portraying the man's face, rendering a detailed, textured complexion. He points his left hand out to something in the distance, with a look of almost alarm.
The artist Giovanni Benedetto Castiglione (1609-64) did a series of oriental head studies.
The exotic headgear that he wears and this type of oriental head studies, had its principal source was of course Rembrandt, who etched many similar heads during the 1630s.
In the seventeenth-century Western European imagination, the turbaned figure represented the epitome of alterity: the Ottoman Turk. Ottoman costume...
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Paper, Ink
Portrait of an Ottoman Dignitary, a drawing by Giuseppe Nogari (ca. 1760)
Located in PARIS, FR
We would like to thank Mrs. Bozena Anna Kowalczyk for confirming the attribution of this drawing to Giuseppe Nogari in a study (available in Italian) from which we have taken our ins...
Category
1760s Old Masters Portrait Drawings and Watercolors
Materials
Chalk, Laid Paper
18th century pastel portrait of Lady Augusta Corbett and her son, Stuart
Located in London, GB
Collections:
Commissioned by Andrew Corbett, husband of the sitter;
The Venerable Stuart Corbett;
Sir Stuart Corbett;
By descent to 2002;
Sotheby’s, London 21 March 2002, lot.104;
Lowell Libson...
Category
18th Century Old Masters Portrait Drawings and Watercolors
Materials
Pastel, Gouache
Eighteenth-century Irish portrait of the Rev. Henry Dabzac
By Hugh Douglas Hamilton
Located in London, GB
Pastel on paper, oval
9 x 7 ¼ inches; 230 x 185 mm
Inscribed on the verso:
‘The Revd Henry Dabzac D.D./ late Senior Fellow of/ Trinity College Dublin/ ever to be lamented by all that knew/ Him. Extensive learning, zeal, gently tempered/ by a spirit of charity & above all, a strong/ faith & a piety deservedly gained/ the character of a great and good man./ This exceptional man died 12th May 1790/ This picture was his give to Jane [Mary] Crofton, his sincerely [missing] sister.’
Collections:
Rev. Dr Henry Dabzac gift to his sister, Jane Crofton (d.1797);
Sir Hugh Crofton (1763-1834);
By descent to 1990;
Private collection, Dorset to 2020.
Literature:
Robert Staveley, Traces of Past and Present, Dublin, 1895, p.74;
Neil Jeffares, Dictionary of Pastellists Before 1800, online edition, no.J3751247
This characteristic pastel portrait by Hugh Douglas Hamilton was made early in his career; it depicts precisely the kind of education, well-connected Irish sitter who fuelled his success. The Reverend Henry Dabzac was from a distinguished Huguenot family, a celebrated academic historian, Dabzac received the Donegall lectureship in 1764 and from 1785 was Librarian and Senior Fellow of Trinity College, Dublin. According to his earliest biographer, Hamilton was the son of a peruke-maker based in Crow Street, Dublin. As Anne Hodge has pointed out, this places Hamilton’s father at the heart of the city: Crow street was a narrow thoroughfare formed part of the busy warren of streets bordered by the old Houses of Parliament and Trinity College at one end, and by Dublin Castle at the other. It is perhaps telling that in this early portrait, Hamilton shows Dabzac in a splendid powdered wig and his clerical bands. In 1754 Hamilton was apprenticed to James Mannin, a ‘pattern drawer’ who two years later was appointed master of the school of ornament at the Dublin Society’s drawing school, run by Robert West. Here Hamilton took the first prize in the 1755 competition, winning a premium of £1/16/. Hamilton developed a popular and profitable method of making pastel likenesses of sitters in a distinctive oval format. Hamilton developed a technique of using a sharpened pastel to hatch shaded areas of the features and, in the case of this portrait of Dabzac, the white powdered wig, which is drawn with particular care. In 1764 Hamilton moved to London where this small, oval pastels proved...
Category
18th Century Old Masters Portrait Drawings and Watercolors
Materials
Pastel
18th century ink study for the Leveson-Gower Children
Located in London, GB
Collections: J. Goodfriend, USA.
Brown wash and pencil on laid paper
Framed dimensions: 13.25 x 11.75 inches
This powerful drawing was made at the time that Romney was painting the famous group portrait of the Gower Children now in Abbot Hall Art Gallery, Kendal. Romney was a bold and incisive draughtsman who made numerous rich brown ink studies, principally for historical compositions; by contrast, comparatively few studies linked directly to his portraits survive. The existence of a group of studies for the Gower Children underscores its importance to Romney. The sitters were the five youngest of the eight children of Granville, 2nd Earl Gower who, at the time the portrait was commissioned, was President of the Council in Lord North’s government and one of the best-connected and most influential people in England. The present drawing which is a large scale treatment of the composition in its final form perfectly distils Romney’s conceit: the younger children dancing whilst their elder sister, in the guise of a Bacchante plays the tambourine. The bold and dramatic study underlines both the artistic confidence and classical grandeur Romney gained during his trip to Italy between 1773 and 1775.
The commission from Granville, 2nd Earl Gower to paint five of his children came shortly after Romney’s Continental tour. The initial idea, as represented by the present drawing, seems to have been to paint Lady Anne, the figure on the right of the composition playing the tambourine, who was the youngest of Gower’s first four children by his second wife Lady Louisa Egerton and who married the Rev. Edward Vernon Harcourt, later Archbishop of York, with three of her younger half-siblings by Gower’s third wife, Lady Susanna Stewart: at the left Lady Georgina, who became Countess of St Germans following her marriage to the Hon. William Eliot; at the right Lady Charlotte Sophia, later Duchess of Beaufort and in the centre Lady Susanna, later Countess of Harrowby. Romney added a fifth child to the finished portrait, Gower’s son: Lord Granville, later created Viscount Granville and Earl Granville. In Italy Romney had produced a large number of studies of classical antiquities and old master paintings.
The commission from Gower offered Romney the opportunity to explore a complex multi-figural group, putting into practice the kind of ambitious classical quotations that Reynolds was currently exploiting. In 1773 Reynolds had completed the remarkable group portrait of the Montgomery Sisters, now in the Tate Gallery, London, which showed them adorning a herm of the Roman god Hymen; the composition used a garland to link the three figures who were shown in classical costume dancing at the foot of a Roman sculpture. Scholars have long pointed to a similar sources for the two compositions: the works of Nicolas Poussin. Whilst the Montgomery Sisters is based, in part, on a Bacchanal now in the Musée des Beaux-Arts, the Gower Children has always been associated with Poussin’s Dance to the Music of Time, now in the Wallace Collection, London. It seems more likely that Romney was looking to an antique source in the form of the Borghese Dancers, a Roman relief, then in Palazzo Borghese in Rome. Romney would have seen the relief of interlocking, dancing maidens and would also have known Guido Reni’s Aurora...
Category
18th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink, Pencil
Young Man with a Sword, a Fist on his Hip, a drawing by Cornelis Saftleven
Located in PARIS, FR
Black chalk and white highlights on paper (originally washed in blue)
Monogrammed and dated 1630 on the right
This drawing, executed in black chalk and enhanced with white brushwor...
Category
1630s Old Masters Portrait Drawings and Watercolors
Materials
Paper, Chalk
Study of a Franciscan Saint, probably San Diego de Alcalá
Located in New York, NY
Provenance: Ivan E. Phillips, Montreal and New York, until 2023.
The brothers Bartolomé Carducho and Vicente Carducho, both born and trained in Florence, settled in Spain where they made their careers. Vicente worked on numerous commissions for both the church and the Spanish court...
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Paper, Chalk, Ink, Pen
18th century portrait drawing of the Rev. William Atkinson
Located in London, GB
Collections:
Henry Scipio Reitlinger (1882-1950);
Private collection, UK to 2019
Framed dimensions: 14.50 x 15.38 inches
This drawing is one of only two known portrait drawings by Romney (as opposed to preliminary studies for portraits) and is dated by Alex Kidson as being executed no later than 1769. It is likely that the present drawing was originally part of a sketchbook, now largely dismembered (Abbot Hall Art Gallery, Kendal), which Kidson notes, contained some of Romney’s most beautiful early drawings. This drawing, and a second sheet formerly with Andrew Wyld, have been identifying as depicting the Rev. William Atkinson...
Category
18th Century Old Masters Portrait Drawings and Watercolors
Materials
Pencil
Portrait drawing of Harriot Mellon, Mrs Thomas Coutts
By Henry Fuseli
Located in London, GB
Inscribed by the artist in pen and brown ink, upper margin: 'σοφὴν δὲ μισῶ: μὴ γὰρ ἔν γ' ἐμοῖς δόμοις / εἴη φρονοῦσα πλείον' ἢ γυναῖκα χρή [Euripides, Hippolytus, 11, 640-41: “But a ...
Category
19th Century Old Masters Portrait Drawings and Watercolors
Materials
Pencil
Study for Assumption of the Virgin
Located in Middletown, NY
Graphite on hand made, fibrous wove paper, finished with gray wash. Unevenly trimmed sheet edges, non-archival tape remnants at all four corners, recto, well outside of image area. Horseshoe-shaped area of light discoloration that extends significantly into the figure's face, beneath the lips, and up over the rear of the head, dog-eared right lower corner with associated light discoloration at crease. DeMin and Belluno inscribed in graphite, verso.
A detailed study showing 'primo pensiero' for Giovanni DeMin's large scale fresco, Assumption of the Virgin...
Category
Mid-19th Century Old Masters Portrait Drawings and Watercolors
Materials
Handmade Paper, Graphite
Moses Breaking the Tablet of the Law (after Parmigianino. 1503-1540)
By Daniel Ramée
Located in Plano, TX
Moses Breaking the Tablet of the Law. (after Parmigianino. 1503-1540.) Pencil drawing mounted onto paper. 12 1/4 x 3 3/4 inches. Collector's seal verso: Gustav Grunwald, (Lugt 1155b)...
Category
19th Century Old Masters Portrait Drawings and Watercolors
Materials
Pencil
$1,750 Sale Price
30% Off
Bénédiction des pains et des poissons; Distribution des pains
Located in Middletown, NY
A fine work with masterful detail by an exceptional artist whose name is lost to history.
European School, 17th century
Ink and wash in black, sepia and grayish brown ink with white...
Category
Mid-17th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink, Watercolor, Handmade Paper
CHILD - Alfonso Grassi Watercolor on paper Portrait italian Painting
Located in Napoli, IT
CHILD -Watercolorl on paper cm.51x41 signed lower left by Alfonso Grassi, Italy.
Wooden frame with passeportout cm.94x73
Category
Late 20th Century Old Masters Portrait Drawings and Watercolors
Materials
Paper, Watercolor
Early 19th century French School, Portrait of a man in profile, oval drawing
Located in Paris, FR
Early 19th century French School,
Portrait of a young man in profile
charcoal on cut paper applied to pink tinted paper
Oval 58 x 47 cm (overall size) the portrait itself 41.5 x 28...
Category
Early 1800s Old Masters Portrait Drawings and Watercolors
Materials
Charcoal
Venditori e Mangiatori di Maccheroni - Watercolor by M. De Vito - 1820 ca.
Located in Roma, IT
Watercolour on paper stuck on grey cardboard, 1820 c.a.
Wonderful watercolour both for the drawing and for the fineness of the colours representing a typical Italian scene of ordina...
Category
1820s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor
Costume of Napoli - Ink and Watercolor by Michela De Vito - 1830s
Located in Roma, IT
Costume of Napoli is an original Ink and Watercolour drawing on ivory-colored stuck on paper, 1830 c.a.
Signed. Image Dimensions: 24.5 x 15 cm.
The original title is written at the...
Category
1830s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor, Ink
Costume di Procida - Watercolor by M. De Vito - 1820 ca.
Located in Roma, IT
Watercolour on paper stuck on ivory colored cardboard, 1820 c.a.
Hand-titled "Costume di Procida" with a caption "Provincia di Napoli" in black ink on lower margin. Partially hand-signed on lower-right margin. Representing a woman with baby...
Category
1820s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor
Costume di Capracolla - Watercolor by M. De Vito - 1820 ca.
Located in Roma, IT
Beautiful watercolor on ivory-colored paper called Costume di Capracolla, realized by the Italian artist Michela De Vito in 1820 ca.
Hand-titled "Costume di Capracolla" with a hand-...
Category
1820s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor
Brigante - Watercolor 1820 ca.
Located in Roma, IT
Watercolour on ivory colored paper, 1820 c.a.. Hand titled and signed. Representing brigand. Very good conditions.
Very beautiful and good quality watercolour both for the drawing a...
Category
1820s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor
Grimace - China Ink and Watercolor Drawing - 18th Century
Located in Roma, IT
Grimace is a beautiful brown and black China ink drawing and watercolor on wire rod paper, made by an anonymous artist of the late 18th century.
A precious old master's original dra...
Category
18th Century Old Masters Portrait Drawings and Watercolors
Materials
Ink, Watercolor
Member of the Military Band - Drawing - 19th Century
Located in Roma, IT
Member of the military band is a beautiful pencil drawing on cream-colored paper, realized during the XIX century by an Italian Master.
Hand-signed on the right side of the artwork....
Category
19th Century Old Masters Portrait Drawings and Watercolors
Materials
Pencil
Theatrical Costume - Watercolor by Alfredo Edel - 1895
By Alfredo Edel
Located in Roma, IT
Theatrical Costume is an original pencil, pastel and watercolor realized by Alfredo Edel in 1895.
Good condition, the artwork is from Amleto and represents Ofelia, with a note writes from the artist on the lower margin.
Hand signed with pencil by the artist.
Alfredo Leonardo Edel (1856–1912), sometimes credited as Alfredo Edel Colorno, was an Italian costume designer popular during the late 19th and early 20th century. He worked at the La Scala opera...
Category
1890s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor, Pastel, Pencil
Marinajo del Molo- Watercolor by M. De Vito - 1820 ca.
Located in Roma, IT
Watercolour on paper, 1820 c.a.
Hand-titled "Marinajo del Molo" (Sailor of the pier), hand-signed on lower-left margin. Very good conditions. Including an ivory colored cardboard p...
Category
1820s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor
Opera dei Pupi
Located in Roma, IT
Watercolour on ivory colored paper stuck onwhite cardboard sheet, 1820 c.a. Representing people attending the typical Sicilian"Operadei Pupi". Excellent conditionsexcept a little sta...
Category
1820s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor
French School 18th Century, L
étonnement, form of expression, drawing
Located in Paris, FR
French School 18th Century,
L'étonnement, Astonishment as a form of expression,
Titled on the lower right "L'étonnement N°9"
Black chalk on paper
43 x 29 cm
In good condition, a sta...
Category
1750s Old Masters Portrait Drawings and Watercolors
Materials
Chalk
Portrait of a Merchant
By Giovanni Francesco Barbieri (Il Guercino)
Located in London, GB
Giovanni Francesco Barbieri Guercino
Italian 1591-1666
Portrait of a Merchant
Sanguine on laid paper
Image size: 12 ¾ x 16 inches (32 x 40....
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Graphite
$19,695
French School 18th Century, Le Rire, Laughter as a form of expression, drawing
Located in Paris, FR
French School 18th Century,
Le Rire, Laughter as a form of expression,
Titled on the lower right "Le rire N°12"
Black chalk on paper
43 x 29 cm
In quite good condition, stains vsibl...
Category
1750s Old Masters Portrait Drawings and Watercolors
Materials
Chalk
Follower Jacques-Louis David Neoclassical Red Chalck French Paper
Located in Roma, IT
Important period red chalck watercolor pencil drawing with neoclassical subject.
Depicting the Atilius Regulus departing for Carthage.
Atilius Regulus was a Roman statesman taken pri...
Category
Early 19th Century Old Masters Portrait Drawings and Watercolors
Materials
Paper, Chalk
Costume di Ciociara - Watercolor by M. De Vito - 1820 ca.
Located in Roma, IT
Watercolour on ivory colored paper, 1820 c.a. Hand-signed on lower-right. Hand-titled "Costume di Ciociara", with autograph caption black ink "Provincia di Basilicata nel Regno di Na...
Category
1820s Old Masters Portrait Drawings and Watercolors
Materials
Watercolor
Old Masters portrait drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Old Masters portrait drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Michela De Vito, Augustin de Saint-Aubin, John Downman, and Alfredo Edel. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters portrait drawings and watercolors, so small editions measuring 2 inches across are also available. Prices for portrait drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $178 and tops out at $53,147, while the average work sells for $1,000.
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