Unknown

19th century silhouette of a man

19th century

A study in red chalk of a girl sitting and reading a book. Red chalk on paper under glass in a giltwood and gesso frame. This small drawing has a sense of intimacy in the capturing of a moment where the sitter is seemingly unaware of being observed, unlike the feeling of formailty and self-awareness in a staged portrait sitting Provenance: Private collection, Somerset With J. Davey & Sons Ltd, Liverpool William Hoare...

Charcoal and white chalk highlight on paper Label of J.M Maas Gallery (verso) 36cm × 28cm (54cm × 43cm framed) Etty, a student of Thomas Lawrence, R.A., was the first significant Br...

A finely detailed silhouette a Victorian gentleman Peter Skeolan (1815-1871) Portrait of a gentleman, profile turned to the left, wearing coat and cravat Watercolour with gold highlighting on paper/card Stencilled with artist's details to the reverse 3¼ x 2¾ inches, oval, without the frame 5½ x 4¾ inches with the frame Peter Skoelan the son of Stephen Skoelan was born in Ireland in 1815. During his early career he worked as an itinerant miniature portrait painter and profilist, possibly as early as the 1830s. The 1841 census shows us that he was working in Leeds, his stated occupation was painter, aged 25. He was lodging with Thomas Lacy, a Tailor. By this time he had married and had a son and daughter...

A finely detailed silhouette of a Victorian clergyman. Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the right, wearing coat and cravat Inscribed to t...

A finely detailed silhouette of a Victorian gentleman. Attributed Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the left, wearing coat and cravat wate...

Graphite on paper Image size: 10 1/4 x 8 1/2 (26 x 22 cm) Mounted Drawing was at the heart of all of his artistic practice. A friend once recalled an anecdote that out on a walk he ...

Graphite on paper, signed lower right Image size: 17 x 21 inches (43.25 x 53.25 cm) Contemporary frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...

Pastel on paper Image size: 13 x 17 1/2 inches (33 x 44.5 cm) Mounted and framed This original pastel drawing by Thomas Frye is a half-length portrait of a man dressed in a turban. This drawing is the original sketch for one of the heads depicted in Frye's collection 'Twelve Mezzotint Prints' of 1760 and it can be assumed that this pastel work was created earlier of this same year. Two versions of the print, created from this original work, are currently held in the collection of the National Portrait Gallery and the Metropolitan Museum of Art. Frye's evocative figures, although presumably based on living models, exceed the conventions of portraiture, and also function as character studies. The man shown here - dressed in the fashionable 'Turkish' manner - turns with parted lips as if poised to speak, while raising the elegant fingers in one hand in a rhetorical gesture. His long eyelashes and smoothly rendered wrinkles and dimples are hallmarks of Frye's refined style. The Artist Thomas Frye (c. 1710 – 3 April 1762) was an Anglo-Irish artist, best known for his portraits in oil and pastel, including some miniatures and his early mezzotint engravings. He was also the patentee of the Bow porcelain factory, London, and claimed in his epitaph to be "the inventor and first manufacturer of porcelain in England," though his rivals at the Chelsea porcelain factory seem to have preceded him in bringing wares to market. The Bow porcelain works did not long survive Frye's death; their final auctions took place in May 1764. Frye was born at Edenderry, County Offaly, Ireland, in 1710; in his youth he went to London to practice as an artist. His earliest works are a pair of pastel portraits of boys...

A very skillfully painted ink on paper silhouette, unusually with the sitter appearing to be dress in her nightcap. Very Dickensian! English School, 19th Century Portrait of a lady ...

English School, Portrait of a Woman, Charcoal and Pastel on Wove Paper, 19th Century, apparently unsigned, giltwood frame. Image: 10.75" H x 8.25" W; frame: 17" H x 14.5" W x 1" D. P...