Abbie Zabar

Red Roses In Red Glass Beaker 1.2.09

2009

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

This captivating artwork " The sweet smell of red roses" presents a vibrant and luscious portrayal of a bouquet of flowers, meticulously painted with bold and expressive strokes. ...

Vibrant watercolor, pen and ink floral study of deep red roses, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (American, b.1943...

Red (Abstracted Red Flowers in Dark Green Vase) by David Konigsberg 2021, oil on panel, 19 x 23 inches Konigsberg is a conceptual realist who works across media and painting genres ...

When you look at this painting ''Bouquet of Roses'' by Dutch artist Sasja Wagenaar (1959) from a distance you see a perfectly painted image, but up close a generous paint streak is visible. She has a unique way of applying shadow and light effects in her paintings. Sasja Wagenaar is inspired by our classic masters from the seventeenth century, a flourishing period in Dutch painting. The century in which new continents, markets and arts were discovered. At that time in the Netherlands it was a real fad to collect chinoiserie. Originally porcelain, but also Dutch pottery, also known as Delft blue, inspired by Chinese and especially by Japanese bowls and vases. To quote Sasja Wagenaar: ‘Every platter, every bowl is already so much in itself. They were made with great care through hundreds of hands before they ended up here. Their character must be respected in composing the story that forms a still life. They are as alive as the blossom branches and I try to let them speak together. Slowly the image is created’. Although rooted in the 17th century Dutch tradition, her work shows her very own signature and is contemporary. As a true Modern Dutch Master...