Ross Bleckner

Flower

c.1993

Arlene Shechet Summer Set 8, 2005 Watercolor monoprint on dieu donné hand made paper 21 × 27 1/2 inches Signed and dated in graphite on the front Exquisite watercolor monoprint on di...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

Leandros Pigades Conjugation of a Greek Word, 2015 graphite on paper 36 x 28 cm

Disney Legend Mary Blair was also a commercial illustrator for national brands such as Maxwell House Coffee and Beatrice Foods, and two complete national campaigns for Pall Mall cigarettes. The present work was part of her Pall Mall cigarette campaign "'So friendly to your taste!'". We are unsure whether this work was a reproduced, or was only used in a test market , or for a client comp. Nonetheless, as a piece of commercial work-for-hire art, it rises to the realm of fine art. Even though the look of the work has a quick, loose and playful feel to it, each element is carefully placed to strike a perfect balance. In this campaign, the artist created the background, and the art director stripped in the product label. The cigarette to the left is also a cut-out and pasted into position to achieve the ideal look. Commercial art is, in almost all cases, a collaborative effort between the Art Director, the Artist, Account People, and the Client, yet in this case, the Mary Blair signature flat graphic and colorful style is dominant and the packaging is secondary. We have to assume the client, American Tobacco Company's brand Pall Mall was trying to sell the sizzle and not the steak. Nothing in advertising is done by chance. This Pall Mall campaign was acutely tested, and apparently, the Mary Blair style was the brand identity that the ad agency chose over other submissions. Blair's warm personal feel fits perfectly with the tag line "'So friendly to your taste!'" and connects with the audience. In the 1950s - 1960s, Mary Blair was one of the few women artists to design and execute a major mainstream advertising campaign that was not solely women-oriented subject matter: babies, women's clothes, and household products. Cigarette ads had some of the most significant budgets and visibility. Typically, they were a full page back or inside cover and pervasive billboards. The ad agencies could have called any artist in the world, and they would have jumped at the opportunity for such a sought-after, lucrative and prestigious job. In the commercial art field, Mary Blair was somewhat like Margaret Burke...

A striking 1940s Modern cubist still life drawing by Notable Chicago and Michigan artist Stanley Bielecky. Image size: 4 x 5 inches. Archivally matted to 13 1/4 x 16 inches. Estate stamped and numbered 58, lower left. Stanley Bielecky was an Indiana artist who painted the American Scene, from the industrial factories and workers around East Chicago to the pastoral settings of Mackinac Island...

Abstract cubist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi 12” by Hudson Valley artist, David Dew Bruner, made...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings “Single Morandi Bottle IX” by Hudson Valley artist, David Dew Bruner, made in 2022 G...

Abstract modernist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi II” by Hudson Valley artist, David Dew Bruner, m...

Jacques Villon, born Gaston Émile Duchamp on July 31, 1875, in Damville, France, was a pivotal figure in the development of modern art. As the elder brother of Marcel Duchamp, Raymond Duchamp-Villon, and Suzanne Duchamp-Crotti, Villon was part of a family that profoundly influenced 20th-century art. He adopted the pseudonym Jacques Villon to distinguish himself from his siblings, and began his career as a cartoonist and illustrator. Villon's contributions to modern art were acknowledged internationally, with exhibitions at prestigious venues such as the Salon d'Automne, the Salon des Indépendants, and the Armory Show in New York in 1913. His work influenced the trajectory of abstract art, and his legacy is celebrated in numerous museums and collections worldwide. While this drawing isnt common of his bolder cubist style, it shows his skill in sketching and shapes which add a dimension to the abstract nature of this automobile drawing...

A captivating 1930s Surrealist graphite still life drawing with a hammer, palette and chopper by notable New York Modern artist, Jan Matulka. Artwork size: 8 1/2 x 11 inches. Archivally matted to 14 x 16 1/2 inches. Estate stamped. Provenance: Estate of the artist. An innovative drawing by Matulka reminiscent of the famed series of Modern works by the American painter and contemporary of Matulka, the New York artist Stuart Davis. In 1927, Davis began work on a series of five paintings based on a still life he had created by nailing an eggbeater, an electric fan, and a rubber glove to a table in his studio. Using this group of incongruous and unlikely items, he created his first truly abstract works. An example of these paintings, Egg Beater...