Head Still-life Drawings and Watercolors

Gustave Riquet (1866-1938) Les Œillets de la vie, 1898 (Carnations of life) Signed and dated on the lower right, The text on the lower left is the following "Cueille dès aujourd'hui les oeillets de la vie" , which can be translated as "Pick today the carnations of life" watercolor on paper 37.5 x 51.5 cm In good condition In a modern frame : 53 x 67 cm The text clearly gives the meaning of this allegorical portrait...

Matthew Cook Vanitas III (Study) Charcoal & Chalk on Paper 10h x 8w in 25.40h x 20.32w cm FRAMED DIMENSIONS 16h x 14w x 1d in 40.64h x 35.56w x 2.54d cm MLC014 Bio: Matthew Cook ...

Unique drawing, graphite on paper. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts....

Satyr Mask, Academic Study after an Antique Model and Michelangelo’s Lost Work, 49 × 32.5 cm Mid-19th century Pencil on paper Academic study of a satyr’s head, based on an antique model and linked to the long-standing tradition surrounding Michelangelo’s lost Head of a Satyr. The drawing focuses on the expressive intensity of the face, the curling hair, and the strong modelling of the features, elements closely associated with antique satyr...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970. Hand signed lower left. Dated on rear. Excellent condition.

SOUL MOUNTAIN is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30". Note the flow of the landscape, the curves and fields ...

Old Doll by Lu Haskew Pencil 10x6.5" image size 12x10" framed as pictured, behind glass Still Life drawing of a doll from the artist's extensive doll collection. Shipping price incl...

Still life with a basket 1970's, watercolor on paper, 76x55 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 19...

Drawings of skulls are often called vanitas, which often contain collections of objects symbolic of the inevitability of death and the transience and vanity of earthly achievements and pleasures; it exhorts the viewer to consider mortality and to repent. This still life vanitas drawing is matted with a heavy white mat and framed in a bronze toned wooden frame measuring 15.75 x 16.25 inches. John Hrehov Skull and Ornament colored pencil on paper 7h x 8w in 17.78h x 20.32w cm JHR006 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas...

Irene Georgopoulou's "Joyful Cruise With Luke" is an original, handmade pastel drawing that depicts a items from childhood such as: jelly beans, letter blocks, marbles, game pieces a...

Oak Leaf Peace Wreath with Dove and Serpent Around 1700 Black chalk on thin, brownish paper 39,8 x 52,7 cm Inscribed "N" in the centre left This drawing is probably by an Italian Ar...

Eve Nethercott, American (1925 - 2015) - Squash Still Life (P5.18), Year: 1960, Medium: Watercolor on Paper, Size: 8 x 10 in. (20.32 x 25.4 cm), Description: Placed alongside...

HELEN HAWLEY Clay Figurine, Milan 2024 Ink on paper Framed: 12 x 16 inches

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

ALBERT RUTHERSTON, RWS (1881-1953) Tailpiece – Illustration for The Tragedie of Cymberline Signed with initials l.r. AR; also signed with initials and inscribed beneath the mount: Tailpiece for end/of play {Cymberline}/No Reduction unless/”lay out”should make/necessary AR Pen and ink Unframed 6 by 10 cm., 2 ½ by 4 in. (mount size 36.5 by 25.5 cm., 14 ½ by 10 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.66 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke...

NEVILLE HICKMAN (1930-2012) Study of a Statue, Aston Hall Signed with initials, inscribed and dated: May 2 67. Aston Hall Pen and ink, unframed 25.5 by 17.5 cm., 10 by 7 in. (mount size 34.5 by 28 cm., 13 ½ by 11 in.) Aston Hall is a magnificent seventeenth century red-brick mansion situated in a public park on the north side of Birmingham. It was built between 1618 and 1635 by Sir Thomas Holte, the head of an important Warwickshire family and was one of the last great Jacobean houses...

Frédéric Bruly Bouabré Un Enfant Vu Assis Sur Ballpoint Pens, Crayons And Colored Pencil On Cardboard 7.5 x 5.5 March 11, 1948, he experienced ...