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Glo Williams (b.1940) - 20th Century Watercolour, Anthurium Lily

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A bright and refreshing watercolour study of a potted primroses, flowering in an antique blue and white vase. Signed by the artist to the ...

A vibrant floral still life depicting a variety of summer blooms, including lilies, poppies, and cornflowers, in a large glass vase. The artist employs loose, expressive brushwork to...

With acrylic details. Signed illegibly to the lower right. Presented in a light wooden frame. On paper.

Marjorie Best (1903-1997)- original watercolour. Still life of coneflowers. Signed to the lower right. Presented in a fine gilt-effect frame. On watercolour paper.

Eve Nethercott, American (1925 - 2015) - Flowers (P6.50), Year: 1948, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Eve Nethercott's colorful...

Derrick Latimer Sayer (British, 1917 – 1992) A vase of summer blooms Watercolour on board 24.3/4 x 16.3/4 in. (60.3 x 42.5 cm.) Sayer studied at the Chelsea School Art under Henry Mo...

This is one of my studio paintings. I love watercolor because it’s a very challenging medium. I used Daniel Smith Extra Fine Watercolors with world-class acid-free Arches 300gsm wa...

Flowers were one of Culver's favorite subject. This stunning portrait of a red flower draws the viewer into its very center as powerfully as any flower portrait by Georgia O'Keeffe. It is the idyllic flower that can be described as in the romantic style wherein the subject depicted is a more desired or dramatic version of what actually is. It is signed and dated by the artist on the lower left. This piece has been professionally reframed with acid-free matting and museum glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles Culver...