Art by Medium: Acrylic Polymer

Unique. Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with moment...

Woman with billowing skirt and french curls in red, blue and black, 'Parisian Fllip' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes',...

This amazing Triangular sculpture by Vasa Mihich can completely transform any spot and be future forward as well in the vision of what sculpture and 3 dimensional form can do in spac...

Bright and breezy, Linda Schmidt’s abstract mixed media hanging sculptures are filled with a sense of play. Vibrant, weightless shades weave through and ...

Synthesis LS1 is a unique sculpture by English artist Tom Price. Dimensions are 208 × 45 × 45 cm (81.8 × 17.7 × 17.7 in). The dimensions include the base of the sculpture, dimensions...

Artist: SSUR Manufacturer: Medicom Toy Type: Bust Color: Hot Pink. (this also came in bronze and a glow in the dark fluorescent neon green) Signed in the mold Material: Vinyl sculpture There is no box or bag. Founded by visual and conceptual artist Ruslan Karablin...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

Melisa Taylor Metzger’s MH I is a striking large-scale optical spray painting on wood, created through pyrography, airbrushed paint, stencils, and a removed tape grid. The piece vibr...

Empire State Building Sunset in Manhattan New York City by British Urban Artist, Angela Wakefield. This is a rare early work from her New York Series. Featured in international front cover article in 2011. Art measures 24 x 47 inches Unframed - highest quality Pintura Italian Box Canvas Wakefield's work is a unique blend of abstraction and realism, with a strong emphasis on colour. Her paintings are known for their bold, expressive brushstrokes and vibrant hues, which capture the energy and diversity of New York City. From the towering skyscrapers of Manhattan to the gritty streets of Brooklyn, Wakefield's art reflects the city's many moods and personalities. Whether she is depicting the frenzied pace of Times Square or the quiet beauty of Central Park, Wakefield's paintings are a testament to the enduring allure of New York. Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business...

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

An oil painting by Darius Yektai. Oil on linen, encased under a layer of resin, and painted atop the resin. The painting extends onto the frame, with 1/2-inch float space. Darius Y...

This artwork titled "November Landscape" c.1960 is an acrylic polymer painting on hardboard by Vallejo artist Marsh Nelson, 20th Century. It is hand signed at the lower right corner by the artist. The artwork size is 17.5 x 23.5 inches, framed size is 25.5 x 31.5 inches. It is framed in original wooden...

Melisa Taylor Metzger’s MH II is a hauntingly immersive optical spray painting on wood, executed with pyrography, airbrushed paint, stencils, and a removed tape grid. The composition...

Felipe Pantone - SUBTRACTIVE VARIABILITY MANIPULABLE IV Date of creation: 2020 Medium: Acrylic and aluminium Edition number: 40/50 Size: 33 x 13 x 21 cm Condition: New, in mint condi...

Resin, tar, steel, acrylic, LED. 45 cm × 220 cm × 35 cm. Available on commission. Production delay: 8 months. Synthesis Bench is one of Tom Price's 'hybrid' artworks sitting halfway ...

Synthesis V is a wall sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 28 × 145.6 × 84.2 cm (11 × 57.3 × 33.1 in)...

Bright and breezy, Linda Schmidt’s abstract mixed media hanging sculptures are filled with a sense of play. Vibrant, weightless shades weave through and ...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

This powerful and vividly colored diptych by Malcolm Maloney Jagamarra (born 1955), a renowned Warlpiri artist, is an extraordinary example of contemporary Aboriginal art, drawing deeply from cultural knowledge, ancestral memory, and ecological stewardship. Depicting the sacred narrative of the creation of the Lander River system, the painting is both a visual masterpiece and a spiritual map, tracing a journey through geography, kinship, and Dreaming (Jukurrpa). At first glance, the canvas pulsates with energy. Vortices of concentric circles in rich ochres, reds, yellows, and blues dominate the composition, pulling the viewer into the spiraling flow of the Dreaming. These forms are not merely decorative; they carry deep cultural meaning. The blue line that winds through the center of both canvases is a stylized yet surprisingly geographical depiction of the Lander River, representing its twisting path through central Australia, from the artist’s home country of Willowra to Purtulu (Mount Theo), his mother’s land. Purtulu, meaning “backbone” in Warlpiri, forms not only a physical destination but a metaphorical axis that holds the painting together. This backbone is both personal and cosmic, representing the spine of the land, the structure of ancestral lore, and Jagamarra’s own familial inheritance. The work is grounded in the artist’s kinship obligations and responsibilities to country, with specific references to the roles of kirda (owners of the Dreaming) and kurdungulu (caretakers). In Warlpiri culture, this relational dynamic is foundational, it is the system by which land is cared for, stories are maintained, and ancestral laws are fulfilled. The Dreaming Goannas, positioned at each end of the canvases, are key ancestral figures. Their presence not only signals the sacred nature of this journey but also reflects the traditional Warlpiri iconography, note the “U” shapes, which are used to denote seated ancestors. The goanna is a totemic being, and its hunting patterns and ecological relationships are mirrored in human behavior. To maintain the health of the land and support the goanna population, it is necessary to burn the country regularly. Jagamarra references this practice with depictions of spinifex grass and hunting grounds, connecting mythological beings with tangible ecological practices, and blurring the line between story and science, belief and land management. The left canvas contains the Owl Dreaming, where an abstracted face of the owl can be discerned, haunting and watchful. The owl, a silent observer of the night, brings wisdom and a sense of foreboding. It is a powerful spirit presence in many Aboriginal traditions. Meanwhile, the right canvas turns to the Warna, or Snake Dreaming. The snake, winding and water-bound, is both creator and destroyer, and its movement echoes that of the river. The snake’s body, woven into a hypnotic spiral, is a symbolic representation of the waterways that give life and form to the central desert. This artwork is more than a painting, it is a teaching. It encodes knowledge about ecology, fire management, kinship roles, and sacred geography. It is both autobiographical and communal, a map of memory and belonging. Created within the living traditions of Warlpiri law, it speaks to the inseparable relationship between people and land in Aboriginal worldviews. Malcolm Maloney Jagamarra’s work is a powerful expression of this connection, his hand guided not only by brush but by heritage, ceremony, and Dreaming. Its journey from the Aboriginal Art Galleries of Australia in Melbourne to the Kelton Foundation in Santa Monica, and its exhibition at venues such as the Australian Consulate in Los Angeles and the Indigenous Wisdom and Healing Conference in Virginia Beach...

Acrylic and polymer on aluminum panel

mixed media on wood, acrylic paint In this piece, Zin Helena Song utilizes a sharp triangular shape as her wood panel. This shape is common in city grids, like when Broadway meet...

In “Butterfly Kisses,” artist Toni Martin engages viewers by blending vibrant colors with textures, achieved through her unique method of affixing hundreds...

“Rift Valley, Sonde IV” is a richly textured mixed-media composition that captures the interplay between natural and abstract forms, evoking the raw beauty of nature while offering a...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Catalogue of a postumous retrospective in 2008 at the American University Museum Ka...

ABOUT THE ARTWORK "Adjusted Light Magenta" conjures a feeling of serenity, in the midst of a hidden sanctuary of tranquility and ethereal aesthetic. ...

acrylic on linen 40" x 35" x 3" 2015 This item is offered by the Muriel Guépin gallery, NY In this piece, Zin Helena Song uses quite a chaotic pattern, and almost looks like a torna...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

mixed media on wood, acrylic paint 25" x 11" 8" 2015 In this piece, Zin Helena song uses a vertical panel, evoking the shape of an urban building. Her strips of paint ride verti...

In this vibrant composition, Koko captures three boats in a tranquil resting position, their sails adorned in soft whites and blues. The boats themselves radiate warmth, painted in r...

Paul Eugene Mengin (French, 1853-1937) A female figural bronze statue of a soprano mandolin player. Rendered beautifully, the soft folds and drapes of her clothing and hair are cri...

Artist: Chuck Krause (1949) Title: Thumbprint (Red) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the ...

Jonathan Adler acrylic pill sculpture. 750 mg size. blue

Synthesis S is a sculpture by the English artist Tom Price. Resin, tar, steel, acrylic, LED. 200.5 cm × 40 cm × 40 cm (Dimensions include the stand). In the Synthesis series, Tom Pr...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

MacConnel, Kim Robert (American, California, born 1946) Tourists, Hampi, India (Hampi is an ancient village in the south Indian state of Karnataka. It’s dotted with numerous ruined t...

MacConnel, Kim Robert (American, California, born 1946) Sri Ranganathanswamy Temple, Trichi, India (an ancient Indian city in India's southern Tamil Nadu state) 1992, commercial phot...

Paolo Minoli (1942-2004) ...On Stage... 1987 Acrylic on Canvas Size 70x70 cm - thickness 3 cm Bibliography: Pirovano, Paolo Minoli, General Catalog, volume 2...

This spectacular and important column by Vasa Mihich has a lovely color palette and complexity of geometric design that affords endless interest. Mihich is the master of acrylic res...

Synthesis B is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 200 × 8 × 9 cm (78.7 × 3.1 × 3.5 in). This artw...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing staged archaeological excavations exposing the malleability of our history. During these performances he discovers his own versions of historical artifacts, crafted from objects from his youth--such as baseball cards, G.I. Joe action figures, POGS, and various other toys and items. His discoveries and claims, while false and absurdly comical, are based on real research. Joshua Goode: Born in Fort Worth, Texas in 1981, Joshua Goode is researching and developing mythic historical misinterpretations and manipulations in an effort to expose the malleability of our past, present and future. His alternate history and mythology preserve memories of childhood ranch life in Texas by reimagining objects and imagery from his youth as iconic ancient artifacts. Having studied history and worked as an archaeologist on many actual excavations, he conducts staged excavations around the world, working with the community as a performance. The constructed artifacts of his invented civilization mix fact and fiction to appropriate and distort the history and myths of each region he engages. His ‘artifacts’ have been exhibited in solo exhibitions in international venues such as the Razliv Museum, St. Petersburg, (Russia); Capellades Museum, Barcelona, (Spain); Zendai Museum of Modern Art, Shanghai, (China); Darb 1718 in Cairo, (Egypt); LaSala Gallery, Zaragoza, (Spain); Galerija Miroslav Kraljevic...

Colourful Abstract Painting using Orange & Turquoise Resin on a White Canvas by 20th Century British Artist Art measures 30 x 30 inches (Unframed) Philippe Aird...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua Goode travels the world performi...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua Goode travels the world performi...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Andy Warhol Campbell's Chicken Rice Soup Box, 1986 Acrylic and Silkscreen on Canvas 14 x 14 inches 35.6 x 35.6 cm

Rogelio Polesello Untitled, 1990 ca. Acrylic 4 x4 x4 in At the end of the 1950s, Rogelio Polesello introduced into his work various materials and techniques used in industrial prod...

Layers of nontraditional materials add texture to this abstract work on paper by Eleanor White. Crushed sodalite, labradorite, mother of pearl, kyanite, ruby, volcanic rock, and howl...

Paolo Minoli (1942-2004) R.S.P. (Perspective Space Search) 1969 Acrylic on Canvas Size 40x40 cm (63x63 cm including the frame with invisible glass) Bibliography: Pirovano, Paolo Minoli, General Catalog, volume 1, 1959-1979 Paolo Minoli was born in 1942 in Cantù (Como). He attended, at a very young age, the home of painter Enrico Sottili and, as a student, the studio of sculptor Gaetano Negri. He graduated "Master of Art" in 1961 from the State Art Institute of Cantù, where he taught from 1964 to 1978. Participated in 1968 in the national exhibition for young painters of the "San Fedele" prize in Milan. In 1969 he was featured in the exhibition "Urban Field. Aesthetic Interventions in the Urban Dimension," organized in Como, with a collective intervention on the theme "Signal Color." From 1977 to 1978 he was part of the research group "The Systematic Questioning" with Nato Frascà and Antonio Scaccabarozzi. Since 1979, at the Brera Academy of Fine Arts in Milan, he has taught the special course in "Chromatology" and collaborated, as a consultant, with companies for the application of chromatic solutions in industrial production. He was artistic director of the art series published by the "RS" editions in Como (1975-1986) and, from 1986 to 1989, of the "On Color" silkscreen printing workshop in Cantù, in collaboration with various artists, including Mario Radice, Carla Badiali...

California born and educated sculptor Matt Gil graduated from San Jose State University, and his work has been widely exhibited throughout California since 1977. His sophisticated, s...

Paolo Minoli (1942-2004) Archipainting 1988 Acrylic paints on canvas Size 60x60 cm - thickness 3 cm Bibliography: Pirovano, Paolo Minoli, General Catalog, volume 2, 1959-1979 Paolo Minoli was born in 1942 in Cantù (Como). He attended, at a very young age, the home of painter Enrico Sottili and, as a student, the studio of sculptor Gaetano Negri. He graduated "Master of Art" in 1961 from the State Art Institute of Cantù, where he taught from 1964 to 1978. Participated in 1968 in the national exhibition for young painters of the "San Fedele" prize in Milan. In 1969 he was featured in the exhibition "Urban Field. Aesthetic Interventions in the Urban Dimension," organized in Como, with a collective intervention on the theme "Signal Color." From 1977 to 1978 he was part of the research group "The Systematic Questioning" with Nato Frascà and Antonio Scaccabarozzi. Since 1979, at the Brera Academy of Fine Arts in Milan, he has taught the special course in "Chromatology" and collaborated, as a consultant, with companies for the application of chromatic solutions in industrial production. He was artistic director of the art series published by the "RS" editions in Como (1975-1986) and, from 1986 to 1989, of the "On Color" silkscreen printing workshop in Cantù, in collaboration with various artists, including Mario Radice, Carla Badiali...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Synthesis Small 3 is a wall sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, dimensions are 44.5 × 6 × 6.5 cm (17.5 × 2.4 × 2.6 in). ...

With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spati...

In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. The color is muted and light diffused through frosted surf...

Jonathan Adler acrylic pill sculpture. 750 mg size. red-orange.

"Laying a Field" was inspired by constellations and fractals. I was also experimenting in mold making using a type of vacuum molds. The lines you see are slightly raised above the ...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Tango. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...