Art by Medium: C Print

A party of skiers adjourn for drinks at the bar on top of peak KT-22, Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing ...

Dasha & Mari - Royal Tea 30x30" inches oversize C print - numbered and stamped limited to 100 only. Sumptuous, sensual with erotic undertones, this is a beautiful fine art image from the twin artists duo from Kiev. Steeped in fashion iconography and with more than a dash of Helmut Newton - these works are fast becoming collectable. About the artists : DASHA & MARI are award-winning photographers, twin sisters from Kiev, Ukraine. Specialise in Fashion, Art Nude and Psychological Portrait. They have an extensive experience in fashion industry in London, Paris, Milan and Berlin. Art photography they create has a cinematic feel, it is original and storytelling. HEARST Magazines UK have selected them for the Master's Photography program in Cambridge, UK. Artists have received a Masters Degree from Kingston University, London, UK in 2018. HONORS & AWARDS PARIS PHOTO 2018, Fashion Nude Expo. Collective exhibition. Paris, France MA Art + Design Exhibition The Brick Lane Gallery, London UK 2018 13th Annual Black & White Spider Awards 2018 - Nominee in Fine Art The Game 12th Annual Black & White Spider Awards 2017, Beverly Hills, CA - Winner in Fashion category 11th Annual International Color Awards , Beverly Hills, CA 2017 - Nominee in Fashion category HOME GALLERY, Personal Photography Exhibition 'FUTURO EROICO'. Salerno, Italy 2017 10th Annual INTERNATIONAL COLOR AWARDS 2017, Beverly Hills, CA - Winner, Honorable Mention in Fashion category FASHION 2ND PLACE WINNER (PROFESSIONAL), FAPA 2016 FINE ART PHOTOGRAPHY AWARDS PHIFEST Exhibition of Photography, Milan, Italy 2016 Photography Exhibition at SALONE DEL MOBILE 2016 - Milan, Italy Photography Exhibition at 55th annual week of Design in Milan in co-operation with SM Samuele Mazza Outdoor Collection and Ipe Cavalli. Exhibition at The ART BOWL GALLERY, Amsterdam 2016 10th Annual Black & White Spider Awards 2015, Beverly Hills, CA - Nominee in Fashion MONOCHROME AWARDS 2015 - Honorable Mention (Professional) in Fashion / Beauty Finalists of the HASSELBLAD MASTERS AWARDS 2014 8th Annual INTERNATIONAL COLOR AWARDS, Beverly Hills, CA - Nominee in Fashion category International Color Awards 2014 Sony World Photography Awards - Shortlisted in the Fashion category 2012, London, United Kingdom. Solo Exhibition in Russia 2011 Art Nude Photography Exhibition 'SECRET GARDEN', Ryazan city, Russia. PUBLICATIONS & PROJECTS NORMAL magazine (France), OPENEYE magazine (France), ELLE Magazine UK, THE COMMISSION LONDON (UK), THE HUFFINGTON POST (US), PH Magazine (Canada), INSIDE BRACKETS (Paris), IDOLL Magazine (USA), Professional Photographer (UK), CHIC LIFESTYLE Magazine (Mexico), BOREALIS (Canada), PORTFOLIOS Magazine (Spain), The View Magazine (Netherlands), ZEPHYR Magazine (US), NOCTIS Magazine (UK), VOGUE ITALIA (Italy), HOLISTIC FASHIONISTA (LA, US), TARTARUS Magazine (US), IT-MAGAZINE (Switzerland), AFTER NYNE Magazine (UK), ARCHIDESART Magazine (UK), NIF Magazine, WHY NOT Magazine, POLISART Magazine (Portugal), PLAYBOY Photo Awards (Ukraine), BIZZARE Magazine (UK), Sensual Photography (France), All About Models (Paris, France), BLUR Magazine (Croatia), IDOLE Magazine (France), ART HOUSE (Monaco), etc. SAMUELE MAZZA - Luxury Interiors and Furniture (Italy), GIOFFRE (Italy), VERTIGE (Italy), VICTOR WILDE...

La Canzone del Mare in Capri, Italy, July 1958. Slim Aarons La Canzone del Mare 1958 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authent...

Spot the Ball, 1960 - Polo Match at Myopia Club in Hamilton Massachusetts in USA by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

'Holiday In Mustique' by Slim Aarons LIMITED EDITION ESTATE STAMPED PRINT Numbered in ink to 150 only and emboss stamped on front. Pierre Vincent Marais and his wife Isabelle holiday with friends at Gelliceaux House, their home on the island of Mustique in the Grenadines, February 1989. A fabulous Slim- You can almost feel the heat! The beautiful turquoise waters of the swimming pool are fringed by palms, a swimmer in bright coloured bikini surveys the spectacular view beyond of the crystal clear waters of Mustique. This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'beautiful people in beautiful places, doing beautiful things'. An exquisite LIMITED Edition Slim Aarons Estate Print. Gorgeous print measuring a huge 60 x 40" inches / ca 152 x 101 cm's. Produced utilising the original transparency held at archive source. EDGE PRINTS works in close partnership with the Getty Images Archive & Slim Aarons Estate and Collection, in London England. We ship regularly using crating...

Hotel du Cap Pool, Eden Roc - Cap d'Antibes French Riviera Hotel Views Coastline by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Ballerina Mary Drage in taffeta evening dress by Rappi, the MET gallery 1950, printed later C print Estate stamped and numbered edition of 21 on verso Norman Parkinson (1913-1990) ...

Belgian-born British actress Audrey Hepburn is photographed wearing a Givenchy afternoon cocktail dress from his Spring/Summer 1955 collection at 'Villa Rolli', a farmhouse in the Al...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco on a terrace overlooking the wat...

Slim Aarons Natale Rusconi in Venice 1978 (printed later) C print Signature stamped and numbered edition of 150 with certificate of authenticity from the Slim Aarons estate Natal...

Sunbathing Antibes, 1976 - Hotel du Cap Eden Roc French Riviera Nude by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Sunbathin...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

Donna Domitilla Ruspoli - Portrait in Baroque Romantic Architecture Palazzo by Slim Aarons 16" x 16" print on 16 x 20 paper. Limited Edition Estate Stamped Print. Edition of 150. P...

Norman Parkinson Terri May for Town & Country magazine, 1987 Terri May for Town & Country magazine, 1987 C print Estate stamped and numbered edition of 21 on verso with certificate ...

Hotel Sports Limited Edition Estate Stamped Print (edition size 150 only). 1958: Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. France (Photo by Slim Aarons) 6...

Players on the field during a match between the Leeward Islands cricket team and England's Marylebone Cricket Club (MCC), Antigua, West Indies, 1960. Cricket in Antigua 1960 C prin...

A horseshoe beach on Great Harbour Cay, Bahamas, March 1973. Slim Aarons Great Harbour Cay 1973 C print (Printed later) Estate signature stamped and hand numbered edition of 150 wit...

Portofino Villa, 1977 - Aerial View Italian Landscape Countryside Swimming Pool by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Hotel du Cap Eden-Roc 1976 C-Print Estate signature stamped and hand numbered edition of 150 with cert...

The beach at Saint-Tropez, on the French Riviera, August 1971. Slim Aarons Saint-Tropez Beach 1971 C print (Printed later) Estate signature stamped and hand numbered edition of 150...

Faye Dunaway Oscar Outtake (Stare) Los Angeles 1977, Printed Later Silver Gelatin Print 30 x 30 inches (unframed) Co-Signed by Terry O'Neill and Faye Dunaway, hand numbered edition o...

Slim Aarons Estate Stamped Edition Limited to 150 only Friends board a riva boat in Monte Carlo, Monaco, 1975. (Photo by Slim Aarons) This photograph epitomises the travel style ...

Edition #1/15 This is the framed price listed. The photograph is available unframed in two additional editioned paper sizes. Heal brings us through a world of stillness and sensual...

A view from the umbrella boxes towards the tennis court at Newport Casino, Newport, Rhode Island, USA, 1953. Susanna Boylston Bolton 1965 (printed later) C print Estate stamped and ...

' Dark Orchid ' Signed Limited Edition Oversize print by Stuart Möller limited edition to 10 only this size - signed Gorgeous C print measuring an extra large 40 x 30" inches /...

Horses on Mosquito Coast, Honduras, Central America 1980's. (photograph Alain Le Garsmeur) A gorgeously evocative shot taken in the early 1980's by prolific documentary and well kn...

© Michael Putland Bryan Ferry Bryan Ferry of Roxy Music with the “Roxettes” London 1975 Bryan Ferry is a British singer-songwriter and frontman of the band Roxy Music, renowned fo...

White Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...

The Rolling Stones are photographed outside the Tin Pan Alley Club in London in 1963. From left to right, Mick Jagger, Keith Richards, Bill Wyman, Brian Jones (1942 – 1969) and Charl...

Slim Aarons Eye Of The Beholder 1974 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A man contemplates the sunbathers by a swi...

St. Louis and the Arch Vintage Photograph St. Louis: title, signature, dated 1977, copyright 1982, and edition 1/10 to verso. View down Walnut St. of St. Louis' city hall building. ...

Norman Parkinson's iconic image of models wear a variety of hats on the roof of the Condé Nast building on Lexington Avenue, New York City. Published in American Vogue on 15th Octobe...

A helicopter carrying tourists hovers over the Fontainebleau Hotel on Miami Beach, Florida, April 1972. Slim Aarons Aerial Miami Beach 1972 C print (Printed later) Estate signature...

Italian GP Richie Ginther waits beside his Honda RA273 as mechanics work on the engine. Image details Championship: Formula 1 1966 (Formula 1, 1966) Event: Italian GP Date taken: Sunday, September 04, 1966 Location: Autodromo Nazionale Monza, Italy Photographer: Rainer Schlegelmilch Rainer W. Schlegelmilch the German born widely regarded "Master of Motorsports Photography" delighted in this series of works Glamour, kitsch, sex and fast cars - this extraordinary body of work encapsulates the excitement of this era. Limited edition to 150 only - Archive stamped and numbered - with certificate of authenticity Oversize 24 x 24" inches / 61 x 61 cm paper size C type print unframed. Beautiful. About Richie Ginther & Honda BRM and Honda In 1962, Ginther switched to the British-based BRM team to race alongside Graham Hill. The highlight of his time at BRM was finishing equal-second (with Hill) in the 1963 World Championship. Ginther scored more points than his British teammate over the whole season, but only a driver's six best scores were counted towards the championship. His reputation as a solid "team player" and excellent test and development driver earned him an invitation to join the works Honda F1 team for 1965, for whom he scored his one and only GP win, at the 1965 Mexican Grand Prix. The win was also Honda's first in Formula 1. Ginther averaged 151.7 kilometres per hour (94.3 mph) over the curving 5 kilometres (3.1 mi) track in the 65 lap Mexico City event. His speed eclipsed the previous course record of 150.185 km/h (93.321 mph) established by Dan Gurney in 1964. It was the first time Honda had entered the Mexican Grand Prix.[22] Honda reentered international competition in the 1966 Italian Grand Prix. The team was three years old and had encountered difficulty in the preparation of a larger engine. Ginther led in Italy before his car crashed into a retaining wall and he broke his collarbone.[23] He signed with the Eagle F1 team in 1967 and raced in the Race of Champions. At Monaco after practice, his place on the grid was given to an F2 car weighted to bring it up to minimum F1 specifications, and Ginther left F1 in disgust. Ginther won one race, achieved 14 podiums, and scored a total of 107 championship points. He appeared in an uncredited role in the 1966 film Grand Prix as John Hogarth, a driver in the Japanese funded "Yamura" team. He also acted as one of the technical racing advisors for the movie. While making an attempt to qualify for the 1967 Indy 500, Ginther broke a fuel line in his American Eagle Indy Car...

'Herefordshire House' by Christopher Simon Sykes An open window gives a view along a country lane in Herefordshire, from the home of filmmaker John Bulmer and sculptor Angela Connor...

Pin Ups - David Bowie and Twiggy Oversize Print by Justin De Villeneuve 40 x 40 inches / 101 x 101 cm Chromogenic print signed & numbered by artist editio...

Skiers on the slopes at the Sugarbush Resort, Vermont, USA, April 1960. Slim Aarons Skiers At Sugarbush 1960 C print (Printed later) Estate signature stamped and hand numbered editi...

New York City Skyline With Clouds 2022 by Orbon Alija C print Oversize 30x20" inches / 76 x 51 cm Unframed Framing & different Sizes availabl...

Miscellany circa 1990 by Christopher Simon Sykes A wall of discarded implements, including a large scythe, in the attics at Doddington Hall, Lincolnshire circa 1990 This beautiful...

Pictured is Edition #1/10 and is the framed price. This image is available also in the two other paper sizes unframed. British-born photographer Heal creates an image where her ...

Mitch Epstein Boboli Gardens, Florence, Italy 1977 Hand signed and titled verso 11 X 16.25 image. Sheet: 13 x 19 3/16 in. frame is 19.5 X 24.75 Italian landscape with statue Mitchel...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco on a terrace overlooking the wa...

Lucky Luciano, 1950s - American Italian Mafia Mafioso Black and White Portrait by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

Guests in the pool at the Algarve Hotel, the Algarve, Portugal, 1970 Slim Aarons Algarve Hotel Pool 1970. (printed later) C print Estate stamped and numbered edition of 150 with ...

Mouche at Praia do Vau, Portugal wearing a Nina Ricci swimsuit. British Vogue magazine, January 1973. Mouche at Praia do Vau, Portugal for Vogue, January 1973 C print Estate stamped...

Norman Parkinson Jerry Hall , 1976 C print 60 x 40 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

A woman reclining in a hammock hung between palm trees on the beach at the Caribe Hilton in San Juan, Puerto Rico, March 1956. Slim Aarons Caribe Hilton 1956. (printed later) C pri...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Michael Eastman (American, born 1947) "Candy Counter" Chromogenic color print (C Print) Bears label en verso hand signed, titled, dated, edition 3/5 Depicting a classic Americana candy counter, candyland at an Art Deco theater, Dimensions:. sight h. 36", w. 26.5". Frame h. 46.375", w. 37", d. 2". Published in book 'Vanishing America' by Michael Eastman of abandoned, derelict places in California and elsewhere. Vanishing America includes haunting images of the insides of iconic architectural buildings, such as Main Street cinemas, French Quarter houses, and Memphis hallways. Michael Eastman has established himself as one of the world's leading contemporary photographic artists. The self-taught photographer has spent five decades documenting interiors and facades in cities as diverse as Havana, Paris, Rome, and New Orleans, producing large-scale photographs unified by their visual precision, monumentality, and painterly use of color. Eastman is most recognized for his explorations of architecture forms and the textures of decay, which create mysterious narratives about time and place. Eastman's photographs have appeared in Time, Life, Art in America, Art News, Art Forum, Communication Arts and American Photographer, and they reside in the collections of The Metropolitan Museum of Art, the International Center of Photography, The Art Institute of Chicago, the Los Angeles County Museum of Art, and other prestigious institutions. His books include Havana (2011, Prestel), Vanishing America (2008, Rizzoli) and Horses (2003, Knopf). Select Group Exhibitions Edwynn Houk Winter Show Lillian Bassman, Valérie Belin, Sebastiaan Bremer, Zana Briski, Elinor Carucci, Lynn Davis, Michael Eastman, Elliott Erwitt, David Maisel, Abelardo Morell, Vik Muniz, Matthew Pillsbury, Jessica Wynne...

Slim Aarons Christmas Swim 1954 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Rita Aarons, wife of photographer Slim Aarons, ...

Culinary Heights 1987 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Courchevel restaurant chefs Jean Jacob (left) of 'Le Bate...

American fashion editor Florence 'Flo' Pritchett Smith (left) and American fashion designer Lilly Pulitzer at a poolside luncheon, Palm Beach, Florida, 1961. Slim Aarons Lilly Puli...

Natale Rusconi riding a Hotel Cipriani motor launch with the Church of San Giorgio Maggiore on San Giorgio Maggiore island beyond, in Venice, Italy, in September 1978. Slim Aarons ...

A couple walk on Caleta Beach holding hands, Acapulco, Mexico, 1968. Slim Aarons Caleta Beach, Acapulco 1968 C print (Printed later) Estate signature stamped and hand numbered edit...

Bathers round a pool in Sotogrande, Spain, August 1975. Slim Aarons Poolside In Sotogrande 1975 C print (Printed later) Estate signature stamped and hand numbered edition of 150 wit...

Norman Parkinson Barbara Mullen, 1960 C print 40 x 30 inches Estate stamped and numbered edition of 21 on verso Irish-American fashion model Barbara Mullen photographed with dogs b...

Jerry Hall at Montego Bay, Jamaica wearing Juvena makeup with fashion by Walter Albini and Saint Laurent Rive Gauche, 1975 Jerry Hall in Jamaica, 1975 C print Estate stamped and num...

Norman Parkinson Wenda and Ostriches, 1951 C print 20 x 16 inches Estate stamped and numbered edition of 21 on verso British fashion model Wenda Parkinson and ostriches, fashion by...

Marsha Gayle 1985 Slim Aarons Limited Edition Estate Stamped Print Laura Hawk, assistant to the photographer, relaxes by the pool at El Rincon, the von ...