Art by Medium: C Print

All That Glitters is Not Golden (Blue), from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and...

Athena and Henry (Stay), from Ryan Gosling's memory sequence - 2006 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate a...

First Kiss (Till Death do us Part) - 2005 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory ...

From a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese, Stoya and Aubrey O’Day This print is availabl...

Bitter Campari, Italian street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in November 2018 for a special project featuring at t...

Matinée- 2021 40x48cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1016. Not mou...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

Sundays (Heavenly Falls) - 2016 40x50cm, Edition 1/10, Archival C-Print based on the Polaroid Certificate and signature label. Artist inventory number: 19717. Not mounted. Stef...

We love this work because the fashion shots are all set in a vast landscape of beauty and composed with poetic feel and look that is timeless and classic. 20x24 in. - Edn of 20 C p...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous pastel c...

'Ray of Light', part of Richard Heeps Vietnam series 'This is Not America', this unusual photograph of trees has a spiritual quality. This artwork is a limited edition of 25, gloss...

Blue Space Dark - Mindscreen 09 (Night on Earth) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. ...

Hong Kong Apartments II is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. Thi...

Lariat Motel, photograph from Richard Heeps Dream in Colour series. The neon in this classic Americana roadside sign glows in the evening light. It was captured in its original site ...

This stylish artwork, 'Gloves & Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured in...

Stéphane COUTURIER (*1957, France) E1027/123 – Villa Eileen Gray – Photo #24, 2021-2022 C-Print 140 x 116 cm (55 1/8 x 45 5/8 in.) Edition of 5 Signed In 1994, Stéphane Couturier sh...

The Muse (29 Palms, CA) - 2009 38x37cm, Edition of 5, Artist Proof 1/2, analog C-Print, hand-printed by the Artist, mounted on Aluminum with matte UV-Protection, based on the Pol...

Touching (Till Death do us Part) - 2005 48x58cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print print, based on the original Polaroid. Certificate and Signature label artist...

Thrills, the iconic Coney Island Wonder Wheel photograph by Richard Heeps. The bold typography of the architectural structure fills the Fuji Film frame combining Richard's signature ...

Revelation, 2016 Edition 1/7 plus 2 Artist Proofs Digital C-print, Based on Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2016-788 Kirsten Thy...

Circle of Magic - Shazam (29 Palms, CA) - 2009 50x60cm, Edition of 10 plus 2 Artist Proofs. Digital C-Print, based on the original Polaroid. Artist Inventory No. 2823. Signature lab...

'Stamped', from the Heidler & Heeps American Stamp Collection. This artwork is a limited edition of 10, gloss photographic print, dry-mounted to aluminium, presented in a museum boa...

Pull I, 2017, Edition 1/7 plus 2 Artist Proofs Based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-486 Kirs...

'Melody', Edition 2/10, 20x30cm, 2017, digital C-Print, Signature label and Certificate. About Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photographer, and...

'Renée's Dream' no. 7 (Days of Heaven) - 2005 18 x 24 cm. Lumas Edition 99/100. Archival C-Print, based on an expired Polaroid. Artist inventory 8080. Signature Label and certif...

Pull II - 2017 20x20cm, Edition 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, not mounted. Signature label and certificate. Artist inventory PL2017-487. Ki...

Converse, Studs - Americana Fashion Icon Photography by Michael Schachtner Converse, Studs is a C-Type print, sold in this size in a limited edition of 12. The price listed is for...

This photograph by Jack Pierson is offered by CLAMP in New York City. Printed 2018 Artist signature stamp in black ink, verso; Also dated 2018, verso Chromogenic print 11 x 7 inches

Cats, British Vintage interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 and it instantly ...

Whisky and Water (Sidewinder) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 3292....

Vintage Americana inspired Drive-In movie theatre, from the glamorous Goodwood Revival, featuring a classic Cadillac and Marilyn Monroe on the big screen. Richard was incredibly insp...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

Fern I, 2018, Edition 1/7 plus 2 Artist Proofs. Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2018-47...

If you love me then why can’t it work? (The Girl behind the White Picket Fence) - 2013 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Sign...

Roy's Cafe (California Badlands) - 2010 20x24cm, Edition 2/10, Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory No. 10905. Not m...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

For your Eyes only 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL...

Turpentine - 2021 25x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL2021-1081. Not mounted...

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...

Nerve endings - 2021 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1040. Not...

Stretched - 2016, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-121. N...

Cabazon Dinosaurs (Drive to the Desert) - 2000 44x59cm, Edition 5/5. Analog C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #155.05. Not mount...

INSTANTDREAMS - Monograph - signed Hardcover Edition, 62 pages. published by Avanso, Berlin, 2014 ISBN 978-3-935971-69-0 This book comes with "Her Last Call II" a 20x20cm Edition o...

Acid - 2021 80x60cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signature label and certificate. Artist inventory PL2021-108. Not mounted. Kirst...

'The Last Kiss', from Richard Heeps series, 'A Short History of Milan', featuring a traditional Italian street book kiosk. A Short History of Milan began in November 2018 for a spe...

Radha Leopard Dress II (29 Palms, CA) - 1999 40x40cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artis...

The Tiara (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate....

Bonjour Robert - 2016, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-17...

Any Way the Wind blows (Stage of Consciousness) - 2007 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Art...

Twenty-Five Cents, New York City street neon. This artwork is part of Richard's portfolio of street photography he is building up which depict the colour, fabric and structure of cit...

Tram, photograph from Richard Heeps' series A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featuring at the Affordable Art Fair Mil...

'Hot Tub' (Heavenly Falls) - 2016 50x50cm, Edition of 10, Archival C-Print based on a Polaroid, Certificate and signature label, artist inventory number: 19715.08 Not mounted. ...

Melt your mind - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1068. ...

Chalk Streams 9, 2023 - Biodiversity Natural Environment Contemporary Photograph by Ellie Davies Chalk Streams 9 is a stunning C-Type Print on Fuji Maxima Matte Paper. This size pri...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Bedtime story I , 2017, 20x20cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2017...

'Headspace', 2020 50x38cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, Based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2020-876....

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series ‚Semear‘, 2010 C-print Medium 25.4 × 30.48 cm (10 x 12 in.) Large 101.6 × 101.6 cm (40 x 40 in.) Edition of 3 Print only, Sign...