Art by Medium: Canvas

"Look at the flowers. It is simply unbelievable how happy flowers are." — Osho Autumn Day Dimensions: 60 × 60 × 2 cm / 23.6 × 23.6 × 0.8 in Autumn Day reflects the colors of early ...

Sand game 3 2023, canvas, oil, collage, 50x40 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual ...

Artist: Lou Zansky (American, 1920-1978) Title: Standing Nude Year: circa 1960 Medium: Oil on canvas, signed l.r. Size: 48 in. x 24 in. (121.92 cm x 60.96 cm)

yonder gold [2022] original Acrylic with gold leaf detail Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x...

Giorgia Siriaco (American, 21st Century) Red lines Acrylic and mixed media on canvas Signed and dated `Giorgia Siriaco 2015’ (lower right) 20.1/2 x 20....

At Escat Gallery, we are dedicated to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection is accompanied by a Certificate...

Veridream is a mesmerizing artwork that captures the bittersweet yearning for an idealized version of oneself, glimpsed only in dreams. The painting evokes a sense of deep longing fo...

Framed 23" x 29" Yellow Light Woods is an oil painting on canvas painted by Texan painter Steve Parker. This painting is of the woods in the back of the Houston Arboretum on Woodway...

Mary Chaplin, Summer walk in Giverny, I have often found inspiration walking through Monet’ s Garden in Giverny in different seasons. I like the way flowers are planted together, har...

Bryan Ryley: Rigorous Inquiry at the Intersection of Material and Structure Bryan Ryley, a significant figure in contemporary Canadian abstraction, operates from his studio in Verno...

Geometric and gestural abstract painting on canvas in earth tones of beige, tan, and light brown with accents of dark magenta, light sienna, and neon pink Disturbances in the Field, 2019 by Jeanette Fintz 60 x 72 x 2 inches, acrylic on canvas Signed verso Hanging wire on reverse "Disturbances in the Field" is a painting in a series of work created during the year of the pandemic. The artist explains that this painting is about "giving structure to something intangible, ephemeral, in-flux or conversely, revealing the dissolving of structure that has been.” As an abstract artist, Fintz has long been interested in the contrast of hard-edged planar geometry (circles, squares, hexagons) existing within an atmospheric field where shapes can float or hold the plane, in a space that appears expansive, transient and increasingly released from the canvas’s edge. A calculated use of opacity and transparency resulting from fluid washes of acrylic create an atmosphere where fragmented geometry becomes “a vocabulary of gestures”. This work merges white and faintly gold hard edge lines with gentle washes of blue and neutrals. Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography. Artist Statement: My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve. The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.) Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through. Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together. The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection. About the artist: Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings. Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise. Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97). Selected Grants and Awards include 2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region 2015 Trustees Award, Albany Institute of History & Art 2013 Sabbatical, Parsons the New School For Design 2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design 2005 Sabbatical, Parsons the New School for School Design 2005 Sudden Opportunity Stipend 2003 Faculty Development Award, Parsons, the New School for School for Design 1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts 1993 N Y F A, Artists Fellowship / Drawing 1990 E. D. Foundation Grant / Painting 1984 Ludwig Vogelstein Grant / Painting 1980 The Ingram Merrill Award / Painting 1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany. Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY. Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017). Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project. Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY. Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975. Ms Fintz’s work can be found in many national & international collections. Collections Par Capital Management Boston MA VYV Apartments, Luxury High Rise, Jersey City, NJ Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL Liberty Mutual Insurance Company, Boston, MA, and Plano, TX Robert A.M. Stern Architectural Project, Washington DC Capital G Bank Hamilton, Bermuda Brigham & Women's Hospital, Foxboro, MA Wilmer Cutler Pickering Hale & Dorr, Boston, MA Posternak Blankstein & Lund, Boston, MA Hale & Dorr, Boston, MA Analysis Group, Boston, MA National Televison, 7 Kuala Lumpur, Malaysia Christmas Island Phosphate, Singapore Jewish Free Loan Association, Los Angeles CA Rabobank NYC Commerzbank, New York, NY Commerzbank 2, World Financial Center, New York, NY National Television 7, Kuala Lumpur, Malaysia Hobart & William Smith Colleges, Geneva, NY Skowhegan School, Skowhegan, Maine Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi Collection of the Former Prime Minister Datuk Seri Dr Mahathir Mohamed of Malaysia Jim & Debbie Ellickson -Brown, Cultural Attache, American Embassy, Kuala Lumpur Malaysia (1996) Rohana Tan Sri Mahamad, Kuala Lumpur, MY Suherwan Abu, Kuala Lumpur, MY & Singapore Valentine Willie, Kuala Lumpur, MY Aloysious Goh, Singapore Betsey Swan & Chris Calder, Albuquerque NM Carrie Chen & Stanley Cohen Center Hill, Copake, NY Albert & Linda Eskenazi, Montreal, CA Barbel & Peter Starz, Toulouse, FR Clarissa & Jean Kueller, Rio de Janeiro, Brazil Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland Shirley Greitzer, Esq. Washington DC Mark Meltzer, Los Angeles & Palm Springs, CA Joel & Fran Soroka, Aspen, Colorado Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL Estate of Gabriel Laderman, New York, NY Stephen Westfall, New York, NY Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ Dr & Mrs Chris Calder & Besty Swan, Menands, NY Carol & Joachim Frank, NY, NY Mark Pettygrove, Los Angeles, CA George A Schulman, Los Angeles, CA Gerald De Silva, Los Angeles, CA Caryl Horn, Port Richmond, CA Joe & Cathy Plumber, Cold Spring, NY Molly Doland, Esq. Washington DC Bethany Beardslee Winham, Rhinebeck, NY David Fox & Associates, Inc. Briarcliff Manor, NY Eric & Carolyn Egas, Greenviille, NY & Vieques, PR Jin Zeng, New York, NY Selected Solo Exhibitions 2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY 2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA 2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY 2012 "The Plaid Paintings...

This 28" x 20" oil on canvas by Masri represents an abstract landscape that plays with texture and color to evoke the essence of a natural scene. The painting features a deep, earthy...

The painting, inspired by a photograph from the author’s photo session with his muse, features a classic kiss rendered in an expressive, dynamic style. T...

Frida Willis (Swedish, born 1971) "Untitled" 2021 Oil paint, Canvas, Stretcher bars The artist signed the back of the painting. The canvas pulsates with energy, as bold strokes and ...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

Manifattura (Abstract painting) Oil and Acrylic on Canvas — Unframed. This artwork will be shipped flat within the US. If shipped outside of the US this work will be shipped rolled ...

#1625 (Abstract painting) Oil on Canvas - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will ev...

Artist: Kim Hardiman, American XXth Title: Rhythm Form Year: 1984 Medium: Mixed media on canvas, signed, dated, and titled verso Size: 36 x 42 in. (91.44 x 106.68 cm)

My new series of paintings, japanese koi carps. I was impressed to see these beautiful creatures in my friend's pond. Bright colors, dynamics of forms and composition of floating fis...

Antique American modernist signed abstract oil painting. Oil on board. Signed. Framed. Image size, 24L x 20H.

Untitled LX is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 200 cm × 140 cm (78.7 × 55.1 in). The artwork is signed, sold unframed and c...

Mountaintop, Sound of the Wind by Maria Pierides [2020] original Oil, oil stick, pastel and wax on deep edge canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H...

Impetus denotes the transmission of power, even attach. We over value the transmission of power from mover to the object moved. Lack of impetus is not necessarily want of impetus.

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 16.1 x 20.1 x 1.5 and it is Hand Embellished Giclee print on Canvas with UV Gloss Varnish. A certificate of auth...

A one of a kind piece by world famous Israeli artist Mordechai Ardon. It is a framed oil on canvas painting. 65X54 cm (25 5/8 x 21 ¼ in). Signed and dated "Ardon 60" (upper right). S...

Horizon, Blue Abstract Artist signed verso, initials front right corner with certificate. Staszek Kotowski studied at Warsaw’s Academy of Fine Arts from 1979 to 1985. After he had b...

Octavia Art Gallery is pleased to present Aaron Collier: Of Rocks and Ruins. The “Everything You Need to Know” website that intends to prepare visitors for the breezy summit and sce...

This is a beautiful painting of one big parrot sitting on a tree in the jungle. This original painting is elegant and a statement piece. Contemporary painting full of details and col...

Antique American abstract expressionist oil painting. Oil on canvas, circa 1960. No signature found. Image size, 24L x 20H. Framing available.

Arrecife II (Abstract painting) Acrylic on canvas - unframed Artwork is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method is especia...

"Look at the flowers. It is simply unbelievable how happy flowers are." — Osho Autumn Palette Dimensions: 60 × 60 × 2 cm / 23.6 × 23.6 × 0.8 in Autumn Palette reflects the colors o...

Parallel Construction, oil on canvas, 48 x 54 in. Oonju Chun’s large abstract expressionist paintings delightfully employ the basics of good, nonobjective ...

Antique American modernist abstract oil painting by Adele Becker (1929-2021). Oil on canvas. Framed. Signed.

Untitled 6 (Abstract painting) Acrylic on canvas — Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, Perea communicates t...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

The piece is signed by the artist on the reverse and includes a Certificate of Authenticity officially stamped by the gallery. We are committed to upholding the highest standards of...

-The painting was created alongside my tropical series and does not depict a specific scene, but rather abstract forms and shades of nature. Contemplating these natural motifs always...

The idea of ​​​​a synthesis of sensual, musical and pictorial form, revealed in the nomination "counterpoint", best and most justifiably conveys something new and independent in the ...

An original American Modern hard edge abstraction by James Koenig. This work titled "Hot Triangles" is part of the Draw Near exhibition currently on view at Benjaman Gallery.

A soothing abstracted painting of the horizon. Gaze across the brush strokes and blending of colours. A captivating horizon asking for a moment of reflection. Oil on board measuring ...

TN 852 is a painting by Japanese contemporary artist Hachiro Kanno. Dimensions are 70 × 100 cm (27.5 × 39.3 in). This artwork is signed and sold unframed. This piece belongs to an ...

Artist: Youri Yehuda Broitman, Russian (1956 - ) Title: The Impressions of Gail Year: 1991 Medium: Oil on Canvas, signed verso Size: 14 x 9 inches Frame Size: 16.5 x 11.5 inches

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

"My series of cairns (piled stones) is influenced by stories of late 19th and early 20th century explorers being lost on ice or land, where the vastness of the environment and the smallness of ourselves is bridged only by wayfinders that mark our presence and direction. The forms are a reminder that we are here...

Abstract painting on canvas, blue, extra-large, XXL, large oil on canvas painting, abstract expressionism. Abstract painting on canvas, blue, water, sea landscape, ocean. The item...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scraping and gouging acrylic pa...

Sonnenbogen (Abstract Painting) Acrylic on canvas - Framed Canvas size: 120 x 200 x 2 cm / 47.2 x 78.7 x 0.7 inch Andreas Durrer is a Swiss abstract ...

Perfect Coincidence 24 (Abstract painting) Acrylic on canvas — Unframed. The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminis...

Metaphysical landscape. 2018, canvas, oil. 80x120 cm Abstract composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the Art School of Rozental, the Latvian Academy of Arts and private studios of the famous painters and teachers Abram Bikov and Vitaly Karkunov. Participates in exhibitions since 1987. Awards: 1991 – One of the main grants at the International Art Project «Golden Brush» at the Central Painters' House, Moscow, Russia Solo Shows: 2008- Gallery "Antonia", Riga. exhibition "Dream City" 2002 – Open exhibition “Genesis” Austria, Vienna 2002 - «Painting», Blackhead's House, Riga (printed brochure) 2000 - Personal exhibition in Austria, Vienna “Gallery Atelier T” 2000 – Personal exhibition in Riga, Latvia 2000 - Institute of Practical Psyhogy, Riga (printed brochure) 2001 - Gallery «AtelierT», Vienna, Austria 1998 – Joined exhibition with N.Bessonova «Garant», Vienna, Austria 1998 - Gallery «Nelliya», Riga 1998 - Co-project with N.Bessonova «Birds and Fish», Gallery «Nelliya», Riga 1997 - Gallery «Dzintars», Riga 1997 - Insurance Company «New Re» Gallery, Geneva, Switzerland 1997 - Gallery «Rigas Vini», Riga 1997 - Gallery «Goldshidhaus», Gilzenkirken, Germany, with N.Bessonova 1996 – Personal exhibition in “Rigas vini” Gallery, Riga 1996 - Gallery «Sofia», Gilzenkirken, Germany 1991 - Russian Culture Fund, Riga 1991 – Last personal exhibition in Riga Group Shows: 2007 - Museum der stad Bad Ischl”Genesis2000” 2007 -“Art Innsbruck” International Messe. 2004 - Showcase of Latvian painters dedicated to Latvia joining the EU, museum «Horst Shloss», Germany 2004 - «Hungary by the Latvian Painters», Moscow House, Riga 2003 - «Autumn-2003», Latvian State Art Museum 2003 - Autumn exhibitions of Latvian Painters, Gallery «Nelliya», Riga 2003 - «Abstract Art in Latvian Painting», Latvian State Art Museum 2000-2006 - International Project dedicated to the Book «Genesis», Austria 2002 - «Autumn», Latvian State Art Museum 1999 - Participation in exhibition “Gold of Russian Art” Austria, Vienna, “Gallery Atelier T” 1999 – Participation in projects “Genesis” Austria, Vienna, “Gallery Atelier T” 1997 - «Art Expo» New York, USA 1996 - «Art of the Chosen Ones», Latvian State Art Museum «Arsenal» 1995 - «Surrealism in Works of Latvian Painters», Russian Culture Fund, Riga 1994 - «Christmas Exhibition», Embassy of Poland in Latvia, Riga 1993 - «Art of the Russian Painters», Embassy of Russia in Latvia, Riga 1993 - «Golden Brush», Central Painters' House, Moscow, Russia 1993 - «Latvian Painters», Gallery «Sofia», Germany 1992 – sept.,Oct. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in Moscow 1991 - «Golden Brush», Central Painters' House, Moscow, Russia 1991 - «Transformation», Youth Palace, Moscow, Russia 1991 - «Latvian Painters», Belver, Germany 1989 - «Artcontact» National Art Project, Culture House of Railroad workers, Riga 1989 - «Artist and Religion», Riga - Moscow 1988 - «Free Art», Rigas Modes, Riga 1987 - First exhibition with painters A.Alekperov and G.Huckivadze in the Culture House of Railroad workers, Riga Auctions: 2002 - «Doroteum» Vienna, Austria - paintings «Russian Art» and «Portrait of Olga...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

Maggie LaPorte Banks Cereleum and Psycho pink Original Abstract Painting Acrylic on canvas, collage, text, sand, and silver leaf. Canvas: H 75cm x W 75cm x D 2cm Sold Unframed Please...

Hieroglyph (Abstract Expressionism painting) Oil on canvas - Unframed For this painting, Gina Werfel used a series of gestural marks to generate a movement through the canvas, crea...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Aquaessence on Canvas CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works have b...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet ...

Oil painting by Thelma Appel from 1975. A landscape of grass fields fill the canvas, gently swaying in the wind. Painted in bright, surreal multicolored tones of yellows, reds, and blues. Signed and titled on verso, on shaped canvas. Artist: Thelma Appel, American (1940 - ) Title: Wheat Field...

John Pearson (American born 1940) "Study for Circus" 1985 Acrylic on canvas painting Hand signed verso, hangs from corner of canvas. Provenance: The New Gallery of Contemporary Art, Cleveland, Ohio. Bearing label verso: Dimensions: 19 x 19 in (it hangs in diamond shape which measures point to point 26.87 X 26.87 inches) Red, White, Blue, and Yellow abstract geometric painting. Circle and ellipse. John Pearson (British, 1940-was born in Yorkshire, England, and studied at the Harrogate School of Art, Yorkshire (National Diploma of Design, 1960), the Royal Academy Schools, London (Certificate, R.A.S 1963), the Akademie der Bildenden Kunst, Munich (1963–64, research fellow), and Northern Illinois University (M.F.A. 1966). He is known for hard edged, mod abstract oil painting on shaped canvas in geometric, curvilinear forms. For many years, Pearson has made paintings and low-relief sculpture, predominantly wall pieces, which use color, form, and various degrees of abstraction to modify the space of entire rooms. With work exhibited nationally and internationally in both solo and group shows, Pearson has also been sought for many site-specific commissions, both public and private. These are typically highly abstract, simplified, and nuanced; they’re often witty, too. Pearson early on became a devotee of the Dutch artist Piet Mondrian, a chief proponent of De Stijl (The Style), Pearson’s style has evolved from intense system-based abstract compositions to one more attuned to the spiritual influences of the natural environment. Pearson’s early style reflects the European reaction to expressionism and artistic emotionalism in the form of a rational, systematic approach to art (often called the “New Tendency”). An heir to the tenets of Constructivism, he investigated color within a predetermined linear or grid system that eliminated options after the artist’s initial choices. He was drawn to Cleveland in 1970 because of its reputation at the time for having a rich environment for abstract art, as two of the chief proponents of Kinetic art and op art, Julian Stanczak and Richard Anuszkeiwicz, worked there. Students of Josef Albers, the grand master of color theory who taught these two primary practitioners of the “Color Function” school of abstract art at Yale in the 1950s. Pearson’s early style reflects a European reaction to abstract expressionism that manifested itself in a rational, systematic approach to art.Since his emergence in 1960s London, John Pearson has been using mathematical systems and computer programs to generate hard-edged geometric compositions. His work is of the same genre as the artists of the Denise Rene Gallery in Paris, similar to Vasarely, Agam, Cruz Diez and Soto. His most recent work, with its circles and ellipses superimposed on patterns of wavy lines, brings a more easygoing approach to his particular breed of rule-based art. Pearson has received grants from the National Endowment for the Arts and the Canada Council, and has had solo exhibitions at institutions including the Akron Art Museum, the Cleveland Center for Contemporary Art, and the Museum of Modern Art in Rijeka, Croatia. Pearson was born in Yorkshire (Britain) and studied art at the Royal Academy Schools in London, did advanced work in Munich (Germany), and earned the M.F.A. (Master of Fine Arts) degree from Northern Illinois University. Before arriving to teach at Oberlin College in 1972, he taught at the University of New Mexico, the Nova Scotia College of Art and Design, and the Cleveland Institute of Art. At Oberlin, he served as the Young-Hunter Professor of Art. John retired from teaching in 2014 but still occasionally works with students and lives in Oberlin where he educated several generations of appreciative liberal arts students. He also served as department chair and held the Young-Hunter endowed professorship from 1987 onward, until his retirement. Pearson travelled widely to paint, exhibit, and teach and received support from the Ohio Arts Council and the National Endowment for the Arts, among others. His career received recognition via the Cleveland Arts Prize in 1975, while most recently he was recognized as a Special Honoree by the same organization. His paintings and sculptures are held in many public and private collections in the U.S., Canada, Europe, China, and Japan, as well as by museums, such as the Allen Art Museum (Oberlin), the Cleveland Museum of Art, the Museum of Modern Art (New York), and the Art Institute of Chicago. Hard-Edged Select Group Exhibitions Abstract, Constructive, Concrete Mondrian huis, Amersfoort, Holland Chronologic Planet Art...

An original mid century modern abstract expressionist painting by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) was a painter/printmaker whose work is in collect...

Artist: Nick Wallis, American XXth Title: More Afterthoughts 12 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 30 x 60 in. (76.2 x 152.4 cm)

In Crossroads of Thought, the artist navigates the intersection of emotion, memory, and spatial abstraction. Bold yet balanced color blocks in ochre, midnight blue, chartreuse, and ...