Art by Medium: Charcoal

James Van Fossan's "Traveler" is an original, handmade oil painting that depicts an elderly man with a curly brown and white beard as atmospheric clouds swirl in the background.

This artwork is sold framed. Available for presale. Please note: this artwork will be exhibited during Ashvin Harrison’s solo show (Nov 29–Dec 7) and can be collected or shipped aft...

This artwork is sold framed. Available for presale. Please note: this artwork will be exhibited during Ashvin Harrison’s solo show (Nov 29–Dec 7) and can be collected or shipped aft...

This artwork is sold framed. Available for presale. Please note: this artwork will be exhibited during Ashvin Harrison’s solo show (Nov 29–Dec 7) and can be collected or shipped aft...

Is My Hair Long?

Dovetail small 2 (Abstract drawing) Charcoal on paper - Unframed. "Paper dimensions: 23.7 x 19.7 inch / 60.2 x 50 cm Image's dimensions: 22.5 x 18.3 inch / 57.2 x 46.5 cm Neill cre...

Dovetail small 4 (Abstract drawing) Charcoal on paper - Unframed. "Paper dimensions: 23.7 x 19.7 inch / 60.2 x 50 cm Image's dimensions: 22.5 x 18.3 inch / 57.2 x 46.5 cm Neill cre...

In the weeds ink bloom #2 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

Sunil Das - Head, Ink & Watercolour on paper - 11 x 17.25 inches (unframed size) Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Ex...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Sinc...

In this delicate drawing, artist Josef Levi takes reference to art history by combining figures within one composition. The two characters depicted in this composition utilize the bottom half of the great artist Raphael, gradually phasing into the portrait of lovely lady named Vera. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levi had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Charcoal on paper 69cm × 98cm (79cm × 107cm framed) Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figu...

Jatin Das - Kneeled to the Earth - 30 x 20 inches (unframed size) Charcoal on paper Inclusive of shipment in a roll form. Style : The multi-faceted Jatin Das has been a part of the Indian art scene for more than four decades, with his paintings, murals and sculptures. The human body holds an endless fascination for him and he pursues his quest for dynamic figures tirelessly, using a linear structure and quick brushwork. The man-woman relationship, in particular, with all its attendant pain and joy is a constant source of inspiration to him. He believes that painting is an intensely personal experience, the results of which cannot always be shared with others. About the Artist and his work : Born : Jatin Das is one of India's most prominent painters. He was born in Mayurbhanj Orissa in 1941. Education : He has completed his education in 1962 from Sir J. J. School of Fine Arts, Mumbai. He has been also involved with art institutions, in several capacities as a teacher at the College of Art, New Delhi, and at the National School of Drama, New Delhi; as a consultant for the Handicrafts Board, and for the Folk Art Museum, Orissa, to mention a few of the positions he held. Solo exhibition : He has held many solo exhibition including : 2010-11 'Hand-held Space', Museum Gallery; Gallery Art and Soul, Mumbai, 2009 The Artists Alley Gallery, San Francisco, USA, 2009 Chelsea Arts Club, London, 1976 Kumar Art Gallery, New Delhi, 1975 Gallery de Sfinx, Amsterdam, 1975 Commonwealth Institute Art Gallery, London, UK, 1975 Schloss Bellevue, Kassel, West Germany, 1975 City Museum and Art Gallery, Birmingham, UK. Group exhibition : He has participated in many group exhibition including : 1982 ‘Moderene Kunst Heute’, Museum of Modern Art, Darmstad, Kunsthalle, West Germany, 1980 Contemporary Paintings in Miniature Format, Lalit Kala Akademi, New Delhi, 1979 All India Exhibition of Prints, Chandigarh, 1979 Asian Arts Exhibition, Fukoaka Art Museum, Japan, 1978 National Gallery of Modern Art (N.G.M.A) Collection, Warsaw, Alleppo, Damascus, Narodini Gallery V, Loden, Prague, Cultural Centre, Niavaran, Budapest. Honours and Awards : 2012 Padma Bhushan by the Government of India. 2007 Conferred the D.Litt. (Honoris Causa), Utkal University of Culture, Bhubaneswar. 2007 Seminar Management Institution, Bhubaneswar. 2007 Bharat Nirman Award. 2007 Order of the Star...

Shuvaprasanna Bhattacharya - The Golden Flute - 36 inches Diameter (unframed size) Oil, Acrylic and Charcoal on Canvas Inclusive of shipment in a ready to hang form. One of the most...

Shuvaprasanna Bhattacharya - The Golden Flute - 12 x 12 inches (unframed size) Oil, Acrylic and Charcoal on canvas Inclusive of shipment in a roll form. ...

Debabrata Basu - Being one with Nature II - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper Style : Debabrata derives his style and theme by introspecting within himself. ...

The piece is unframed. It is mounted in an archival white mat, with an overall mat size of 30 x 24 inches. Fritz Bultman (1919-1985) was an American Abstract Expressionist painter,...

Sunil Das - Untitled - 8.5 x 7 inches (unframed size) Ink & Charcoal on paper (Framed & Delivered) In the sixties Sunil's art was often seen to feature a dialogic discourse between ...

Debabrata Basu - Survival IV - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper. Style : Debabrata derives his style and theme by introspecting within himself. The fears of...

Debabrata Basu - Man and a Horse - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper. Style : Debabrata derives his style and theme by introspecting within himself. The fear...

The piece is unsigned. It is mounted in an archival white mat, with an overall mat size of 30 x 24 inches. Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, ...

Sanat Kar - Mother - 22 x 18 inches (unframed size) Mixed Media and charcoal on paper Inclusive of shipment in roll form. Style: Majority of Sanat Kar's works are surrealistic and ...

Somnath Bothe - Holy Banaras 2 - 24 x 24 inches (unframed size) Charcoal & Acrylic on canvas Inclusive of shipment in roll form. Holy Banaras, is located in the state of Uttar Prade...

Shuvaprasanna Bhattacharya - The Golden Flute - 12 x 12 inches (unframed size) Oil, Acrylic and Charcoal on canvas Inclusive of shipment in a roll form. One of the most popular seri...

Young Model II Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Unframed Dimensions: 34 1/2 x 26 inches Framed Dimensions: 36 1/2 x 27 1/2 inches

Landscape is a modern artwork realized in the 19th century Charcoal drawings. Good conditions 

The Shore is a modern artwork realized by in the Mid-20th century Pastel. Good conditions 

Prokash Karmakar - Ganesha - 20 x 14 inches (unframed size) Mixed Media on paper ** Cost is inclusive exclusive of shipment ( unframed ) The Indian Mythology God , Lord Ganesha , Th...

"Whale in a Sea of Symbols" is an original ink and charcoal on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower right. This piece features an abstra...

Sekhar Kar - Untitled - 14 x 11 inches (unframed size) Set of 2 works. Mixed Media on paper It will be delivered without frame. To get the best out of them we recommend placing t...

"And wasn't it good for a boy to be Out to old Aunt Mary's" Charcoal and watercolor on artist illustration board, 1900 Initialed and dated lower right: H.C.C. 1900 by the artist (see...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

Manifest 1 (Abstract Drawing) Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as...

In the weeds ink bloom #1 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #6 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

Portrait 1957, paper, charcoal, 36x31 cm The focus of the portrait is a woman. Charcoal, with its rich and versatile qualities, has been utilized by the artist to capture the vario...

Comes framed and ready to hang in professional wood black floater frame. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loos...

Comes framed and ready to hang in professional wood black floater frame. This painting was a Finalist in the Grey Cube Gallery's City Art International Art Exhibition: "Out of all ...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you...

The General is an artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Watercolor on paper. On rear: linocut on paper. Signed by the artist. Good conditions. Mi...

Prisoners is an artwork realized by Mino Maccari  (1924-1989) in 1952. Black Marker drawing. Dated and hand-signed by the artist. Good conditions.

The Palms #9 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

Acrylic & charcoal on canvas Rita di Benedetto is a French visual artist born in 1952 who lives and works in Toulouse, France. Her painting is intended to be sensual, no-conceptual,...

This mixed media drawing on toned archival sanded heavyweight paper is the second in a recent series if pastels depicting the artist and Model subject which had been done extensively...

Alphonse Legros 1837-1911, was a French painter and sculptor, who lived in London from 1863 until his death in 1911. He was a teacher of etching and drawing and became Slade Professo...

Created directly from observation of a live model, this mostly monochromatic figure work exemplifies the masterly draftsmanship skills of the artist. The charcoal drawing in on archi...

Original graphite, oil pastel and charcoal drawing on Strathmore toned gray paper 80 lb. Signed front and certificate of authenticity. Spray graphite varnish. 27,9 x 35,6 cm. 1...

My black greyhound (Abstract painting) Acrylic, oil pastel and charcoal on canvas Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This...

Robert Dickerson -- Portrait of a Young Girl Charcoal on paper Signed lower right Painting Size: 56 x 38 cm

Seen here is a charcoal drawing of a large Lady with cats. The unique work of Stephen Basso is wildly imaginative. While he is also a brilliant colorist, the monochromatic charcoal...

30 years of light (Abstract painting) Acrylic, oil pastel and charcoal on canvas Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This ...

Intermezzo 6 (Abstract drawing) Charcoal on paper - Unframed. Image size: 46.3 x 43.8 cm/ 18 1/4 x 17 1/4 inches. Neill creates works on canvas, linen and paper using a variety of...

Black and white portrait of a woman done in a style that combines abstraction and cubism, much like the work of Fernand Leger. Signed and dated in lower left corner. Artist Biography: Valery Kleverov was born in Engels, Russian Federation, Soviet Union June 28, 1939 the son of a fighter test pilot in the Soviet Air Force. He exhibited an independent, rebellious, and highly artistic temperament from a young age. Conscription into the Red Army at the standard age of (18) was first and last straw in the young artist’s battle with the State, he lasted only a few months before making an unauthorized parachute jump over a forest to go permanently AWOL. After 3 weeks hiding in the woods, he eventually made his way to Leningrad, dropped his first name and the “ov” from the end of his name and began his life as the underground artist known as “KLEVER”. He fell in with a close-knit group of young anti-authoritarian rebels who eventually became known to the world as the “Non-Conformists”, a small gang of free thinkers mainly from Leningrad and Moscow who rebelled against State control of artistic expression and of free thought. In the Soviet Union, not only religion was outlawed - art, literature, music and dance were all subject to heavy censorship and state oversight. Among paintings historical, religious, abstract, anti-Soviet and erotic subjects were all against the law. From 1966 to 1977 Klever made a reputation for himself as one of the non-conformists most overtly critical of the Soviet state. Many of his paintings from this period can be described as nothing less than heroic- they are truly remarkable visual essays on the evils of the national security/surveillance state, propaganda and manipulation of cultural symbols, suppression of artistic and religious freedom, revisionist history, and unfilled promises for the future. All of them were painted stored and exhibited not only at great risk to the artist and his associates, but also to anybody who sought to view them. In spite of the secrecy, the KGB discovered the existence of these pieces and began to follow Klever’s every move. There were surprise visits to his studio, harassment wherever he went, friends and family being questioned all a direct result of his determination to express himself artistically against Soviet control. From this time forward Klever had an exhibit which was open for viewing at all times inside the apartment of Bob Kashilohov as part of a network which paralleled the Samizdat network for sharing of forbidden literature. Klever was arrested for his participation in the most important non- conformist exhibitions which took place during his time there. These were the Bulldozer Exhibition in Moscow, 1974, (so named because the KGB bulldozed the exhibition and destroyed much of the work) and the Nevski Dom exhibition in Leningrad, 1975. These exhibitions represented some of the early cracks in the foundations of the Soviet state’s control over the population’s basic aspirations for economic, personal and creative freedom that ended with collapse in 1991. Repercussions of the Bulldozer exhibition were that some of the painters were arrested or even killed. Approximately 70 artists were arrested, including Klever. Media outcry in the west allowed most of the artists to be released within a week. Two weeks later another exhibition was allowed to proceed and became known as “Half Day of Freedom” in the Soviet Union. The Nevsky exhibition caused a huge sensation and was a watershed moment in the cultural history of the Soviet Union. People lined up for 30 blocks long over the course of the two week exhibition to see the forbidden works. Klever showed a large collection of explicit anti-Soviet paintings...

Balance (Abstract painting) Ink, oil pastel and charcoal on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a prof...

This piece is part of a special collection curated by Saatchi Art, where 154 artists were carefully selected from among hundreds of thousands of Saatchi participants. The premise of ...

Bob Cross is a painter, printmaker, and sculptor. He earned a Bachelor of Fine Art Degree at the Atlanta College of Art in 1981, and a Masters of Fine Art Degree at Ohio University i...

Charcoal on Ingres paper. An abstract work playing with front and backgrounds, light and dark. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticit...

This framed 20.25" x 16.25" drawing by artist Chris Brizzard depicts the portrait of a Rohingya man. This grayscale portrait features a male figure with...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is loosely figurative. They harken back to 80s neo-Expressionism and Figurat...