Art by Medium: Drypoint

Image dimensions: 17.5 x 23.7 cm. Redemption is a splendid etching and drypointr ealized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). Hand-signedin pencil on the low...

Image dimensions: 35 x 40 cm. Etching, wide margins, hand-numbered and hand-signed with pencil on lower-right margin. Edition of 5 prints. In excellent condition. Wonderful print b...

Hand signed. Edition of 75 prints. Includes passepartout: 49x34 cm. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy creat...

French Village with Church is an artwork realized in the first half of the 20th century by Eugène Corneau. Etching and drypoint on paper. Monogrammed in pencil by the artist on the ...

The dancer is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for wide stains on the lower corners. Ilse Voigt (Chemnitz, 1905 – Magdeburg, 1990) was an artist, pastellist, illustrator, and drawer. She attended the Fine Arts Academy of Berlin where she took Emil Orlik's classes. From 1964, she participated in international collective exhibitions. At the Salon des Indépendants, she became one of the company members. She exhibited in many art galleries in Paris and Switzerland. She painted and illustrated flowers, portraits...

La Tombe du Pére or The Father's Grave is a rare etching and dry-point, hand-signed in pencil in the lower right margin and hand-numbered in the lower left margin by Marc Chagall. E...

Arthur B. Davies (1862-1928), Baptism (or, Group of Ten Men – One Seated), drypoint on zinc, 1917, signed in pencil , printed in black on very thin laid paper. In very good condition...

William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...

Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...

Emil Orlik (1870-1932), Die Loge im Gaite Montparnasse (Paris), drypoint, etching and soft ground, 1911, signed and numbered in pencil lower right, for the portfolio Zuschauer und Zu...

Bernard Buffet Sailing boats stranded at low tide, 1980, Drypoint in black Hand signed lower right Numbered 100/150 lower left Image size: 62.5 x 47.5 cm Sheet size 76 x 58 cm Refer...

Etching, aquatint, drypoint & roulette in colors on arches paper. Hand signed lower right by Henry Moore. Hand numbered 38/50 lower left (there were also 15 artist's proofs). Shee...

Le Jument de Compère Pierre from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edi...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...

Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in several Frogman’s summer print workshops. She received her B...

Henry Niese, American (1924 - 2016) - Sharecropper, Medium: Drypoint, signed and titled in pencil, Image Size: 10 x 7 inches, Size: 13 x 10 in. (33.02 x 25.4 cm)

Salvador Dali Nude in the bath, 1973 drypoint and stencil highlights Hand signed lower right Edition EA lower left Image size: 39 x 58 cm Sheet size : 51 x 71 cm at sight Reference...

Donald Baechler, Potted Plant, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint on ...

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...

Carrie Lingscheit's print often deal with relationships and memories. "Human experience is plagued by an inherent incompleteness—both perception and memory being naturally imperfect,...

Signed and numbered from the edition of 12. RENAUD ALLIRAND was born in 1970, and currently lives and works in Paris. He is a prolific artist who has exhibited regularly since 1995....

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right corner. It is also hand numbered 6 in pencil from the edition of 100, at...

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

The lotus is a sacred flower in many religious traditions and refers to spiritual awakening and purity of heart. This meditative symbol is a metaphor for rebirth and a life unfolding...

"This image refers to the many passage ways from Paleolithic caves to human-made architecture in the ancient world used for ritual and ceremony. Mimicking the birth canal, they provi...

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

This is a collage of proofs of etchings that I had saved for years then one day I decided to construct new images from them. They are dry point, aqua tint with the addition of paint ...

This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is an artist’s proof aside from the standard edition of 100. There was...

Georg Baselitz (German, b. 1938) Schwester Rosi III, 1995/1996 Medium: Drypoint etching on wove paper Dimensions: 80 x 60 cm Edition of 12: Hand-signed and numbered Condition: Excellent

Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...

A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.

Coloured drypoint etchings. Limited edition, numbered as XVII/XXV. Signed in pencil by artist. Paper size: 40 X 26,5 cm Framed size: 71 X 57 cm very good condition. Bibliography: D...

PAUL DESMOND BROWN (American, 1893-1958), Leaping horse and rider, engraving, pencil signed lower right Image Sz: 5 1/2"H x 7 1/4"W Frame Sz: 11 3...

Pen & ink drypoint depicting a military rider clearing a tripple bar fences Signed: Paul Brown LR w/ Closson Gallery label on verso c1930s Art Sz: 7"H x 11"W Frame Sz: 16"H x 2...

Bernard Buffet Les Pommes de la Connaissance" ("The Apples of Knowledge"), from "Voyages Fantastiques de Cyrano de Bergerac, Aux Etats et Empires de la Lune et du Soleil" Drypoint N...

Art Sz: 6.5"H x 16.25"W Frame Sz: 15"H x 24"W

Claude WEISBUCH The angel of death Original drypoint engraving on Vellum paper Handsigned on bottom right 56 x 76 cm Claude Weisbuch, French (1927 - 2...

Bernard Buffet Bouquet De Lys (Bouquet of lilies), 1963 drypoint in black, Edition EA lower left Hand signed lower right, Image size: 65 x 50 cm Sheet size: 76 x 56 cm Bibliography ...

Bernard Buffet Annabel, 1979 Drypoint Hand-signed lower right Numbered 48/100 Image size 38.5 x 32 cm Sheet size 66 x 50 cm

This drypoint from 1942 was printed in a very small edition. Signed under the image in pencil at the lower right. Armin Landeck (1905-1984) was born in Crandon, Wisconsin, June 4...

Bernard Buffet Vase of Flowers, C. 1980 Drypoint in black, Hand signed lower right, Numbered 63/120 Image size: 65 x 50.5 cm Sheet size: 76 x 58 cm Reference : Buisson, no.56.63

An original drypoint monotype by American female artist Kathleen Sherin.

An original drypoint monotype by American female artist Kathleen Sherin.

An original drypoint monotype by American female artist Kathleen Sherin.

Color hard ground etching with aquatint, spit-bite aquatint, drypoint, roulette, and scraping and burnishing ed-30

Art Sz: 8"H x 12"W Frame Sz: 13 1/4"H x 17"W w/ linen mat and gilt wood frame

MARINO MARINI 1901-1980 Pistoia, Italy 1901-1980 Viareggio, Italy (Italian) Title: Graphic Work / Opera Grafica, 1972 1. Impressions/ Impressioni, 1959 2. Emotion of the Scene / Mo...

CONRAD FELIXMÜLLER 1897 - 1977 Dresden 1897 - 1977 Berlin (German) Title: The Old Collier Der alte Kohlenarbeiter, 1921 Technique: Original Hand Signed Drypoint on Wove Paper Pa...

Leon Kossoff Outside Kilburn Underground Station 1984 Drypoint etching, Edition of 40 58.42 x 66.04 cms (23 x 26 ins) (paper size) 31 x 40.5 cms (12 3/16 x 15 15/16 ins) (plate size)

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...

Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Bust of a young woman in profile Paul-César Helleu (1859-1927) JEUNE FEMME EN BUSTE, DE PROFIL À DROITE Color drypoint, circa 1900, on wove paper, signed and annotated 29 in pencil,...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

Image Sz: 5 7/8" x 7 7/8" Sheet Sz: 9 3/4" x 12 1/2"

Hand signed and numbered by the artist. Sheet size 19.75 x 13 inches. Image size 14 x 7 inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 6...

Art Sz: 9 1/4"H x 14"W Frame Sz: 17 1/4"H x 22"W

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...