Art by Medium: Etching

Color etching with aquatint on Rives paper. From Songes portfolio. Hand signed and numbered by Marc Chagall. Cramer 112. Published by Éditions Gérald Cramer, Geneva. Printed by Lacou...

Abstract Composition is an original etching and aquatint realized in the 1960s Century by Marcel Fiorini (1922-2008). Good Conditions. Edition of 36/100. The artwork is depicted th...

ARTIST: Salvador Dali TITLE: Symbols Devil MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: EGI/Vanguard Studios (Beverly Hills) EDITION NUMBER: 26/150 MEASUREMENTS: 16" x 16" ...

Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an ongoing exchange o...

Salvador Dalí­ I am my beloved from The Song of Songs of King Solomon1972, 1971 Color Etching with Gold Dust on Arches Paper Hand signed lower right Edition E.A. lower left Image si...

Howarth, Albany. VALLEY OF THE TIBER. Etching, not dated. Edition size not known. Signed in pencil lower right. 13 3/4 x 10 1/2 inches (plate), 19 5/8 x 14 3/4 inches (sheet). In ex...

Henri Matisse Nadia au visage rond 1948 Aquatint on Marais wove paper, Edition of 25 Paper Size: 60.2 x 46.4 cms (23 3/4 x 18 1/4 ins) Image Size: 44.4 x 34.7 cms (17 1/2 x 13 5/8 in...

While McNeil was a pioneer of the New York Abstract Expressionism movement, later in his life his work became more figurative, he focused on dancers and discos, like this piece. Alth...

This one is a dark burgundy or purple color. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony...

Isca Greenfield-Sanders Parachute Class Direct to plate photogravure and aquatint. Edition of 50

Artist: Larry Rivers, American (1923 - 2002) Title: Downtown Lion Year: 1967 Medium: Etching on Wove paper, signed and numbered in pencil Edition: 3/24 Image Size: 11.5 x 17.5 inches...

Dan Flavin (American, 1933-1996) For a pair of curvilinear walls placed to reflect circular fluorescent light in contrasting whites, 1974–75 Medium: Drypoint etching on wove paper Di...

Lars BO Surrealist encounter (Le Rêve de Jean Valjean 7/8), 1975 Original etching Handsigned in pencil On vellum, 36 x 45 cm (c. 14,1 x 17,7 inch) Edition limited to 100 unnumbered ...

La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...

Jean-Baptiste VALADIE Flowers of Utopia Original etching and aquatint Handsigned in pencil Limited /50 copies On vellum 50 x 66 cm (c. 20 x 26 in) Excellent condition

A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Fursten zu Oettingen-Wallerstein, Lugt 2715a, verso (see photo) Condition: Excellent Printed on 18th century laid paper Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...

Clement Haupers (1900-1982), Metro 2nd Class, aquatint and etching, 1928, signed, titled, numbered (6/20), dated and inscribed “Paris.” In very good condition, slight toning and rema...

Marc Chagall, Russian (1887 - 1985) - Les Deux Taureaux et une Grenouille, Portfolio: Des Fables De La Fontaine, Year: 1952, Medium: Etching on Japon Nacre, signed in the plate, E...

Etching and aquatint, 1958 Handsigned by the artist in pencil and numbered 6/20 32.00 cm. x 25.00 cm. 12.6 in. x 9.84 in. (paper) 13.00 cm. x 9.50 cm. 5.12 in. x 3.74 in. (image) Frontispiece for Louis Aragon...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 4 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: XXXI/XXXIII Image Si...

This beautiful hand colored etching imaginatively depicts a historical time / place of the nation’s first transcontinental railroad where Union Pacific Railroad meets Central Pacific...

Artist: Terry Winters, American (1949 - ) Title: untitled 1 from Album Year: 1988 Medium: Etching with Aquatint, signed and numbered in pencil Edition: HC 2/2 Image: 20 x 16 inches S...

Francois BOUCHER Mannerist : Lying Nude Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Vicky Oldfield artist and printmaker, ‘Cardoon’ is a hand coloured collagraph print, the print is taken from a plate which has been collaged with a variety of textured materials. The...

Merieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...

A very good impression of this color aquatint and etching. Artist's proof, aside from the edition of 75. Signed and inscribed "PA" in pencil. Printed by Labryrinth, Florence. Publish...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Salvador Dali - Cup of Chocolate - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Aquatint on Marais wove paper Edition of 25 Signed and numbered 25/25 in pencil lower right Duthuit 794

Lewis Teel Jr. 1913-1995 El Paso Artist Image Size: 9 x 7 Frame Size: 16 x 14 Medium: Etching Circa 1930s "City Market" Juarez, Mexico Biography Lewis Teel Jr. 1913-1995 Lewis Woods...

Original aquatint by Mexican artist Emilio Amero (1901-1976) created 1969. Titled: “The Fetish.” Edition size is 9 of 50. Signed and dated in pencil lower right and numbered lower l...

This artwork "Horse" 1971, is an original etching on Wove paper by Japanese artist Akio Yamao, b.1933. It is hand signed, dated and numbered 13/50 in pencil by the artist. The artwor...

Rembrandt van Rijn 1606-1669 Dutch Woman Bathing Her Feet in a Brook Etching on paper New Hollstein's 309, second state of II Signed and dated "Rembrandt f. 1658" (upper left) Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...

The etching "Running the Rapids" was created by Frank Benson in 1927. Printed in an edition of 150, this impression is signed in pencil, lower left. The image size is 5 13/16 x 7 7/8" (14.8 x 20 cm) and sheet size 8 1/16 x 10 5/16" (20.3 x 26.2 cm). Frank Weston Benson (1862-1951), well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Artist: Terry Winters, American (1949 - ) Title: untitled 5 from Album Year: 1988 Medium: Etching with Aquatint, signed and numbered in pencil Edition: HC 2/2 Image: 20 x 16 inches S...

ROBERT WALKER MACBETH (British 1848-1910) After GEORGE FREDERIC WATTS (British 1817-1904) A Greek Idyll Proof etching Signed in pencil by both the artist l.l. and engraver l.r. Framed Plate size 42 by 54 cm., 16 ½ by 21 ¼ in. (frame size 72.5 by 85 cm., 28 ½ by 33 ½ in.) After Watt’s 1894 painting...

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Electric Donjon from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed...

Magda Bolumar (Spain, 1936) 'Aire (Carpeta ""Los cuatro elementos"")', 1996 etching, aquatint on paper Rives BFK 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edi...

Artist: John James Audubon (American, 1785-1851) Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81) Portfolio: The Birds of America, Havell Edition Year: 1838 Medium: Original Ha...

"Shepherd and Shepherdess Conversing in a Landscape (Berger et Bergere Conversant)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolita...

"Thanks, Going" by Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching with Aquatint, signed and numbered in pencil Edition of 300 Size: 21.5 in. x 27 in. (54.61 cm x ...

Artist: Barbara Kwasniewska, Polish (1931 - ) Title: Oiseau Moqueur Year: 1973 Medium: Aquatint Etching, signed and numbered in ink Edition: 75, EA Size: 34.5 in. x 29.5 in. (87.63 c...

Raimundo Orozco (Cuba, 1949) 'Untitled', 2000 engraving on paper Guarro Biblos 250g. 10.1 x 6.6 in. (25.6 x 16.6 cm.) Edition of 60 ID: ORO-312-054 Hand-signed by author

Hand signed, dated, numbered and titled by the artist. Etching and aquatint on Pescia Italia paper. Edition of 78. Published by Multiples, Inc. Sheet size 23 x 40 inches. Frame si...

Paul Cadmus, 'Two Boys On A Beach, No. 1', etching, 1938, edition 75, Johnson & Miller 85. Signed in pencil and initialed in the plate in the lower right image corner. Annotated by t...

EUGENE ABESHAUS Leningrad, Russia, (1939-2008) Hand-Colored, with watercolor painting, Etching hand signed in pencil in English and Hebrew Numbered 47/110 Framed 21.5 x 16. image 13.5 x 9 Eugene Abeshaus (also spelled Evgeny Abezgauz, Евгений Абезгауз in Russian; 1939–2008) was a Jewish artist who worked in Russia (then USSR) and Israel. Born in Leningrad to a typical intelligentsia family, Abeshaus was educated as an electrical engineer but soon abandoned this career and enrolled in the Mukhina School for Applied Art. By the time of his graduation from the famous “Mukha” (Fly in Russian), he had already developed a critical stance towards the official Soviet art dominated by the Communist ideology and began exhibiting at semi-underground exhibitions. This was culminated by his taking part in a famous 1975 exhibition at the Nevsky Palace of Culture. Abeshaus was fired from his job and censured by the official press – which however admitted his "artistic taste, a good sense of color and form". Soon afterwards, Abeshaus set up, together with several Jewish artists, the Alef Group and became its leader. The group’s first exhibition in November 1975 was held at Abeshauses’ small apartment. According to the Alef Manifesto written by Alek Rapoport, “We are trying to conquer the influence of small-town Jewish art and find sources for our work in deeper, wiser, and more spiritual European culture, and from it build a bridge to today and tomorrow". He was part of a generation of Russian, mostly Jewish artist's that included Oskar Rabin, Evgeny Rukhin...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832) All Souls...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy Trial Proof MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: Tirage 500 This is a Trial Proof MEAS...

Artist: Georges Rouault Title: Jean-Francois ne Chante Alleluia (Jean-Francois Never Sings Alleluia) no. 25 from the Miserere et Guerre series Year: 1923 (published 1948) Medium: Aqu...

Color spitbite aquatint with chine colle. Edition of 50

"At the Circus with Dancing Odalisque" is an etching from Picasso's 347 Series, image size 6.5 x 8.75 inches, signed 'Picasso' lower right and annotated lower left and framed in a Sp...

A L'Ombre (In Shadow) Etching & drypoint, 1905 Signed with the red stamp of the publisher Pellet (see photo) Edition: 50 on velin paper, signed and numbered Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193) Condition: Excellent Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.) Sheet size: 11 5/8 x 17 1/8" Reference: IFF 119 Exteens 229 Arwas 256 v/V Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

limited_edition etching and aquatint Edition number 28 Image size: H:21 cm x W:20 cm Complete Size of Unframed Work: H:43 cm x W:37 cm x D:1cm Sold Unframed Please note that insitu i...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Tabula A from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed and nu...

Kamal Mitra - Untitled - 28.5 X 20 inches (unframed size) & 19 x 12.5 inches (Palette Size) Etching on paper. Inclusive of shipment in ready to hang condition. About Kamal Mitra...

Letter From Vienna Artist signed, dated, paper sheet 30x22.5 Krystyna Smiechowska was born in 1935 Krakow -2014 Paris France. Printmaker Krystyna Smiechowska draws her inspiration f...

Hayter, Stanley William (English, 1901-1988). PLONGEON. B/M 374. Engraving and soft-ground etching in colors, 1974. 23 x 19 1/4 inches; 583 x 460 mm. (plate), 29 3/4 x 22 inches (sh...

The Physiognomy - The owl and peacock is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge...