Art by Medium: Etching

The Physiognomy - The owl and peacock is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge...

Waterloo Bridge Sunset. John Duffin Limited Edition Etching Printed on White 300g Somerset Paper Edition of 90 Signed – John Duffin Image Size: H 24cm ...

"Sketch Near Pittsfield" is an original etching signed by the artist Stephen Parrish. It depicts a small group of buildings next to a lake. A path runs next to them, and the entire s...

Medium: original etching and drypoint. This rich, dark impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Com...

Artist: (after) George Morland (English, 1763-1804) Title: "A Rustic Family" Portfolio: Original Sketches from Nature by Various Masters *Signed by Morland in the plate (printed sign...

This original etching and aquatint in colours is hand signed in pencil by the artist "Miró" at the lower right margin. It is also hand numbered in pencil 5 from the edition of 30, a...

(Sorry for the reflections on the glass in the photos.) A little boy runaway has returned home, hat in hand, to the relief of his poor beleaguered mother (burdened with four other children, apparently) and the upbraiding of his grandmother. So many fabulous details in this 19th-century etching, in addition to its amazing engraving work (every bit of it originally incised on a metal plate!). Placard on back says "Published exclusively for members of the Crosby Opera House Art...

"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...

Medium: original etching. Printed in 1910 for Theodore Duret's "Manet & the French Impressionists". Plate size: 6 5/8 x 4 3/8 inches (170 x 110 mm). Sheet size: 8 1/2 x 5 3/4 inches ...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Artist: Richard Haas, American (1936 - ) Title: Cities Services Building (Blue) Year: 2005 Medium: Etching, signed and numbered in pencil Edition: 30 Image Size: 20 x 16 inches Size:...

This work is hand signed in pencil by the artist "Riopelle" at the lower right corner. It is also hand inscribed in pencil "EA" (épreuve d’artiste), at the lower left corner. This i...

J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...

Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Le Tasse de The (The Cup of Tea) Color aquatint and etching, c. 1906 Signed in pencil in the image (see photo) Edition: c. 100 Reference: Merrill Chase, Volume 1, No. 85 Condition: F...

Artist: Barry Nelson, British/American (1937 - ) Title: Vega Year: 1978 Medium: Etching with Aquatint, Signed and numbered in pencil Edition: 50 Size: 30 in. x 22 in. (76.2 cm x 55.8...

Etching on laid paper Signed in plate lower left: L. Lhermitte Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortiste...

Etching on laid paper Signed in plate lower right: A. Taiée Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, ...

Etching on laid paper Signed in plate lower left: E. Ulm Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, low...

Etching on laid paper Inscribed in pencil: Épreuve tirée de la planche donnée personnellement par l’artiste pour la Société des Aquafortistes Published by Cadart Luquet, Éditeu...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Etching on laid paper. Signed in the plate; publisher’s credit to Cadart Luquet, Éditeurs, Paris. With the blindstamp of the Société des Aquafortistes in the lower margin A som...

Etching on laid paper Signed in plate lower left: Th. Ribot Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, ...

Etching on laid paper Signed in plate lower left: J. F. Jacquemart Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafort...

Etching and drypoint realized in 1968. Table from the Series "Les Amours de Cassandre", published by Argillet, Paris. Edition of 56/95 on japanese paper, hand colored. Hand signed...

Etching on laid paper Signed in plate lower left: Armand Gautier Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortis...

Etching on laid paper Signed in plate lower left: A. Lançon Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, ...

Etching on laid paper Signed in plate lower left: W. Ridley Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, ...

Etching on laid paper Sheet size: approx. 65 × 50 cm Signed in plate lower left: F. Bracquemond Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blinds...

Etching on laid paper Signed in plate lower left: STOP Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, lower...

Copperplate etching Hand signed and inscribed by the artist in pencil. Image size: 13.5 x 11.5 in. Frame size: 24 x 22 in. A naturalistic color etching on paper featuring a classic ...

Cityscape Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and numbered in Pencil Edition of 150 Image Size: 19 x 18 inches Size: 30 x 22 in. (76.2 x 55....

La Mare Aux Grenouilles is a black and White etching realized by J. Desbrosses in the Late 19th Century.  Titled in the lower Image Size: 16x25 Very good impression. Realized by ...

PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...

George Dannatt (1915-2009) Dartmoor 1996 Etching Edition of 10 signed by George Dannatt Image measures: 29.5 x 20.6 cm Paper size: 38.8 x 26.0 cm Reference no: 1194 George Dannatt’...

Salvador Dali - Cleopatra Original Etching Dimensions: 28x 18.7cm 1969 Edition: /165 Plate signed References : Field 68-7-I page 48

Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...

4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...

Letter E is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Artist: Jacob George Strutt (English, 1784-1867) Title: "Cottage in the Forest of Arden" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland Year: 1829 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.07" x 21.13" Image size: 9.63" x 13.82" Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Donald Sultan Playing Card Prints - Artist Proofs (APs) We are excited to offer a rare collection of Artist Proof (AP) prints from Donald Sultan's acclaimed playing card series. Lim...

Salvador Dali (1904-1989) - Femmes poules (Hen Women) Drypoint etching with roulette from 1969. The edition 62/145. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Pierr...

A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.

Aquatint and etching on paper. Hand signed lower right by Roberto Matta. Hand numbered 90/100 lower left. Image size: 14.1 x 18.6 inches. Sheet size: 26 x 19.6 inches. Frame siz...

Signed, titled and numbered in pencil, edition of 15. Abstracted image of rain ferns featuring shaades of green and blue. Rosalyn Richards has been a member of the Bucknell Universi...

This ltd edition print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial...

This work is hand signed in pencil by the artist "L. Fontana" in the lower right image. It is also hand numbered in pencil from the edition of 80, in the lower left image. It was pr...

Andre DERAIN Prayer to a Divinity Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

Atin Basak - Untitled - 21.5 x 16 inches (unframed size) Etching on paper Inclusive of shipment in a roll form. Style : Atin Basak says that his recent body of work represents the ...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Kiki Smith For Leslie Gore, Mo Tucker, Laura Nyro and Mama Cass: What Girls Know About Grids (signed twice), 2000 Eight etching and relief etchings on handmade Japanese paper attache...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

- Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982

Magda Bolumar (Spain, 1936) 'Agua (Carpeta ""Los cuatro elementos"")', 1996 etching, aquatint on paper Rives BFK 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edi...

PRICE IS FOR THE SET OF TWELVE "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...

Rembrandt van Rijn, After, Dutch (1606 - 1669) - Self Portrait, Medium: Heliogravure, Image Size: 5.5 x 5 inches, Frame Size: 22 x 19.25 inches, Printer: William French

Salvador Dali (1904-1989) - Le Démon ailé Etching from 1969. 66/145 on Japan paper. Dimensions of work: 38 x 28.5 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference:...

Dear clients, Thank you so much for your interest to the art of Maestro Marina Dobrovolskaya. The artist Marina Dobrovolskaya has escaped the war in Ukraine and she is safe with her family in Bulgaria, in the historic city of Bansko, where she continues to create her incredible ART. Unfortunately, she had to leave all her artworks and her native town Kharkiv in Ukraine. We wish you well and in the meantime we hope you will enjoy our artworks in a digital way! Kindly yours, Snow Pearl art gallery Milko Pamouktchiev Owner "Plum Mood" is a painting by Maestro Marina Dobrovolskaya About the artwork: TECHNIQUE: oil painting STYLE: Still Life, Contemporary Edition : Unique, signed Weight: Approximately 2 kg. The painting is unframed. Frame: Optional Snow Pearl gallery offers the possibility to increase the value of this artwork by adding a gorgeous wooden Italian contemporary frame on your choice. We can also offer a restored ancient golden frame. The frame can be hand-carved with composition ornamentation and hand-applied, with water gilded with 22 Kt. genuine gold leaf over rouge burnishing bole and then patinated to the appropriate patina. This will slightly increase the price, the shipping cost and the delivery time. Her paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of her talent.” Maestro Dobrovolskaya Marina Evgenievna was born in 1986, in Kharkov. In 2009, she graduated from the GS faculty of the Kharkov National Academy of Municipal Economy with a degree in architecture. Member of the Kharkov Organization of the National Union of Artists of Ukraine (graphics section) since 2018. She took part in course for design and decoration. She practices techniques of decoupage, craquelure, painting on glass, modeling of polymer clay, drawing up fabric and floristic panels, felting. She is master in technique of sand animation. It works both in online animation and in the creation of original paintings made with sand on glass. She took part with sand animation in the annual charity evening held in London. Participant of numerous All-Ukrainian exhibitions and international open-airs. In 2010, she taught sand animation at the Beitdan Jewish Center (Kharkov). In 2013, she took part in a drawing course at the Family Art Club Family Development Center, in 2014 she worked in a ceramic workshop (Kiev). The peculiarity of the artist is in her individual manner of execution: Maestro Dobrovolskaya works with mixed technique of watercolors and pastels, which gives the work a feeling of hyper-realism. Portraits occupy a special place in her work, in which great attention is paid to detailing in order to convey the character of a person. In the technique of pencil graphics, as well as mixed (pencil with a liner), the artist depicts the city landscape - one of her favorite subjects, which is due to her training at the Department of Architecture and Urban Planning, under the guidance of remarkable teachers: N.I. Krivoruchko, V.P. Manokhin, V.A. Kodina, L.O. Bogdanova and others. List of exhibitions: 2016 -2017 Allukrainian artist vistavka “Rіzdvyana” (Kyiv) 2016-2017 The All Ukrainian painting...

Paris: Israël Henriet, c1680. Etching with engraving on cream laid paper, laid down to a cream laid paper matrix, 3 1/8 x 7 1/8 inches (78 x 180 mm), the full sheet with thread marg...