Art by Medium: Glass

Glass blown in Venice by Afro Celotto. Afro Celotto is an Italian glass artist known for his intricate and colorful glass sculptures. He was born in Murano, Italy in 1963, and he com...

Murano glass handblown in Venice by Afro Celotto. Afro Celotto is an Italian glass artist known for his intricate and colorful glass sculptures. He was born in Murano, Italy in 1963,...

Venetian glass blown in Murano by Afro Celotto. Afro Celotto is an Italian glass artist known for his intricate and colorful glass sculptures. He was born in Murano, Italy in 1963, a...

Murano glass handcrafted by Afro Celotto. Afro Celotto is an Italian glass artist known for his intricate and colorful glass sculptures. He was born in Murano, Italy in 1963, and he ...

Dibond mirror Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Sain...

Rob Snyder, a Northwest native, is a highly accomplished glass artist who resides and operates his studio on picturesque Vashon Island, Washington. With nearly thirty years of ded...

Pink and Black Sunflower 3 18" x 7" x 7" Venetian cobalt glass, black-out glass, neon gas, transformer A hand-made ceiling-hung sculptural neon lig...

Genre: Contemporary Subject: Nature Medium: Ink, Sandblasted Glass, Surface: Paper Country: United States Dimensions: 20" x 20" Dimensions w/Frame: 21" x 21" x 2" KEN APTEKAR (b.19...

Dibond mirror Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Sain...

"Red Matte Bowl" is a hand-blown glass bowl by Ioan Nemtoi. It features an abstract pattern of black and yellow lines on a bright red background. The rim of the bowl is black. The ar...

Glass Furnaced in Murano, Venice. Afro Celotto was born in Venice, on Burano island, on August 24, 1963. Much quieter and less crowded than other Venetian islands, Burano is quite co...

Daum Signed Maurice Legendre Pate-de-Verre Horse Sculpture Wonderful "Animalier" sculpture Daum Limited Edition Pate-de-Verre sculpture of a ho...

Javier Calleja Little Mickey Grey: A standout limited edition Javier Calleja Mickey Mouse art toy created by the artist in conjunction with the noted 2021 J...

Fascinating Large Italian Glass Sculpture - Face with Red Eye. Incised signature on the base - Giuliano Tosi. Created by the famous Italian glassmaker circa 1970's - 1980's. The work measures 19 ½ inches high and 11 inches across at the widest point. It is in excellent condition with no damage and is quite an eye-catching objet d'art. Master Giuliano Tosi, born in 1942, hails from a lineage steeped in glassmaking tradition dating back to 1483. His journey with glass began at the tender age of 12, under the tutelage of Master Albino Carrara. Recognizing Tosi's burgeoning mastery, Carrara gifted him his corteo, an essential glass-cutting tool, symbolizing a rite of passage and an honor Tosi cherishes to this day. Tosi's expertise extends beyond traditional techniques, evident in his introduction of the external sbruffi technique in furnaces, a method enhancing color vibrancy and variation. His works have graced galleries worldwide, including Milan's Fashion District, Chicago, New York, and the Museum of Contemporary Art in Los Angeles, marking him as a significant figure in Murano's glass history over the past six decades. His talent for creating art glass pieces has attracted commissions from luminaries such as the Pope, Julia Roberts, Michael Douglas, and Victoria Adams...

MacConnel, Kim Robert (American, California, born 1946) Chindambaram Temple, India Medium: Collage of commercial photo prints on cardboard with acrylic, with mirror insets in the art...

Unique varnished papier mâché sculpture with acrylic paint and glass Hand-signed by the artist Wabé is a French artist. She was born in Marseille in 1961. She lives and works in Mon...

Title : Raw Material #5 Materials : Low-fire ceramic, glass, earth from the grave of the artist’s father, crushed horse’s jawbone Date : 2018 Dimensions :...

Oil & acrylic on glass "I’m interested in exploring boundaries of painting and reducing the medium to its essentials. - Color, Light and Form. Trying to give observers a place where...

Nancy Cohen Tilt a Whirl, 2021 glass, metal, handmade paper 5 x 12 x 10 in. (coh065) Nancy Cohen works concurrently in two media: She creates organic scu...

A tall bud vase with a butterfly by DAUM Beautiful tall long-neck vase decorated with roses, a butterfly and cabochons blown-molded glass with an acid-etched decor decor painted wit...

Vase with Columbines by DAUM Large vase decorated with Columbine flowers Multi-layer blown-molded glass Glass colored by vitrification of powders Decor in reserve acid-etched and pa...

Enrique Gomez de Molina’s sculptures are fascinating, humorous and unsettling. He uses the parts of once living animals that he purchases online and from vendors and farmers. But unl...

Huichol Beaded Jaguar Head. Sierra Madre, Jalisco. Mexico. Glass beads, beeswax and wood.

Mid-Century enameled steel, glass sculpture that is visually balanced from 360 degrees. All the positive and negative spaces work in total harmony which is a testament to Samuel Cashwan...

Jay Mikal’s “Obsidian 004” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition feature...

Hugh Findletar is perhaps best known for his bustlike vases, which he calls "flowerheadz." They are created in glassblowing workshop on Murano, an Italian island near Venice. The "z,...

Set of 12 custom framed Scottish postcards, vintage Catherine Reiss Inc. Six framed group of cards with two in each frame.

Set of Four Louis XVI Style, Bronze, Wall Appliques Two pairs of French Louis XVI style wall decorations having bow and knot bronze detailing with Bacchus mask castings and cut mirr...

Maison Jansen Style, Hollywood Regency, Etagères or Shelving Units, Brass, Faux Bamboo, Glass, France, 1970s A stunning pair of gilt metal five shelf etageres or corner units, Each ...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

"Calligraphic Beam" Mixed Media Wall Sculpture 14" x 89" inch by Alfons Louis Wooden work with elements of Bronze, Glass, and Iron. ABOUT THE ARTIST Born in Cairo 1959- Graduated ...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Dibond mirror Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Sain...

Durand Gold Iridescence Vase Glass Signed on bottom (enameled with numbering) 5 x 3.5 inches Victor Durand, Jr. was born in Baccarat, France. As several generations before him, Victor, at the age of 12, went to work in a local glassworks. Victor's grandfather and father worked for Cristalleries de Baccarat, a famous glassworks that was established in 1764. In 1882, Victor Durand, Sr. immigrated to the U.S. Victor, Sr. worked for Wheaton Glass...

"Umbrellas at the Cactus" by Ani Espriella one-of-a-kind pastel on paper 8" x 10" image size, 12x16" framed with non glare glass Painted en plein-air across from the Cactus Grill in Loveland, CO signed lower right ABOUT THE ARTIST: A native of Colombia, South America, Ani Espriella grew up in the culturally rich city of Miami working as a singer for 20 years. She moved to Longmont Colorado in 2003, and inspired by it's natural beauty, turned to the visual arts. She’s been painting in oils and pastels since 2005, and has taken classes and workshops with Jake Gaedtke, Jeff Legg, Elizabeth Robbins, Dan Beck...

Acrylic glossy glass + inkjet painting Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied ...

Bloom No. 5 from the Bloom Series by Norman Mooney Edition of 10 + 2AP Clear float glass, aluminum Inspired by the work of the 19th century biologist Ernst Haeckel and his study of ...

18th century continental eglomise painting of St John the Baptist preaching. Eglomise is a method of reverse painting on glass. In a go...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Murano Glass. Signed and numbered EA 2/3. Free shipment worldwide. With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptu...

Rare Crystal Amber Glass Art Vase Bowl from new workshop Liuli artist signed edition 251/350 Founded in 1987 by renowned glass artists Loretta H...

This beautiful handmade glass sculpture, crafted with colored glass pieces forming a beautiful butterfly combines aesthetic beauty with profound symbolic meaning of transformation, l...

This beautiful handmade glass sculpture, crafted with colored glass pieces forming a beautiful butterfly combines aesthetic beauty with profound symbolic meaning of transformation, l...

Individually numbered from sold out edition of 75, with bespoke mounting hardware included. Translating the boldly fragmented geometry of his painting into a wall-mounted wooden sc...

This contemporary fine art mirror by Alina B is created using mixed media on a mirror base, which creates a reflective, iridescent, and metallic ...

Vintage handmade boat model diorama of the "Sovereign of the Seas" a three masted schooner, displayed in its original case. Originally built in Massac...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...

Acrylic glossy glass + inkjet painting Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied ...

Martenita Omaggio To Picasso, Signed, artist logo stamp, and title. Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a furnace calle...

Yury Darashkevich (Belarusian, b. 1962) Yury Darashkevich was born in 1962 in Belarus and graduated from the Belarusian State Academy of the Arts. Upon graduation, he began a career...

Emile GALLE (1846-1904) Cristallerie with Acer Leaves Very beautiful Cristallerie by Gallé Vase decorated with Japanese acer leaves and cobwebs Double-layer glass Decor engraved by ...

Vesica 2021 Laser cut acrylic Natural wood and glass frame 71" x 54" x 2" $12,000 Lyndi Sales is an artist based in Cape Town, South Africa. She has been creating a series of ins...

A pair of antique colored etching prints each depicting a Japanese woman. One woman is wearing the conical hat also known as the rice hat and a traditi...

Jay Mikal’s “Vortex 012” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition features ...