Art by Medium: Glass

Joe Peters Nautilus, 2009 Borosilicate Glass 11h x 10w x 4d in

Curious, stunned by the strong influence of the powerful of this world and the violence that surrounds her, Cali cannot resist the urge to draw the history of men: From the Italian Q...

Latchezar Boyadjiev Quest, 2025 Glass 39 x 25 x 6 in (99.06 x 63.50 x 15.24 cm)

Gérard Cambon was born in 1960 in Toulouse (Fr). He has a degree in political science and is a self-taught artist. In the earlier years of his life practiced and experimented with collage and model making. Later, with an interest in old machines and patinas he started collecting old and used objects, tools, and fragments of items whose previous lives remained obvious. When he travels, one of his greatest pleasures is to find materials in antique shops or ironmongeries. In 1994, he began creating Locomobiles and reliefs and presented them to the public for the first time at “La Jeune Peinture,” a Parisian art fair. In 1995 , he stayed during 8 months in the hospital for eight months (leukaemia) where he began preparing and creating plans for new Locomobiles and reliefs. As his health improved, he committed himself to his artwork and during the same year met a Parisian gallery owner who decided to organize a solo show for him, Le Galerie Beatrice Soulie in Saint Germain des Pres. He has shown his work since 1996 in Paris and since 2000 in the United States (New York, Los Angeles, Chicago, Seattle). He is currently being shown by galleries in France, Belgium, Switzerland, Luxembourg , Denmark, and the United States. He keeps on trying out new materials (fabric, leather, glass, plants, metals,…) that he integrates into his bas-reliefs: traction engines...

Glass & stainless steel

Katie Eleanor, "Sweet Violet", 2019 Handcoloured portrait of blooming flower, immobilised in marble, featuring frozen eyes and the silky colours of Sprin...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Manufacturer Status: Discontinued Actual: 2007 - 2009 Rosenthal

Oil on acrylic glass

ADRIANA MARMOREK CAUSIS PLANTARUM PETAL, 2019 porcelain, blown glass 14.57 x 7.09 x 4.72 in. 37 x 18 x 12 cm. flower

This continuum of lines, forms and colors allows us to be transported to a place of awe and wonderment. The form was made with a mold, but the surface mosaic is completely unique. It...

ATO MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO MIC - where the “ ” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

Adriana Marmorek RENDEZVOUS BLOWN, 2020 blown glass, bronze 1.97 x 9.45 x 6.5 in. 5 x 24 x 16.5 cm.

Relief MG804 is a medium size contemporary modern abstract geometric wall relief by Dutch visual artist Let de Kok. This relief consists of two interspaced panels of museum glass wit...

"Cumulus Stone No. 1" by Norman Mooney Carrara Marble, Stainless Steel In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally for mor...

Ann Hollingsworth is a working artist in Half Moon Bay, California, Princeton By the Sea, where she makes sculptures in a combination of materials often reclaimed from construction materials. She studied glass making at California College of the Arts from 2000 until 2005, receiving a degree in sculpture. Additional studies were done at Corning Glass Museum, Pilchuck Glass School, KALA Institute as an artist in residence and at American Indian Art Institute in Santa Fe New Mexico. Currently her piece "Nesting" is in the traveling exhibition "Conference of the Birds" a Cynthia Reeves Project. Ann's work is represented by Visions West Gallery in Bozeman, Montana, and Denver, Colorado, and by Seager Grey Gallery...

kiln cast glass, pigments, crystal inlay

Audrey. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in glass mosai...

Senza Titolo 2 Mixed Media on Paper behind Glass Without Title Mythology In Stock - Size 32 x 40 cm. Size with Frame: 51 x 61 cm Giovanni Tommasi Ferroni (1967, Rome) descended from...

Steve Hagan is a glass artist, foodie, and proponent of pure beauty. His works combine a love of function with modern form and design, while often creating a mix of both vessels and ...

Steve Hagan is a glass artist, foodie, and proponent of pure beauty. His works combine a love of function with modern form and design, while often creating a mix of both vessels and ...

Creation through the destruction.

Kathryn Shriver is a visual artist from Buffalo, New York, and holds a BA in Studio Arts from Wells College (Aurora, NY) and an MFA in Painting and Drawing from Concordia University (Montreal). She has received training from the Art Students League in New York and as a copyist in the Musée du Louvre, Paris, and has attended residencies with the Vermont Studio Center, MOMUS, and most recently, Sager Reeves...

"Introduction" Mixed Media Light Installation 30" x 30" in by astrothebaptist Dichroic optical filters on painted wood birchwood panel and single source of light installation Compo...

"Garden of Hues #6" Mixed Media Light Installation 48 x 24 in by astrothebaptist Dichroic optical filters on painted wood birchwood panel and single source of light installation Co...

BETH LIPMAN CLUSTER #17, 2020 black and clear glass, adhesive 8 x 15 x 13 in. 20.3 x 38.1 x 33 cm.

"Solar Plexus Chakra" Photography 26" x 26" inch Edition 2/7 by Oleg Char Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame. Solar Plexus - Manipura The ...

BETH LIPMAN CLUSTER #21, 2021 black glass, adhesive 6 x 12 x 10 in. 15.2 x 30.5 x 25.4 cm.

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Pietro & Riccardo Ferro’s Deep Blue Fall (2024) is a masterful example of Murano glass artistry, meticulously hand-blown and hand-carved across four intricate layers. The vase featur...

UNDER AND ABOVE, NEW YORK CITY, 2021 Unique Silver Gelatin Print, Selenium toned; This is a mixed process print using luminogram, photogram and other darkroom techniques – all cameraless, two unique prints mounted on Aluminium Dibond. Currently, this piece is mounted only but will be framed further with hardwood black frame and finish with antireflective UV protective art glass - please see further images for referrals regarding the framing. 2 x Prints as One work of Art: 80 x 50 cm Framed 82 x 52 cm approx./ 32 x 20.5 inches approx. Unique Work Series: New York City Signed by the Artist on verso and provided with signed and stamped Certificate of Authenticity © Michael G Jackson...

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

Gorgeous One of a kind Blown and fused Glass Sculpture in opaque black , opaque white,black, grey and silver white. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). T...

Akihiko says of his work… My body of work is an experiment in rejecting conventional views of painting, reconsidering the very act of viewing, and reassessing traditional oil painti...

Modern abstract collage from 1973, composed in deep shades of green. Framed under glass with a fabric-covered mat and a simple black wooden frame. Lower right dated and illegibly sig...

Painted mirror in yellow

Painted mirror

Cristallerie vase with Earlier Times decor ("Temps Jadis") by Emile GALLE (1846-1904) Vase called "Cristallerie de Gallé" with "Temps Jadis" decor. Gadrooned coloured glass, decorat...

Standout pair of decorative pineapples hand crafted with a stylized metal frame having gold tone mercury glass blown into it.

Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd Series: No Innocent Land This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula. Print details: © Alex Boyd, Courtesy MMX Gallery Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist on recto Image: 82 x 58 cm Frame: 116 x 91 cm Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass. About the Artist: ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020. A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications. WORK REPRESENTED IN THE FOLLOWING COLLECTIONS: The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A *** NO INNOCENT LAND The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera...

Die Hinterglasmalerei zeigt eine anthropomorphe, weibliche Hundefigur. Eine gute Beherrschung der Technik ist beim Bild auffällig. Der Künstler/die Künstlerin zum Werk sind nicht be...

ADRIANA MARMOREK CONJUNCTION, 2020 porcelain, blown glass 11 x 7 x 7 in. 27.9 x 17.8 x 17.8 cm. flower

Are we destined to repeat history’s mistakes, or can we shape a better future—not just for ourselves, but for generations to come? Future Self invites viewers to see their reflection...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Created in 1989, this acrylic and silkscreen sculpture is hand-signed by Victor Vasarely (Pécs, 1906 – Paris, 1997) in black ink in the lower right. Numbered from the edition of 75 i...

Collection of Three Painted and Collage Glass Bottles, comprising: small bottle with gold painted accents, 1977, signed "HA" and dated to the underside, one bottle with silver-painte...

Die Hinterglasmalerei zeigt eine anthropomorphe, weibliche Hundefigur. Eine gute Beherrschung der Technik ist beim Bild auffällig. Der Künstler/die Künstlerin zum Werk sind nicht be...

Midcentury sculpture depicting two hand blown cockatoos perched on a doré bronze tree on a glass base signed Zanetti.

Vase with sloes by DAUM A spindle-shaped vase with a blue sloe plaques decor Multilayer blown-molded glass, colored by vitrification of powders With an acid-etched decor in reserve...

BETH LIPMAN WILD MADDER (plate), 2021 glass, permanent photographic transfer 1 x 6 7/8 in. etched "BL 2021" on back

BETH LIPMAN WILD MADDER (plate), 2021 glass, permanent photographic transfer 1 x 6 7/8 in. etched "BL 2021" on back

Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...

ADRIANA MARMOREK LUSH, 2020 porcelain, blown glass 9.84 x 16.93 x 10.24 in. 25 x 43 x 26 cm. flower

ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues ...

Bottle-vase with Sweet Peas by DAUM Bottle shaped vase decorated with sweet peas Blown-molded multilayer glass Acid-etched decoration in reserve Hammered background Perfect conditi...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Gorgeous One of a kind Blown and fused Glasswhite silver transparent and matte white and noir. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Total weight about 2...

Gorgeous One of a kind Blown and fused Glass Sculpture in brown/black, bluish black, opaque white and White sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 c...

Rafael says of his work… "The damn circumstance of water everywhere..." Born and raised on an island like Cuba, with all its peculiarities, my work borders on an obsession with themes such as insularity, identity and freedom. I frequently make both historical and everyday symbols my own to describe and question the environment that surrounds me through work with a marked social cut. I make art with any resource and/or material within my reach while taking advantage of the energy of recoverable objects and mixing them with traditional and contemporary supports and technologies. ⎯⎯⎯⎯⎯ Rafael Pérez...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...