Art by Medium: Linen

In Gift, Israel Agboola Oladapo continues his exploration of grace, self-possession, and identity through the poised presence of his sitter. Seated in profile against a vibrant plane...

Contemporary abstract landscape painting in oil on linen mounted on panel with carefully ordered patterns, geometric shapes and delicate lines in bright prismatic colors against an a...

"We spend our first nine months comfortably submerged, following mother-rhythms, sleeping to the liquid sound of breathing and heartbeat. The sea of origin is forever in us. These paintings of Nassau, Western Ireland...

James Vaulkhard Tom, 2023-24 Oil, charcoal, pastel and oil stick on fine linen 120 x 150 cm 47.5 x 59 inches James Vaulkhard Share James Vaulkhard holds a BA degree in History of Ar...

four-selvaged weaving: leftover warp and weft yarns from the past 65 years, including handspun and manufactured material, natural and synthetic dyed wool, silk, linen, cotton and ramie

Shipping Procedure: FREE Shipping Worldwide Offest Ink on Linen. Unmounted artwork. Ships in a well-protected tube from Nigeria. Accompanied by a Certificate of Authenticity.  Ne...

From the series Horizons – Sunset 2023 Handwoven painting, linen, cotton yarn, acrylic textile paint, 40 x 50 cm. ‘Horizons’ are a symbiosis of two disciplines of art, Painting and...

Peter Hoffer’s landscapes have one foot in classic realism and the other in deconstruction. This work, created with clay silicate and pigment on linen, juxtapose the Bauhaus architec...

To See a New Nation depicts Jean-Antoine Houdon's statue of George Washington, installed in the Virginia State Capitol. At Washington's feet lies the severed head of the Apollo Belve...

Texas artist Jim Stoker began developing his confetti-splatter technique of painting in 2000 to depict his interpretations of the unique flora along the Guadalupe River, as well as t...

Heidi von Faber Stack of Dishes I Acrylic on linen 100 x 80 cm ( framed/ included in price 105 x 85 cm) Dutch artist Heidi Von Faber lives and works in The Hague. The Stillllifes ...

Molesky’s latest body of work approaches art history with wit and irony. Drawing from classical themes and the heroic narrative, he subverts these traditions by casting the banana as...

In this contemporary abstract painting in acrylic on linen mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in salmon, peach and mauve are luminous a...

Flip Gaasendam Dutch Cows on the Salt Marsh 75 x 120 cm Oil on Canvas This painting is framed (included in price) 80 x 125 cm This painting is made by Flip ...

The young Dutch artist Lars van Wieren is seen by many as a great talent. We get that! Through one of our artists we were made aware of Lars' work. W...

Makinti Napanangka walked in to Haasts Bluff ration depot during the 1940’s with her young son when in her early 20’s and by the time she had moved to the new settlement of Papunya h...

"Rose Bouquet (Tenor) (2002)" by Aaron Fink (American, b. 1955) Signed, titled, and dated verso. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. Selected Group Exhibitions Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine, Gorham, 2019, with Martha Armstrong, Ben Aronson, Gideon Bok, Sascha Braunig, Bernard Chaet, Susanna Coffey, Aaron Fink, Jon Imber, Dinorá Justice, David Kapp, György Kepes, Kayla Mohammadi, Jim Ritchie, Ann Weber Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, 2017 Boston’s unique approach to Expressionism by uniting works from the late 1930s to the present day through an examination of subject, process, and materials. Influenced by the teachings of German Expressionist Karl Zerbe, and the early work of Hyman Bloom and Jack Levine. Summertime 16: The Big Annual Group Show, Galerie Christoffer Egelund, Copenhagen, Denmark, 2016 Beautiful Decay, Danforth Art Museum, Framingham, MA, 2016 MICA Then and Now, Ethan Cohen Gallery, Beacon, New York, 2013 Stuart Abarbanel, Donald Baechler, Brock Enright, Aaron Fink, Frank Hyder, Peter Greaves, Morris Louis, Herman Maril The Expressive Voice, Danforth Museum, Framingham, MA, 2012 Bon Appetit, Concord Art Association (curated by Meredyth Hyatt Moses), 2010 Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada, 2008 New England Impressions II: Exploring the Woodcut, Concord Art, Concord, MA, 2008 with artists: Doug Andersen, Leonard Baskin, Aaron Fink, Don Govett, Peik Larsen, Michael Mazur, Barry Moser, Brian Shure, Heidi Siebel, Annie Silverman, Andrew Stevovitch, James Stroud. Right to Print: Segura Publishing Company, Scottsdale Museum of Contemporary Art, Go Figure: The Figure in Contemporary Art – A Response to Art History, McIninch Art Gallery, Southern New Hampshire University, 2007 Fourteen Artists/Fourteen Years: Mahaffey Fine Art, Portland Art Museum, Portland, OR, 2006-2007 More Than One: Prints and Portfolios from the Center Street Studio, Boston Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA, 2002 A Tribute to John Powers, Hatton Gallery, Colorado State University, Fort Collins, CO, 2000 A Salute to Boston, Wiggin Gallery, Boston Public Library, Boston, MA, 1998 Be Still Dear Art, New England School of Art and Design, Boston, MA, 1998 Attributes of the Artist, The Art Complex Museum, Duxbury, MA, 1997 Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA, 1997 The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA, 1997 Face and Figure, Museum of Fine Arts, Boston, MA, 1996 Grand Illusions: Four Centuries of Still Life Painting, Museum of Fine Arts, Boston, MA, 1994 The Label Show, Museum of Fine Arts, Boston, MA, 1994 Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan, 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 Includes works by Thomas Bang, Jennifer Bartlett, Jonathan Borofsky, Chuck Close, Steve Currie, Rackstraw Downes, Aaron Fink, Audrey Flack, Nancy Graves, Eva Hesse, Brice Marden, Claes Oldenburg, and more. Fast Forward: Six Years of Collecting for a New Museum, Samuel P. Harn Museum of Art, Gainesville, FL, 1993 A Decade of Print Publishing, Neuberger Museum of Art, Purchase, NY, 1993 The Art Collection of the Federal Reserve Board: Five Years of Accessions, Board of Governors Building, Washington, DC, 1992 The Object: Found, Observed, Imagined, Fitchburg Art Museum, Fitchburg, MA, 1991 The Unique Print, Museum of Fine Arts, Boston, MA, 1990 8 Artists/8 Visions, DeCordova Museum, Lincoln, MA, 1990 The 1980s: Prints from the Collection of Joshua P. Smith, National Gallery of Art, Washington, DC, 1989-1990 The Age of Pluralism, Centro di Cultura Ausoni, Rome, Italy, 1989 Award Candidates Show, American Academy and Institute of Arts and Letters, New York, NY, 1987 70’s into 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, 1986 Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY, 1986 Highlights: Selections from the Bank of America Headquarters, San Francisco, CA, 1984 Local Visions IV: Portraits, Hayden Gallery, MIT, Cambridge, 1984 Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The Modern Art of the Print: Selections from the Lois and Michael Torf Collection, Museum of Fine Arts, Boston, and Williams College Museum of Art, 1984 Painting and Sculpture Today, Indianapolis Museum of Art, 1984 The New Portrait, Institute of Art and Urban Resources, Project Studio One, Long Island City, New York, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Boston Now: Part II, Institute of Contemporary Art, Boston, MA, 1983 Jon Abbot, Aaron Fink, Tom Lieber, Chris Wool, Delahunty Gallery, New York, NY, 1983 The Figure Beside Itself: Contemporary Figurative Prints, University of Massachusetts, Amherst, MA, 1982 Art of the State, Rose Art Museum, Brandeis University, Waltham, MA, 1982 Boston Now: Figuration, Institute of Contemporary Art, Boston, MA, 1982 A Private Vision: Contemporary Art from the Graham Gund Collection, Museum of Fine Arts, Boston, MA, 1982 Boston Printmakers 32nd National Exhibition, DeCordova Museum, Lincoln, MA, 1979-1980 Works on Paper from the Yale School of Art, Victorian College of the Arts Gallery, Melbourne, Australia, 1978 S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Children's Hospital, Chicago Choate Rosemary Hall...

In this contemporary beach landscape in oil on linen, a peaceful scene depict the sandy shoreline along the ocean, shrouded in fog beneath a calm, pale blue sky. Signed, titled, and ...

Denied Warhol Guns (3 Silver) Painting on canvas by Charles Lutz Silkscreen and Aluminum paint on canvas with artist's Denied stamp of the Andy Warhol Art Authentication Board. 20 ...

Archival Pigment Print on Linen Year: 2022 Size: 33.4 x 25.5 inches Signed and titled by hand COA provided The style reflects the need for constant self-perfection and development, ...

Archival Pigment Print on Linen Year: 2022 Size: 25.5 x 33.4 inches Signed and titled by hand COA provided The style reflects the need for constant self-perfection and development, ...

Inspired by the quote "Time is a dressmaker specializing in alterations." - Faith Baldwin In her recent series, "The Painted Word," Vera Barnett has turned to the written word for...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Lawrence...

In this contemporary still life oil painting on linen, a floral patterned pitcher on a wooden table holds brightly colored pink and red roses with long leaves in verdant shades of gr...

Bettina Mauel expresses vitality and sensuality in her abstract impressionist contemporary landscape, seascape, and figurative paintings. Her artworks often incorporate a sophisticat...

In this contemporary abstract painting in acrylic on linen, carefully ordered horizontal blocks of color in salmon, peachy orange, lilac, mauve, gray and light purple are vibrant aga...

Bettina Mauel expresses vitality and sensuality in her abstract contemporary landscape paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers, an...

"High Self, Lower Body" - Contemporary figurative oil painting of a pair of female legs by Chelsea Gibson Medium: Oil on linen Size 25 x 20 inches. Offered unframed. "High Self...

George Washington's dentures, painted from historical references. They were made from animal and human teeth. William Blake (b. 1991) Brother’s Bones Beside Exhibition Summary(2025)...

This painting is a copy of After Appomattox (1870s) by John Adams Elder, a Confederate veteran and artist trained by Emanuel Leutze, known for Washington Crossing the Delaware. Elder...

In this contemporary abstract painting in acrylic on linen mounted on panel, carefully ordered horizontal blocks of color along the edge of the composition in pink, orange and light ...

Jim Stoker describes himself as an Artist-Naturalist, endeavoring to express his reverence for wildlife through his richly-colored paintings. In his love for the vivid and varied col...

Heidi von Faber Stack of Dishes II Acrylic on linen 100 x 80 cm ( framed/ included in price 105 x 85 cm) Dutch artist Heidi Von Faber lives and works in The Hague. The Stillllifes...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

In this contemporary painting in acrylic on linen mounted on a shaped panel, two vertical blocks of color in dark lapis blue and soft, mottled orange are luminous against thinner neutral sections of exposed linen. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

Denied Warhol painting of a Hamburger Silkscreen Painting on canvas by Charles Lutz Silkscreen and acrylic on canvas with artist's Denied stamp of the Andy Warhol Art Authentication...

Robin Hextrum's (US based) "Moon Flowers" is an oil painting that depicts a bush of white flowers on a black background.. This piece measures 22.25 x 18 inches in its frame and is re...

This is a classically painted portrait of artist and muse by Chicago based artist Andrew S. Conklin. Andrew's passion for Dutch and Northern Italian Baroque painting...

Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...

Francisco Jose Jimenez paints abstracted nude paintings using a range of materials, such as fabric, concrete, pieces of plastic etc. His portraits tell stories of imperfect beauty, i...

In this oil painting on linen, a bright golden yellow diamond shape in the upper center is vibrant and bright, offsetting a layered, eye-catching geometric pattern suggesting a botan...

This piece titled "The Yarn We Spin" is an original piece by Danielle Clough, as part of her recent solo exhibition "Crewel Intentions", featuring highly textured and embroidered por...

A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

This intricately detailed contemporary painting in acrylic on linen imagines a future inhabited by robots, animal hybrids, tiny figures, alien flowers and flying machines. A blue hyb...

In this contemporary abstract painting in oil on linen, the yellow background is vibrant and bright, offsetting a layered, eye-catching geometric pattern in white and berry red with ...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

This piece titled "Diptych: Egg Bag & Insect Net" is an original artwork made from beeswax, quail eggs, mica, plastic, copper, linen, and silverpoint, mounted ...

Original Painting of Neon Reflections in the New York City Rain, by Contemporary British Urban Artist, Angela Wakefield. This is a major work to continue her...

Print Offest Ink on Linen Ships in a well-protected tube from Nigeria Signed on the front side and accompanied by a Certificate of Authenticity.

This contemporary, floral, still-life oil painting is reminiscent of the great Fauvist artists such as Matisse. Rich colours, expressive brushstrokes, and abstracted forms characte...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

"Feelers" - Contemporary figurative oil painting of a man's torso by Chelsea Gibson Medium: Oil on linen Size 25 x 20 inches. Offered unframed. "Feelers" is part of Chelsea Gib...

"Ritual is an original oil painting on linen measuring 30" high x 24" wide x 1.25" deep by Ekaterina Popova, founder of Create Magazine. She uses vibrant, saturated pigments in her serene and inviting candlelit bath scene...

Tosin Oyeniyi is Inspired by his unquenchable passion to preserve and project the African culture to the global arena. Through my craft, I am unrepentantly determined to give beauty ...

Francisco Jose Jimenez paints abstracted nude paintings using a range of materials, such as fabric, concrete, pieces of plastic etc. His portraits tell stories of imperfect beauty, i...

Francisco Jose Jimenez paints abstracted nude paintings using a range of materials, such as fabric, concrete, pieces of plastic etc. His portraits tell stories of imperfect beauty, i...

In this contemporary abstract painting in acrylic on linen, geometric shapes in light sage green, pale pink, dark yellow, cobalt blue, ivory and a black and white floral pattern are ...

In this contemporary painting in acrylic on linen mounted on aluminum panel by Peter Hamlin, a golden swan with blue green hues in its plumage stands at the center of this fantastica...