Art by Medium: Linen

The stature of an everyday item…an antique, well-worn box used for cutlery is elevated to fine art in this realistic oil painting by Ciba Karisik. Traces of blue paint mix with the golden tones of the wood and the palpable texture is enhanced by using linen...

Contemporary large scale surreal figurative abstract interior scene by Bay Area artist Michael Pauker (American, b. 1957). Titled "Studio Sweepings" on verso. Signed "Michael Pauker"...

Rose Freymuth-Frazier Stimulus oil on linen 50h x 53w x 1.50d in 127h x 134.62w x 3.81d cm RFF066 Rose Freymuth-Frazier Employing the techniques of the past in the service of contem...

The Hana-Bi 5 — luminous oil on linen. Dimensions are 50 x 50 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and Californ...

Abstract figurative painting, acrylic on linen canvas.

Signed on verso

Mixed Media Sculpture with Waxed Linen, Hammered Copper and Iron Wire Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After rece...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

A unique, abstracted figurative oil painting on stretched Belgian linen canvas, ready to hang. Signed on the bottom right. Framing options available on request.

The Hana-bi 1 — luminous oil on linen. Dimensions are 47 1/4 x 33 1/2 inches. French American Frédéric Choisel, is inspired by the cities and countr...

Original Painting of a Contemporary Broadway New York City Street Scene after the Rain by British Urban Landscape Artist, Angela Wakefield. This is a major work to continue her epic ...

Original work of art that utilizes both painting and drawing - Mixed-media: Sumi Ink, graphite, metallic pigment and acrylic on Moulin de Larroque paper, made by hand in a mill in Fr...

This oil painting on Belgian linen canvas with vivid colours depicts people and situations with whom the artist have had contact. Whilst the works are not strictly speaking, portrait...

The book of life, where everything is written and sealed. Your happiness and your suffering. You are here to witness your own choices. Inspired by a silhouette of the Nile River an...

"High Self, Lower Body" - Contemporary figurative oil painting of a pair of female legs by Chelsea Gibson Medium: Oil on linen Size 25 x 20 inches. Offered unframed. "High Self...

The Language of Flowers and Silent Things — with luminous oil on linen. 36 x 36 inches. Drama and depth are at play in this sophisticated painting ...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

"Rose Bouquet (Tenor) (2002)" by Aaron Fink (American, b. 1955) Signed, titled, and dated verso. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. Selected Group Exhibitions Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine, Gorham, 2019, with Martha Armstrong, Ben Aronson, Gideon Bok, Sascha Braunig, Bernard Chaet, Susanna Coffey, Aaron Fink, Jon Imber, Dinorá Justice, David Kapp, György Kepes, Kayla Mohammadi, Jim Ritchie, Ann Weber Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, 2017 Boston’s unique approach to Expressionism by uniting works from the late 1930s to the present day through an examination of subject, process, and materials. Influenced by the teachings of German Expressionist Karl Zerbe, and the early work of Hyman Bloom and Jack Levine. Summertime 16: The Big Annual Group Show, Galerie Christoffer Egelund, Copenhagen, Denmark, 2016 Beautiful Decay, Danforth Art Museum, Framingham, MA, 2016 MICA Then and Now, Ethan Cohen Gallery, Beacon, New York, 2013 Stuart Abarbanel, Donald Baechler, Brock Enright, Aaron Fink, Frank Hyder, Peter Greaves, Morris Louis, Herman Maril The Expressive Voice, Danforth Museum, Framingham, MA, 2012 Bon Appetit, Concord Art Association (curated by Meredyth Hyatt Moses), 2010 Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada, 2008 New England Impressions II: Exploring the Woodcut, Concord Art, Concord, MA, 2008 with artists: Doug Andersen, Leonard Baskin, Aaron Fink, Don Govett, Peik Larsen, Michael Mazur, Barry Moser, Brian Shure, Heidi Siebel, Annie Silverman, Andrew Stevovitch, James Stroud. Right to Print: Segura Publishing Company, Scottsdale Museum of Contemporary Art, Go Figure: The Figure in Contemporary Art – A Response to Art History, McIninch Art Gallery, Southern New Hampshire University, 2007 Fourteen Artists/Fourteen Years: Mahaffey Fine Art, Portland Art Museum, Portland, OR, 2006-2007 More Than One: Prints and Portfolios from the Center Street Studio, Boston Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA, 2002 A Tribute to John Powers, Hatton Gallery, Colorado State University, Fort Collins, CO, 2000 A Salute to Boston, Wiggin Gallery, Boston Public Library, Boston, MA, 1998 Be Still Dear Art, New England School of Art and Design, Boston, MA, 1998 Attributes of the Artist, The Art Complex Museum, Duxbury, MA, 1997 Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA, 1997 The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA, 1997 Face and Figure, Museum of Fine Arts, Boston, MA, 1996 Grand Illusions: Four Centuries of Still Life Painting, Museum of Fine Arts, Boston, MA, 1994 The Label Show, Museum of Fine Arts, Boston, MA, 1994 Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan, 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 Includes works by Thomas Bang, Jennifer Bartlett, Jonathan Borofsky, Chuck Close, Steve Currie, Rackstraw Downes, Aaron Fink, Audrey Flack, Nancy Graves, Eva Hesse, Brice Marden, Claes Oldenburg, and more. Fast Forward: Six Years of Collecting for a New Museum, Samuel P. Harn Museum of Art, Gainesville, FL, 1993 A Decade of Print Publishing, Neuberger Museum of Art, Purchase, NY, 1993 The Art Collection of the Federal Reserve Board: Five Years of Accessions, Board of Governors Building, Washington, DC, 1992 The Object: Found, Observed, Imagined, Fitchburg Art Museum, Fitchburg, MA, 1991 The Unique Print, Museum of Fine Arts, Boston, MA, 1990 8 Artists/8 Visions, DeCordova Museum, Lincoln, MA, 1990 The 1980s: Prints from the Collection of Joshua P. Smith, National Gallery of Art, Washington, DC, 1989-1990 The Age of Pluralism, Centro di Cultura Ausoni, Rome, Italy, 1989 Award Candidates Show, American Academy and Institute of Arts and Letters, New York, NY, 1987 70’s into 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, 1986 Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY, 1986 Highlights: Selections from the Bank of America Headquarters, San Francisco, CA, 1984 Local Visions IV: Portraits, Hayden Gallery, MIT, Cambridge, 1984 Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The Modern Art of the Print: Selections from the Lois and Michael Torf Collection, Museum of Fine Arts, Boston, and Williams College Museum of Art, 1984 Painting and Sculpture Today, Indianapolis Museum of Art, 1984 The New Portrait, Institute of Art and Urban Resources, Project Studio One, Long Island City, New York, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Boston Now: Part II, Institute of Contemporary Art, Boston, MA, 1983 Jon Abbot, Aaron Fink, Tom Lieber, Chris Wool, Delahunty Gallery, New York, NY, 1983 The Figure Beside Itself: Contemporary Figurative Prints, University of Massachusetts, Amherst, MA, 1982 Art of the State, Rose Art Museum, Brandeis University, Waltham, MA, 1982 Boston Now: Figuration, Institute of Contemporary Art, Boston, MA, 1982 A Private Vision: Contemporary Art from the Graham Gund Collection, Museum of Fine Arts, Boston, MA, 1982 Boston Printmakers 32nd National Exhibition, DeCordova Museum, Lincoln, MA, 1979-1980 Works on Paper from the Yale School of Art, Victorian College of the Arts Gallery, Melbourne, Australia, 1978 S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Children's Hospital, Chicago Choate Rosemary Hall...

Skate Boarder in Times Square New York City, after the Rain, by British Urban Landscape Artist, Angela Wakefield. This unique original is a major work to continue her epic New York S...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

This abstract landscape, painted in acrylic and pastel on linen, is dominated by flowing trees with exaggerated, curving branches. The form of the trees are dynamic and organic, and ...

Storm Clouds over Mountain Trail captures a moment of intense natural contrast, where turbulent weather meets quiet landscape. The vertical composition draws the eye upward into a sk...

Blue Grove’s dream inspired imagery invites viewers into a quiet, contemplative forest scene where the cool blue tones of the trees create a striking contrast against a softly glowin...

'Outside the Box with Motherwell' by artist Mimi Jensen, who uses bold colors to depict theatrically lit objects. "Her paintings invite speculation into possible metaphors" – Califo...

Marie Craig's 'Roiling’ is an original deep blue photograph of ocean waves partially obscured with fern leaves. This piece was created using...

Justyna Kisielewicz's elaborate, vibrant and full of zest, oil on European linen painting depicts a young woman — in this cast, the artist herself — in California, The figure wears v...

A unique, abstracted portrait oil painting on stretched Belgian linen canvas, ready to hang. Framing options available on request.

The Language of Flowers and Silent Things — in four parts with luminous oil on linen. Each panel is 25 1/2 x 19 1/2 inches. Hanging in a quad the overall dimension is 52 1/2 x 41 inches. Drama and depth at play in this sophisticated painting in aubergine and plum on natural raw Belgian linen. Thin layers of oil paint, create a shimmering and provocative work that glistens, shimmers, and changes with the light of day and seasons. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and California's Bay Area. Like Gerhard Richter, with a background in hyperrealism and shift into abstraction, Choisel is taking us — the viewers of his work — along with him on a visceral journey. Beautiful, rich, highest quality materials used throughout. Artist signed, titled and dated verso. Condition excellent. The four paintings can hang in a quad as pictured or four in a row.

"Material Pleasures: Artemisia", acrylic on linen, dyes on rayon; woven, 53" x 77", 1993. This contemporary abstract mixed media tapestry was done by California-based American fib...

An original oil on linen painting by emerging contemporary artist Anthony Leone, currently featured as part of the artists's solo exhibition Grape Farm.

Mixed media (linen, light sensitive dye, polyfil, dryer lint, thread)

Marie Craig's 'Buckeye’ is an original deep blue photograph of leaves from the Bottlebrush Buckeye tree. This piece was created using cyanotype, an early photographic process which u...

linen, metal foil

This oil painting on stretched Belgian linen canvas with vivid colours depicts people and situations with whom the artist have had contact. Whilst the works are not strictly speaking...

A contemporary oil painting on linen by American artist A.J. Fries. Artist’s Statement: These works are an extension of a small series of realistic paintings that I did of graves...

A unique, abstracted portrait oil painting on Belgian linen canvas, framed with a hand made gilded frame. Dimensions of 86.5 x 76.5 cm includes the size of the frame. Ready to hang.

James Perrin’s abstract oil paintings create a visual language which, though appearing chaotic at first, reveal their meticulous craftsmanship and intuitive-driven intentions. In Pe...

Embellished serigraph on linen canvas. Hand signed, titled and numbered by the artist. From the edition of 85. Artwork size 55 x 42 inches. Custom framed as pictured. Frame siz...

Inspired by always moving, always changing, epic blue and cloudy skies that bring "billows upon billows upon billows" of clouds. Katherine Kean seeks moments of breath-taking transition in nature; a gathering of clouds or changing tides; times when the elements of the landscape combine with the alchemy of imagination to illuminate the world of heightened mood and sensation. Katherine paintings aim to capture these fleeting moments in time and reveal the serene center that can arise in the midst of natures turbulence. A childhood of moving and traveling around the United States has shaped Katherine Kean's vision, as have journeys to eastern Africa, Mexico, Scotland, France and painting jaunts all over Kean's now native California. Born in West Virginia, moving later to Ohio and New Jersey, but growing up mainly in Massachusetts, she attended Rhode Island School of Design, graduating with a BFA in Film, Video and Animation. Long fascinated by the intersection of order and chaos in the natural world, Katherine Kean skillfully uses observation, memory, and interpretation to translate her love of natures kinetic phenomena into paintings that capture the often turbulent emotions within light, weather, and landscapes. Her work has exhibited in museums and galleries across the United States, including the LACMA Art Rental and Sales Gallery and the Brand Library Art Gallery in Los Angeles...

Fabiana Preti lives and works in São Paulo. The artist has a bachelor's degree in Industrial Design from FAAP - Armando Alvares Penteado Foundation (2002, São Paulo). She is interes...

Alexandra Rozenman’s “Blind Date on a Brooklyn Bridge” is a 34 x 34 x 2 inch oil painting on linen. This piece is from her “Air Fire Water” series. In this body of work the shared th...

Toy Horse Series: Sunset (Still Life with Toy Horse Against Sunset Landscape) 12 x 12 inches, oil on linen 14 x 14 inches in frame of medium dark wood Signed right bottom corner An...

100 Affiches Pablo Picasso Lithograph Poster Pablo Picasso was a Spanish painter, sculptor, and co-founder of the Cubist movement, which revolutionized European painting and sculptu...

Flashe and ink on linen

Original oil painting on linen by artist Frank Ordaz. Framed.

Marie Craig's "Crane 2" is an original photograph of architectural ruins partially obscured with vines and branches. This piece was created using cyanotype, an early photographic pro...

Black & White Hyde Park Corner London Underground by Contemporary British Urban Landscape Artist, Angela Wakefield Art measures 16 x 16 inches Frame measures 21 x 21 inches Angel...

Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...

Thread on linen

Unique, large, abstracted portrait oil painting on Belgian linen canvas, stretched on a timber support frame. Ready to hang. Framing on request.

“Much like the human body, trees carry marks of time—scars, textures, and changes that reveal their history. For me, the older a tree is, the more interesting it becomes. Its bark is...

Denied Warhol Flowers, (Red) Silkscreen Linen Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 24 x 24" inches...

Marie Craig's 'Crane 5’ is an original deep blue photograph of an industrial crane superimposed by leaves. This piece was created using cyanotype, an early photographic process which...

A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

Unique, large oil painting on Belgian linen canvas, stretched on a timber support frame. Ready to hang. Framing on request.

Dark Sea under Clouded Sky captures the fierce energy of a restless sea under an approaching storm. The composition features deep, muted blues and grays that merge into the churning ...

Malibu Lagoon is a saltwater marsh where Malibu Creek empties into the Pacific, where still waters are separated from the waves by a few feet of sand, creating a quiet place for bird...

Denied Warhol painting of a Hamburger Silkscreen Painting on canvas by Charles Lutz Silkscreen and acrylic on canvas with artist's Denied stamp of the Andy Warhol Art Authentication...