Art by Medium: Lithograph

Medium: original lithograph. Catalogue reference: Mourlot 203. Printed in 1957 at the Mourlot atelier and published in Paris by Maeght. This charming composition is one of the origin...

Medium: original lithograph. Printed in Paris in 1960 by the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 240 mm). Not signed.

Dreamlike and poetic, this original 1962 lithographic poster was created by Marc Chagall for his exhibition at the renowned Galerie Maeght in Paris, held during Juin–Juillet 1962. Ti...

MARC CHAGALL 1887 - 1985 "Le joueur de flûte" 1958 Colour lithograph 25.5x44 cm, illustration; 38.3x57.3 cm, sheet size Signed lower right by the artist in ink "Marc Chagall" and dedicated "Pour Ursula et Gerd Hatje / "merci" / Marc Chagall / 1958". Inscribed lower left by the artist "Epreuve d'artiste". This is an artist’s proof, aside from the edition of 90. Catalogue Raisonné : Mourlot 197 Gerd Hatje (14 April 1915 – 24 July 2007) was a German publisher. The publishing house that he founded in 1945, named the Humanitas Verlag, renamed in 1947 as Verlag Gerd Hatje, is internationally known for contemporary art, photography and architecture. It merged in to Hatje Cantz in 1999. In the 1950s and 1960s, Hatje changed the focus to art, photography, and architecture.[1] He had contact with and was a friend of contemporary artists such as Hans Arp, Willi Baumeister, Joseph Beuys, Max Bill, Georges Braque, Marcel Breuer, Marc Chagall, Christo, Le Corbusier, Max Ernst, Alberto Giacometti, Walter Gropius, Joan Miró, Pablo Picasso, Ludwig Mies van der Rohe, and James Stirling...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant St-Jeannet (Before St-Jeannet), from the album Les Ceramiques et Sculptures de Chagall (The Ceramics and Sculptur...

Marc Chagall (1887-1985) - Rêve familier (Familiar Dream) Lithograph from 1969. The edition of 39/50. Dimensions of work: 48.5 x 63.5 cm. Hand signed. Reference: Mourlot 582. T...

Artist: Marc Chagall Title: David and Bathsheba Portfolio: The Bible Lithographs Medium: Lithograph Date: 1956 Edition: 6500 Frame Size: 22 1/2" x 19" Sheet Size: 14" x 10 3/8" Image...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Clown Fleuri (The Flowered Clown), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'apparition au cirque (The Vision at the Circus), from the album The Lithographs of Chagall, Volume II, originates from...

Marc Chagall (1887-1985) - Le Mariage (The Marriage) Lithograph from 1965. The edition of 26/30 on Arches paper. Dimensions of work: 76.5 x 56.5 cm. Hand signed. Reference: Mour...

Marc Chagall (1887-1985) The Circus : Clowns and Acrobats, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raisonne C...

Artist: MARC CHAGALL Title: Moses Sees the Suffering of His People (FROM STORY OF THE EXODUS) Medium: Lithograph on arches paper Image Size: 18.50x13.50 inches paper size: 20 x 15 in...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

An impression of "Le Poisson Bleu" (The Blue Fish) from the Jacques Lassaigne book "Marc Chagall" with 15 unsigned lithographs. This is one lithograph of...

Marc Chagall (1887-1985) - La baie des Anges au bouquet de roses (Angel Bay with a Boquet of Roses) Lithograph from 1967. an unsigned proof, from the numbered edition of 150, on Ar...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Inspiree (The Inspired Woman), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edition ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Adam et Eve et le fruit defendu (Adam and Eve and the Forbidden Fruit), from Marc Chagall, Dessins Pour La Bible (Drawin...

This exquisite lithograph by Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, originates from the 1960 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1960. Daphnis et Chloe reflects Chagall’s poetic fusion of love, mythology, and dreamlike imagery, inspired by the ancient Greek pastoral romance and reimagined through his luminous color harmonies and floating forms. The work embodies Chagall’s timeless exploration of passion, innocence, and the spiritual beauty of nature, rendered in his signature chromatic radiance and lyricism. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Mourlot, Fernand, and Marc Chagall. Chagall Lithographe, Volume II, 1957–1962. Chagall Lithographe, Sauret, 1963, illustration 227 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1960 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagall’s reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th-century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...

Marc CHAGALL Circus - Revolution, 1963 Lithograph after the painting, engraved by Charles Sorlier under the supervision of Marc Chagall Printed in Atelier Mourlot Plate signed (prin...

Marc CHAGALL (1887-1985) Bible : Dove and Menorah candlestick, 1962 Original lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm REFERENCE: Mourlot catalog raisonné #366 ...

Original Limited Edition Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition, with centerfold, as issued; neve...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

"Carte de Voeux #731" is an original lithograph greeting card by Marc Chagall. It is in the Chagall Catalogue Raisonne and is from a rare edition of only 200. It depicts a face and a bird in Chagall's signature whimsical modernist style. 5 1/2" x 4 1/4" art 21" x 18 1/4" frame Marc Chagall was born in Liozno, near Vitebsk, now in Belarus, the eldest of nine children in a close-knit Jewish family led by his father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum...

L'Oiseau Bleu By Marc Chagall Marc Chagall (1887–1985) was a Russian-French artist celebrated for his vibrant, dreamlike paintings that blend fantasy, folklore, and personal memor...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise II (Moses II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litte...

Marc Chagall (1887-1985) The Bible, Adam and Eve banished from Paradise Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. –- Marc Chagall (1887-1985) - La Ruse de Dorcon, from Daphnis et Chloé Lithograph from 1961. The edition of...

Marc Chagall (1887-1985) - David saved by Michal Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and se...

Marc Chagall (1887-1985) The Circus : Acrobats, Rooster and Horses, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog r...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise III (Moses III), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Lit...

Artist: Chagall, Marc Title: The Angel Date: 1960 Medium: Lithograph Unframed Dimensions: 12.5" x 9.5" Signature: Unsigned Edition: Book Edition Literature: Mourlot 288 Publi...

Original colored lithograph, hand signed by the artist Narc Chagall lower right middle. Sight size is 13.75 by 10 inches. This was the cover for Lithograph 3 published by Mourlot in...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

This original lithograph is hand signed in pencil by the artist ‘Marc Chagall’ at the lower right margin. It is also numbered 2 from the edition of 40, at the lower left margin. It...

Marc Chagall (1887-1985) - Cirque Lithograph from 1967. The edition of 250 on Arches paper. Dimensions of work: 42 x 32.5 cm. Publisher: Tériade, Paris. Reference: Mourlot 487, ...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Arbre de Jesse (The Tree of Jesse), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This lyrical composition exemplifies Chagall’s visionary fusion of faith, memory, and color, uniting biblical symbolism with the artist’s poetic sensibility. In L’Arbre de Jesse, Chagall reimagines a sacred theme as a vibrant allegory of spiritual lineage, evoking the mystical harmony between heaven and earth that defines his most celebrated works. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm), as issued. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, which brought Chagall’s radiant imagery to print with unparalleled fidelity. Artwork Details: Artist: Marc Chagall (1887–1985) Title: L’Arbre de Jesse (The Tree of Jesse), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm), as issued Inscription: Unsigned and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Mourlot, Fernand, and Marc Chagall. “Chagall Lithographe, Volume II, 1957–1962.” Chagall Lithographe, Sauret, 1963, illustration 297. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonné Des Livres Illustrés. P. Cramer ed., 1995, illustration 40 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary use of color and poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the rich imagery of his Jewish heritage and childhood in Vitebsk, Chagall’s dreamlike compositions fused memory, folklore, faith, and romance with the expressive innovations of modern art. His work evolved alongside and in dialogue with the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, redefined artistic language for a new century. Spanning painting, printmaking, stained glass, ceramics, stage design, and illustration, Chagall’s career reflected both his deep spirituality and his boundless imagination. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall L’Arbre de Jesse, Chagall Derriere le Miroir, Chagall Maeght...

A rare signed, original, artist's proof lithograph (épreuve d'artiste). Throughout his career, Chagall produced colored lithographs such as “La Tour Eiffel...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Marc Chagall Clown a la chevre jaune, 1982 Original lithograph in colors on Arches paper Hand signed in pencil and numbered 43/50 from the edition of 50 Dimensions: 35 x 23 inches Fr...

This exquisite lithograph by Marc Chagall (1887–1985), titled Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Saint-Germain des Pres reflects Chagall’s poetic vision of Paris, capturing the neighborhood’s spiritual and cultural essence through his unique blend of memory, color, and imagination. The work embodies Chagall’s ability to transform the familiar into the transcendent, merging architectural harmony with human emotion and dreamlike symbolism. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 100. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Saint-Germain des Pres 1954, Chagall Saint-Germain of the Fields, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...

Framed 19 x 17.75 in No. 202 in the Catalogue Raisonne of Chagall's lithographs This lithograph was created by Chagall especially for this edition of the book "Chagall" by Jacques ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cheval Rouge (The Red Horse), from the album XXe Siecle, XXXIIe Annee, Nouvelle serie, No. 34, Juin 1970, originates ...

Marc Chagall (1887-1985) - Paradise I Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Artist: Marc Chagall Title: Paradise Portfolio: 1960 Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4" Sheet Size: 14 3/8" x 10 1...

Artist: Marc Chagall Title: The House in My Village Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 18 1/2" Image Size: 12 1...

The 1975 original poster by Marc Chagall for the Musée National Message Biblique is a remarkable fusion of fine art and printmaking, embodying the deep spirituality and vivid imagina...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Marc Chagall (1887-1985) "Daphnis Discovers Chloe" from ...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: When Abdullah got the Net Ashore…, from: Four Tales...

Marc Chagall (1887-1985) The Circus : The Circus : Dreaming Bride, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog ra...

This exquisite lithograph by Marc Chagall (1887–1985), titled Cain et Abel (Cain and Abel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique...

Artist: Marc Chagall Medium: Lithograph Title: Brown Still Life Portfolio: Chagall by Jacques Lassaigne Year: 1957 Edition: 6,000 Framed Size: 13 3/4" x 15 1/2" Sheet Size: 9" x 7 3/...

This exquisite lithograph by Marc Chagall (1887–1985), titled Reve au cirque (Dream at the Circus), from the album XXe Siecle, Nouvelle serie, XXVIIIe Annee N°26, Mai 1966, originate...

La Baie, Double Page du No 132 de Derriere le Miroir Color lithograph, 1962 Unsigned as issued in DLM From: "Derriere le Miroir" (Behind the Miroir) No. 132 Printed by Mourlot, Par...

Marc Chagall (1887-1985) The Circus : The Dream of the Bride, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raisonn...

Original Lithograph on Arches wove paper, pencil hand-signed and numbered 32/50, with gold leaf frame. Paper Size: 45.7" x 29.7" Framed Size: 54" x 39" Catalogue raisonné: M.979 Th...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cirque (The Circus), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition published ...

Marc Chagall (1887-1985) Paris, Lovers of the Champs de Mars, 1965 Original lithograph after a watercolor (Mourlot Workshop) Printed signature in the plate On vellum 30 x 24 cm (c...

In 1963, the Musée Galliera in Paris hosted the exhibition Les Peintres Témoins de Leur Temps (Painters as Witnesses of Their Time), a significant event that brought together some of...