Art by Medium: Offset

Raymond Pettibon 1993-2006: A curated set of 6 vintage Raymond Pettibon illustrated announcement cards. Medium: 6 offset printed announcement cards. 1993-2006. Dimensions ranging from: 4.125 x 5.375 inches to 8.75 x 5.5 inches. Condition: Each in good to very good overall vintage condition. Each unsigned from an edition of unknown. Published on the occasion of the following Pettibon exhibitions: - Ikon LTD./Kay Richards, 1999 - Feature 1993 - Macba 2002 - Regen Projects 2006 - Santa Monica: Museum of Modern Art 2001 - David Zwirner 1997 Further background on announcement cards: "The only way you could let people know a show was happening was through an announcement or a poster. The art world was also much smaller at the time, so if you mailed out 200 invites, you were reaching a good core of the art world." (Rosen). Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen, and the Foo Fighters. In 2017, the artist was the subject of the major retrospective “Raymond Pettibon: A Pen of All Work,” held at the New Museum in New York, where he currently lives and works. Today, his works can be found in the collections of the Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among others. Related categories: Raymond Pettibon poster...

Bartolomeo Pinelli vintage exhibition poster is an original poster of the exhibition held in 1983 at Rondanini Gallery in Rome, Italy. Very good conditions. Bartolomeo Pinelli (Rom...

1980s Andy Warhol record art: A collection of 4 LPs with individual cover art designed by Andy Warhol between the late 1970s to early & mind 1980s.. Featuring: Aretha Franklin, Diana...

Kenny Scharf Cosmic Tavern: A set of 2 rare 1990s announcement cards designed by Scharf on the occasion(s) of the grand-opening of the Kenny Scharf Cosmic Tavern - a VIP room designe...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Olympic Games Beijing - Poster is a vintage offset print after a work by Alexander De Cadenet. Hand signed lower right. The poster was realized on the occasion of the Olympic Games...

Takashi Murakami: Kaikai Kiki Homage to Francis Bacon (Study of George Dyer), 2004 Immerse yourself in the dynamic world of contemporary art with this remarkable piece by Takashi Mu...

Raymond Pettibon Black Flag: Rare 1984 Raymond Pettibon illustrated Black Flag promotional flyer published to advertise the release of the Black Flag album 'Slip It In'. Offset printed; 8.5 x 11 inches. 1984. Fair overall vintage condition. Fold-lines; signs of handling; tape marks reverse; some minor handwriting. Unsigned from an edition of unknown. Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know." About Raymond Pettibon (Americanb. 1957) Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...

1980s Keith Haring Record Art (set of 4 works): Four individual 12 inch albums - all illustrated by Haring during his lifetime - making for standout vintage 1980s Keith Haring wall ...

Roman Cieślewicz (born 1930 13 January in Lwów Poland now Lviv Ukraine - died 1996 21 January in Paris, France) was a Polish (naturalized French) graphic artist and photographer. From 1943 to 1946 he attended the School of Artistic Industry in Lvov and from 1947 to 1949 attended the Krakow's Fine Arts Lycee. He studied at Kraków Academy of Fine Arts from 1949 to 1955. He was artistic editor of "Ty i Ja" monthly (Warsaw) 1959-1962. In 1963 he moved to France and naturalized in 1971. He worked as art director of Vogue, Elle (1965-1969) and Mafia - advertising agency (1969-1972) and was artistic creator of Opus International (1967-1969), Kitsch (1970-1971) and Cnac-archives (1971-1974). Taught at the Ecole Supérieure d'Arts Graphiques (ESAG) in Paris. In 1976 he produced his "review of panic information" - "Kamikaze"/No. 1/ published by Christian Bourgois. Folon. In 1991 he produced "Kamikaze 2" with Agnes B. He took part in numerous group exhibitions of graphic, poster and photographic art and was a member of AGI (Alliance Graphique Internationale). He designed a famous 1960s Polish Cyrk Circus Dog Poster as well as a Pop art superman cover for Opus magazine and a Charlie Chaplin poster...

Original poster by Bob Peak for the Star Trek saga. Since its first adaptation in 1979, it has changed several times of crews and styles. Some parts focus on adventure, others on com...

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers in 1982 an...

Original KING of the CONGO vintage movie poster, US 1-sheet. (The Mighty THUNDA). 1952 Chap. US 1 sheet. Chapter 1 "Mission of Menace". Linen-backed one-sheet film poster. NSS: ...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original Keith Haring Tokyo Pop Shop advertisements designed by Haring to advertise the opening of his 1980s Tokyo Pop Shop store and c...

FLOWER BALL - BURNING BLOOD Date of creation: 2018 Medium: Offset lithograph with silver and high gloss varnishing on paper Edition number: 30/300 Size: 71 cm Ø Condition: In mint co...

Andy Warhol album art 1983-1986: A collection of four 1980’w LPs with individual cover art designed by Andy Warhol. Each piece is featured prominently in 'Andy Warhol: The Record Covers, 1949-1987- Catalog Raisonne' by Andy Warhol scholar, Paul Marechal. Featuring the following recording artists Aretha Franklin, John Lennon, Paul Anka & Rats & Star. Classic 1980's Andy Warhol imagery that makes for fantastic 1980s Pop wall-art. Medium: Offset printed album covers accompanied by their individual vinyl record albums. 12 x 12 inches / 30.48 x 30.48 cm (applies to each individual). Covers: Ranging from good to very good overall vintage condition. Includes original records in good to excellent condition. Unsigned from an edition of unknown. Andy Warhol record art: Further Background: In the late 1950s, as the record industry began to expand at an extraordinary rate, Warhol was hired by both Columbia and RCA Records on a freelance basis to create album covers and promotional content and, from there, carried the skill throughout his career. When Warhol arrived in New York he met with his schoolmate George Klauber who was, at the time, working for a creative agency run by Will Burtin. Klauber did Warhol a favour and introduced him to Burtin and the opportunity to work with Columbia’s, and later RCA’s, art director Robert M. Jones. Robert M. Jones remembered it fondly and suggested that the commissions may have been his first: “I gave him three little spots to do for the corners of the standard albums. He needed money...

Artist/Designer; Manufacturer: Donald Sultan (American, b. 1951) Marking(s); notes: signed; ed. 55/125; 1994 Materials: serigraph Dimensions (H, W, D): 23"h, 22"w (work is not framed...

Keith Haring for New York CityKids, 1986. Rare vintage 1986 sticker illustrated by Keith Haring for the CityKids coalition in New York: "City Kids Speak on Liberty" New York, 1986 sponsored by Burger...

Keith Haring ‘No On 64’ (Keith Haring 1986): A rare vintage 1986 Keith Haring activist announcement illustrated by Haring in effort to denounce California's Proposition 64. Proponents of the then ballot, argued that the measure would merely return AIDS to the list of communicable diseases under public health laws. Opponents characterized 64 as an effort to force HIV-positive individuals out of their jobs and into quarantine. The measure was soundly defeated by voters. A rare historic 1980s Keith Haring activist collectible with striking imagery; seldom comes to market. Offset printed folding announcement card. 8.5x11 inches. Good overall vintage condition. Minor signs of aging & handling. Printed signature from a scarce edition of unknown; few known to have survived. Please message us for more works in this category. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring figurative. Keith Haring foundation. Keith Haring activist. Keith Haring Aids...

Set of 3 color offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. This is a reproductio...

Original Death Valley Monument, American Airlines vintage travel poster. Archivlal linen backed in fine conditon, ready to frame. Horizontal format. Year: 1954 Artist: Hubert A Lowman (1913 - 2006) Death Valley National Monument is a national monument in the United States. It is located in Inyo County, California. The monument is managed by the National Park Service. The monument was established on February 11, 1933. The monument covers an area of 5,362 square kilometers. It is the largest national monument in the United States. The monument is home to a diverse landscape. The landscape includes canyons, mountains, valleys, and deserts. The monument is also home to a variety of plants and animals. Plants in the monument include Joshua trees, creosote bushes, and cacti. Animals in the monument include bighorn sheep...

This features an iconic image of actress Jodie Foster, photographed by renowned photographer Annie Leibovitz in Malibu, California. The portrait is drawn from a collectible box set p...

Garrowby Hill By David Hockney 2019 Medium: Offset Lithograph Paper Size: 24 x 25 inches ( 61 x 64 cm ) Image Size: 19.75 x 25 inches ( 50 x 64 cm ) Edition Size: Unknown

New York Graphic Society print from 1941. Print measures 22 x 28.75in. Print is in fair condition, yellowing along bottom. Central image in good condition.

And Then x 727 (Vermillion SHU) Date of creation: 2013 Medium: Offset lithograph with silver Media: Paper Edition: 300 Size: 50 x 50 cm Observations: And Then x 727 (Vermillion SHU) ...

1980s Keith Haring record art: “A Diamond Hidden in the Mouth of a Corpse,” a rare 1980's vinyl art cover featuring original artwork by Keith Haring throughout. In addition to the ...

Dayton's Gallery 12 By Jasper Johns 1971 Medium: Offset Lithograph Paper Size: 29.75 x 22 inches ( 76 x 56 cm ) Image Size: 19 x 15 inches ( 48 x 38 cm ) Edition Size: Unknown

Dennis Hopper Photographs 1961 - 1967 (Limited Edition Hand Signed), 2009 Hardcover Book in Clamshell Box. Hand Signed and numbered 1327/1500 Hand signed by Dennis Hopper on the colophon page. 19 × 14 1/4 × 3 1/10 inches This is the limited edition (signed and numbered) collector's edition, not to be confused with the later mass market edition. Hand signed, hardcover book in a clamshell box from an edition of 1500. 17.3 x 13 inches (book) 19 x 14 1/4 inches (box) 546 pages Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery During the 1960s, Dennis Hopper (1936–2010) carried a camera everywhere—on film sets and locations, at parties, in diners, bars and galleries, driving on freeways, and walking in political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi—more than a third of them previously unpublished—this Collector’s Edition distills the essence of Hopper’s prodigious photographic career, documenting the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King Jr. during the Civil Rights March from Selma to Montgomery, Alabama. In many ways this work is photography as film, a poignant narrative expressed through a series of stark images—early shots of Tijuana bullfights, LA happenings, and urban street scenes show an experimental freedom that would translate into the vivid cinematic imagery of Easy Rider and beyond. The images are accompanied by introductory essays from Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, as well as an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris’s interviews of Hopper’s famous subjects, friends, and family, this is an unprecedented exploration of the life and mind of one of America’s most fascinating personalities. CONTRIBUTORS The photographer Dennis Hopper (1936–2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he cowrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35 mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, “Dennis Hopper and the New Hollywood” in Paris. Dennis Hopper passed away May 29, 2010, in Venice, CA. The contributing authors An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933–2005) was one of the premier curators of 20th-century art. Cofounder of Los Angeles’s Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey “New Painting of Common Objects” was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music, and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons...

La Pompadour, printed by Maeght Éditeur in Paris in 1992, is a restrike of an earlier poster created for a Henri Matisse exhibition held at the Maeght Foundation in Saint-Paul-de-Ven...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon ...

Fallin'-Manma-Air. Limited Edition Offset print by Aya Takano Offset print, numbered and signed by the artist 23 ¹/₃₂ x 19 ¹³/₃₂ in 58.5 x 49.3 cm Edition 131/300

Victor Vasarely offset lithograph print 16 ⅛ x 16 inches About the Artist: Victor Vasarely (1906-1997) stands as a pioneering force in the realm of Op Art, heralded for his groundb...

Keith Haring Three Eyed Smiling sticker c. 1982: A timeless Keith Haring collectible originally given out at Haring's first solo exhibit in 1982; and later sold at Haring's Pop Shop circa mid 1980s. Vintage Pop Shop sticker featuring original design by Keith Haring; offset printed. Approx. 3 inches square in size. Very good overall vintage condition; missing back adhesive, but appears unused. Unsigned from an edition of unknown. Keith Haring Pop Shop History: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals and affordable clothing and gift items all featuring Keith Haring's unique icons. In September, 2005, the Pop Shop finally closed its doors to the public. Keith Haring's work continues to be displayed around the world at galleries and museums and in public spaces...

TAKE CARE Don't be delayed by V.D.; 1946 military poster by Franz Oswald Schiffers. the 1946 U.S. (or Australian) World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. Thisis a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

This original poster was created by legendary American Pop artist James Rosenquist for the XIV Olympic Winter Games, held in Sarajevo, Yugoslavia, in 1984. Commissioned as part of th...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982-1988: A set of 2 rare vintage original Basquiat announcement cards from 1982 & 1988, respectively published on the occasion(s) of: - ‘Basquiat Anatomy’ 1982 (a suite of 18 screen prints). - Jean-Michel Basquiat December 3, 1988. Medium: 2 off-set printed gallery announcements. Dimensions: 4 x 6 inches & 6 x 8 inches 9 (anatomy). Each in good to very good overall vintage condition. Published by Annina Nosei Gallery, New York, 1982-1988. Each unsigned from an edition of unknown. Scarce. Jean-Michel Basquiat’s dramatic life and iconic paintings—which variously feature obsessive scribbling, enigmatic symbols and diagrams, and iconography including skulls...

John Duff poster 1976, Willard Gallery New York, vintage exhibition poster, minimalist sculpture art, post-minimalism, geometric sculpture, line-drawing artwork, rare 1970s gallery p...

Striking original exhibition poster documenting Christo’s monumental environmental installation Wrapped Walk Ways, realized in Kansas City’s Loose Park in 1977–78. For this project, ...

This vintage 1970 exhibition poster for Fairfield Porter’s show at the Tibor de Nagy Gallery in New York captures the refined, intimate realism that defines Porter’s work and his pla...

Original exhibition poster produced for Robert Rauschenberg’s 1970 show “Drawing and Studies for Currents” at Dayton’s Gallery 12. This striking, monochromatic design reflects Rausch...

Original exhibition poster for Larry Rivers’ solo show at the Robert Miller Gallery, New York, October 25, 1977. This vibrant design reflects Rivers’ signature blend of abstraction, ...

Elegant exhibition poster created for The Royal Belgian Exhibition, organized by The Veranneman Foundation and The Belgian Art Foundation in the U.S., and presented at Marlborough Ga...

Striking original exhibition poster created for Hiro Yamagata’s 1999 show at Marlborough Gallery, New York, featuring the artist’s iconic close-up portrait titled Elizabeth. Known fo...

Original exhibition poster created for Nevelson at 85, celebrating Louise Nevelson’s landmark 1985 show at The Pace Gallery in New York. Featuring one of her iconic monochromatic wal...

Archival inkjet print created for The Royal Academy of the Arts for the ongoing show, "Kerry James Marshall: The Histories." Part of the Vignette series produced on fine 330gsm textu...

Archival inkjet print created for The Royal Academy of the Arts for the ongoing show, "Kerry James Marshall: The Histories." Part of the Vignette series produced on fine 330gsm textu...

This beautifully printed poster features Egon Schiele’s Blonde Girl with Green Stockings, one of the artist’s most intimate and expressive figurative works. Published by Nuova Arti G...

Offset lithograph poster published by The Royal Academy of the Arts for the ongoing show, "Kerry James Marshall: The Histories." Paper Size: 14 x 11 inches ( 36 x 28 cm ) Image ...

Offset lithograph poster published by The Royal Academy of the Arts for the ongoing show, "Kerry James Marshall: The Histories." Paper Size: 19.75 x 15.75 inches ( 50 x 40 cm ) ...

Original 1987 Keith Haring Safe Sex condom case: Designed by Keith Haring in conjunction with his many Aids Awareness efforts. A historical vintage 1980s Keith Haring collectible pr...

This is a wonderful vintage Air France travel poster depicting a vibrant Parisian street scene from the late 1950s or early 1960s. The image centers on a classic Morris column (adver...

Takashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

Original exhibition invite card for Cindy Sherman- A Play of Selves held at Metro Pictures November 11- December 16, 2006. Folded down center as issued. Framed in a shiny black meta...

First edition advertising poster published by the French Tourism Office for the city of Angers. The story of the Tapisserie de l'Apocalypse in Angers, France, is one of artistic mast...

Original exhibition poster created for Robert Rauschenberg’s 1984 show at Galerie Beyeler in Basel, featuring imagery based on his 1962 work Crocus. This poster beautifully reflects ...

Vintage poster on paper realized in 1984 in occasion of the XIV Olympic Winter Games in Sarajevo. Edition of 1000. Created by the Slovenian painter Gabriel Stupica, one of the foremost representatives of post-war Yugoslav modernism, this evocative composition was commissioned for the XIV Olympic Winter Games, Sarajevo 1984 (Yugoslavia). Executed in Stupica’s distinctive lyrical and figurative style, the work depicts a dynamic, dreamlike athlete in motion, surrounded by abstract Olympic rings, against a vaporous lavender and blue background. The piece encapsulates both the energy of winter sports and the poetic sensibility of Stupica’s artistic vision. Stupica, a member of the Ljubljana School of Graphic Arts and a central figure in Slovenian modern painting, was internationally recognized for his psychologically charged and symbolist works. His contribution to the Sarajevo Olympic poster series reflects both the optimism of the Games and the avant-garde tendencies of Yugoslav art...

This poster features a detail from Danse à la ville (Dance in the City) by Pierre-Auguste Renoir, capturing the elegance and intimacy of one of his most celebrated ballroom scenes. T...

Originally designed in 1960 by Dutch designers Benno Wissing and Jan A. Begeer for the Frank Lloyd Wright exhibition in Rotterdam, this poster exemplifies the bold visual language of...

This officially published poster of Francesco Hayez’s celebrated masterpiece Il Bacio was produced by Italy’s Ministry of Cultural Heritage and Activities and distributed by Electa L...