Art by Medium: Offset

Portrait of Ingrid Bergman as a nun from The Bells of St. Mary’s, produced by Andy Warhol and published by Galerie Börjeson in 1983. This version features a cooler, more cinematic to...

Portrait of Ingrid Bergman as a Nun from The Bells of St. Mary — published by Galerie Börjeson, Malmö, 1983 — is part of one of the most important late Pop Art portrait cycles of And...

Ingrid Bergman as The Nun, 1983, published by Galerie Börjeson in Malmö, Sweden, stands among the most powerful and compositionally precise of Warhol’s Ingrid Bergman portfolio. In t...

This high-quality original poster designed for Jean-Michel Folon's "I'm Writing From" portfolio exhibition at Cecile Gallery in Long Island, New York, in 1986, beautifully captures t...

This 2004 poster, titled Wrapped Vespa, was published by Dr. Fils Art Edition and stands as a unique and sought-after collectible within Christo’s celebrated body of work. Printed on...

Medium: original offset lithograph. Signed and dated in pencil by Michael Knigin. Printed in 1971 for The Artist's Proof art revue and published by the Pratt Graphic Art Center. Imag...

Kamol Tassananchalee Retrospective exhibition poster The National Gallery, Thailand (Hand signed), 1990 Offset lithograph poster Hand signed and dated by Kamol Tassananchalee in blu...

Paper Size: 39.5 x 26 inches ( 100.33 x 66.04 cm ) Image Size: 39.5 x 26 inches ( 100.33 x 66.04 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplemental...

Raymond Pettibon, Kim Gordon Sonic Youth at Frankfurt Music Hall (Hand Signed by Raymond Pettibon and Kim Gordon), 1990 Offset Lithograph Poster Boldly signed, and dated 2016 in ink ...

H.C. Westermann, Thomas Kapsalis Rare artist designed early poster: Westermann and Kapsalis Sculpture at Four Fourteen Art Center and Gallery Chicago, 1957 Historic offset lithograph poster designed by both artists Not signed 17 × 22 inches Unframed This extremely rare poster on handmade paper was published for the Tom Kapsalis/H.C. Westermann sculpture exhibition at 414 Art Workshop and Gallery, Chicago Momentum, 1020 Art Center, Chicago in December 1957. The poster was hand designed by both artists, with each one designing his respective half for a cohesive whole, for an exhibition at a small, now defunct regional art center in the late fifties -- so it's not unreasonable to believe that there just aren't too many of these out there anymore. A must have for anyone seriously involved in the careers and legacies of each or both of these sculptors. About H.C. Westermann: American artist Horace Clifford Westermann (Los Angeles, 1922 – Danbury, 1981) assembled a distinctive and singular body of sculptures. His works were predominantly made from wood through his masterly command of carpentry and cabinetmaking, yet he also used other techniques and materials such as metal, glass and enamelling with incredible precision. Without adhering to one particular style, Westermann was a maker of objects, of separate pieces: his sculptures, laden with meaning, often irony, result from the processing of experience, coalescing to yield specific fragments of reality. It is the course of these fragments that the retrospective presented by the Museo Reina Sofía follows. A concern with going back to shelter would soon emerge, be it in the home or the body —and blighted by the threat of confinement and death. Also, stubborn or helpless figures would recur through Westermann’s oeuvre. The motif of the “death ship” runs right through the breadth of his production as well, pointing, on one side, to continued wandering and latent abandonment and, on the other, to a determined pursue of refuge which seems to hold firm across his work. At the turning point of the 1960s, Westermann’s sculptures drew from mass culture, and made part of several exhibitions of the new realisms, when the “cold” tag of Pop art had not yet fully taken shape. The exhibition presents this output and the “specificity” of Westermann’s objects, which interested Donald Judd in 1963. In later pieces his work increasingly deals with the absurd, either through playfulness with language, in the confusion between work and instrument, or with references to the impermanent Besides the sculptures, the show displays Westermann’s paintings, letter-drawings —in his correspondence with other artists, critics and friends— and series of prints, in which he applied vibrant colours to address themes such as an escapist, while critical depiction of the American scene; catastrophe, and fragility. A graduate from the School of the Art Institute of Chicago in 1954, Horace Clifford Westermann produced most of his work from a small town in Connecticut, where he settled in 1961. He regularly exhibited his work in New York, and occasionally in Chicago and on the West Coast. Courtesy of Venus Over Manhattan About Tom Kapsalis: One of Chicago’s great abstractionists, painter Thomas H. Kapsalis (born 1922) has been an important artist and educator since the late ’40s, when he graduated from the School of the Art Institute. A prisoner of war in Germany, captured during the Battle of the Bulge, Kapsalis returned to continue his pursuit of art-making, eventually returning to Germany in the early ’50s on a Fullbright-Hays Fellowship to study with Willi Baumeister. He has taught at the School of the Art Institute since 1954, and his work has been exhibited in numerous group and solo shows. Among the honors bestowed upon Kapsalis are Huntington Harford Foundation Grants (1956, 1959); Robert Rice Jenkins Prize, Chicago & Vicinity Exhibition, Art Institute of Chicago (1956); Pauline Palmer Prize, Chicago & Vicinity Exhibition, AIC (1960); Mr. & Mrs. Julie F. Brower Prize, Chicago & Vicinity Exhibition, AIC (1969). Courtesy of Corbett vs...

Sonia Delaunay Hommage a Sonia Delaunay pour son 90eme Anniversaire, 1975 Offset lithograph poster/flyer Plate signed Very rare; published in a limited edition of unknown quantity 1...

Peacekeeper by Antony Micallef, 2007 Offset Lithograph on Wove paper 37 4/5 x 26 2/5 inches / 96 x 67 cm Limited Edition of 400 Hand-signed by the Artist and Numbered (89/400) A...

Takashi Murakami DOB Skateboard Deck Triptych 2018: A highly decorative Takashi Murakami skateboard set/triptych that makes for vibrant one of a kind wall-art that hangs with ease. T...

First printing 1978 poster from the Vintage Prints exhibition by Ben Shahn Paper Size: 22 x 15.75 inches ( 56 x 40 cm ) Image Size: 10.5 x 15.75 inches ( 27 x 40 cm ) Framed: No Con...

Edvard MUNCH (1863 - 1944) Madonna, 1983 Original vintage poster (high quality four-color process) On thick paper 79 x 50 cm Created for the exhibition "Munch Engravings and Lithogr...

Vintage Menu of Restaurant "Conte Grande" Riviera di Camogli.  Offset print. Very good condition.

This striking original exhibition poster by James Rosenquist, titled Four New Clear Women, was created for his solo opening at the Leo Castelli Gallery on October 1st, 1983. A bold v...

This monumental double-sided billboard poster titled Pure Mode was created by visionary French artist and designer Jean-Paul Goude for Galeries Lafayette, one of France’s most iconic...

This striking billboard titled Été (Summer) was created by legendary French image-maker Jean-Paul Goude as part of his high-impact advertising campaign for Galeries Lafayette. At the...

R.B. Kitaj, Pastels and Drawings, Marlborough Fine Art, London, 1980 — Original exhibition poster created for Kitaj’s 1980 show at Marlborough Gallery in London. Known for his bold u...

Original black-and-white exhibition poster created for Lynn Chadwick’s show at Marlborough Gallery in Zurich. The image depicts a pair of shoes with their respective shoe trees, cust...

Very large original advertising poster created by Paul Davis in 1979 for Mobil Oil Corporation, the principal sponsor of Masterpiece Theatre. This striking poster was produced to pro...

Vue du Capitole is a print realized after Godefroy Engelmann in the 1970s. Signed on the plate Offset on paper Good condition with slight foxing.

This original poster was created for the groundbreaking 1977 exhibition Irving Penn: Street Materials, held at the Metropolitan Museum of Art in New York City. Known primarily for hi...

This evocative poster by Eric Fischl, created for the Whitney Museum, features a serene and introspective scene of two children playing in the sand on a sunlit beach. Fischl, known f...

Composition with Black Focal Point by Paul Klee, originally painted in 1923, exemplifies the artist's innovative approach to abstraction and color theory. This reproduction of the or...

Kenneth Noland Ojai Festival print (Deluxe signed limited edition), 1986 Lithograph with offset lettering Hand signed and numbered 6/100 by Kenneth Noland on lower front Frame inclu...

This is an original poster featuring an iconic photograph by Sam Shaw of Marilyn Monroe. The image captures Monroe on the beach in a white swimsuit, standing while holding the swimsu...

This original museum poster titled City Pictures was created for Gerhard Richter's retrospective at the Dallas Art Museum in 2002. The artwork ...

Paper Size: 5.25 x 7.75 inches ( 13.335 x 19.685 cm ) Image Size: 5.25 x 7.75 inches ( 13.335 x 19.685 cm ) Framed: Yes Frame Size: Condition: A-: Near Mint, very light signs of han...

Warhol - Silver (2012) by Takashi Murakami Offset print, cold foil stamp, glossy varnish Hand signed and numbered by the artist Published by Kaikai Kiki Co., Ltd., Tokyo 28 in diamet...

Roy Lichtenstein (after) Hardback monograph of drawings and prints autographed by artist, 1973 Hardback Monograph. Hand signed, inscribed and dated...

This original poster titled The Editor's Collection by Erté, created for Park West Galleries, is a unique and intriguing piece that showcases both the elegance of Erté's design and t...

This print features Ben Shahn's *Ohio Magic*, a striking work that exemplifies the artist’s signature style, blending social commentary with vivid imagery. Presented by the Californi...

This limited edition color lithograph poster was created for the 1981 production of Shakespeare’s Twelfth Night, directed by David Mamet, a close associate of Donald Sultan. Printed ...

This reproduction of Dali's Moustache by Philippe Halsman is an iconic image that captures the surreal essence of Salvador Dalí, focusing only on his eye and his trademark eccentric ...

Original exhibition poster published for Sherman’s solo show at Gagosian Gallery, June–September 2009. The image features a collage of Sherman in various personas, showcasing her si...

Hergé (1907-1983) Red Rackham's Treasure (Le Trésor de Rackham le Rouge), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and auth...

Brice Marden Elevation print (Hand Signed by Brice Marden), 2019 Offset lithograph. Hand Signed by Brice Marden Boldly signed in black marker by Brice Marden on the front 24 × 34 3/4 inches Provenance: Acquired from Gagosian gallery Publisher: Gagosian Gallery, NY Unframed Produced in 2019 on the occasion of the exhibition "Brice Marden: It reminds me of something, and I don’t know what it is." at Gagosian. This signed example was acquired directly from Gagosian gallery before they sold out. About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...

Printed in Switzerland and published by La Guilde du Livre and Clairefontaine, Lausanne in 1972, this third edition (#781) is a beautifully produced volume showcasing the works of Le...

Philip Guston Monograph: Philip Guston (Hand signed and inscribed to major collector by Philip Guston), 1980 Softback monograph (hand signed, inscribed and dated by Philip Guston to Mary Keesling) Warmly signed and inscribed by Philip Guston to Mary Keesling on the title page 10 1/4 × 9 × 3/4 inches If you're reading this description, then we hardly need to tell you, dear collector and Guston enthusiast, that autographed books...

Peter Halley Museum of Folkwang, Essen, Germany (Hand Signed by Peter Halley), 1998 Offset lithograph poster (hand signed by Peter Halley) 33 × 24 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998- exhibition at the Museum of Folkwang, Essen, Germany,which the artist hand signed in black marker. Shown here is a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

This is an original poster for the Alfred Stieglitz exhibition held at the Metropolitan Museum of Art from July to October 1997. The poster features a photograph of the hand of Georg...

Paper Size: 31.5 x 24.75 inches ( 80.01 x 62.865 cm ) Image Size: 23.5 x 18.75 inches ( 59.69 x 47.625 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age ...

Paper Size: 24.25 x 38.5 inches ( 61.595 x 97.79 cm ) Image Size: 24.25 x 38.5 inches ( 61.595 x 97.79 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 12.5 x 11.75 inches ( 31.75 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

This poster featuring two photos of Sterling Saint Jacques by Francesco Scavullo, signed and dated in 1985, is a valuable and desirable collectible. Its value is derived from Scavull...

Yoshitomo Nara Jolie the Little Thinker, 2022 Offset Lithograph (Poster) 28 7/10 × 20 3/10 in 72.8 × 51.5 cm

CPT.OLF Paradox x CPT.OLF 16-19 (I) - The Exhibition (Urban Art, Snapshot, Exploration) Exhibition Poster for "URBAN SPREE Galerie, Berlin" Year: 2019 Size: 33.07 x 23.62 inches (84...

Paper Size: 14.25 x 17.25 inches ( 36.195 x 43.815 cm ) Image Size: 14.25 x 17.25 inches ( 36.195 x 43.815 cm ) Framed: Yes Frame Size: H: 15.25 x W: 18.25 x D: .75 in. Condition...

Title: Blushing Beauty II Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as ...

Original Olympische Spiele Munchen 1972 vintage Olympic poster. Printed in 1969 for the 1972 Munich Olympics, this antique poster is archival...

Jasper Johns Painting with Two Balls, Kunsthalle, Berlin, hand signed poster (Field 132), 1971 Offset lithograph (hand signed and inscribed by Jasper Johns) Signed and inscribed in m...

Yoshitomo Nara Blankey Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Tracey Emin Strangeland (Hand signed, dated and inscribed by Tracey Emin), 2005 Hardback monograph with dust jacket (hand signed, dated and inscribed for Ann by Tracey Emin) Hand sig...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Lithograph and offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although t...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm )_x000B_Image Size: 19.25 x 23.5 inches ( 48.895 x 59.69 cm )_x000B_Framed: No_x000B_Condition: A-: Near Mint, very light signs of han...

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...

This first edition exhibition poster, titled Walking Past Le Rossignol, was created by David Hockney and is a distinguished piece in his portfolio. Referenced as No. 151 in the 1994 ...

Ossip Zadkine Tate Gallery Exhibition poster (hand signed by Ossip Zadkine), 1961 Off-set Lithograph Poster (Hand Signed by Ossip Zadkine) Signed lower right front 30 × 20 inches Unf...