Art by Medium: Panel

Cosmos II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink, black leaves and copper leaves on Japanese paper mounted on panel...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Charles Hunt, Jr. was born in Kensington, London, in 1829 and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to four sons ...

Ball lamp d = 28cm rust with natural oak base 20x20x78cm. Customization possible and designed in 2010. Also available to order in stainless steel. You will find an exceptional and h...

An oil painting by contemporary American painter, Kelly Carmody. Framed in a simple white-washed wood floating frame. Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmo...

UMBERTO ROMANO "HORSE TRAINERS" OIL ON PANEL, SIGNED AMERICAN, DATED 1952 23.74 X 35.75 INCHES Born: 1905 - Naples, Italy Died: 1984 - New York C...

Born in Antwerp, Artus Wolffordt received his training in Dordrecht where he became a master in 1603 at the age of twenty-two. He returned to his native city in 1615 and initially worked as an assistant to Otto van Veen...

DUAL CITIZEN, an oil painting on panel by Anna Ortiz, depicts a mysterious two-headed totem in the middle of a landscape both strange and familiar – painted in rose and pink tones, w...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

This small but striking work is a portrait of Chunya, the dog of poet Dmitry Vodennikov. The realistic image is painted on a board and framed in a simple, unfinished wooden frame, gi...

Provenance The Artist; Charles Prendergast (acquired from the above in 1924); Mrs. Charles Prendergast (thence by descent from theabove in 1948); Kraushaar Galleries, New York; Mr...

Henry Charles Hannig "Mother and Daughter" Original Oil Painting C.1930 Original oil on panel Dimensions 15" wide x 18" high The lightly distressed frame measures 18" wide x 21" h...

Joseph McGurl's "Far Away" is an original, handmade oil painting that depicts a vast landscape of valleys and mountains in the distance under the orange and yellow glow of sunrise or...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

PHILIP REISMAN "STILL LIFE WITH FROWERS" OIL ON PANEL. SIGNED AMERICAN, C.1935 20 X 16 INCHES Philip Reisman 1904-1992 Philip Reisman was born July 18, 1904 in Warsaw, Poland....

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

This is a one of a kind original abstract painting on wood panel by Southern California artist, Daniel Ketelhut. Its dimensions are 24"x 18"x 1". It is unframed. A certificate of aut...

Some time ago I read a short biography of Leon Trotsky and was impressed by his role in the Russian Revolution. Eventually the Bolsheviks came to be controlled by the larger psychop...

Signed and dated figures in cityscape oil on panel by French impressionist painter Amedee Marcel-Clement. The work depicts a view of the Pont Neuf bridge that runs over the River Sei...

JAMES WOLANIN "Ciao Bella Acrylic & Gloss Varnish on Panel 48 x 48 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated wor...

20th Century Oil painting of an Impressionist scene of Chinese Junks at sea. Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his father was typical of his generation and worried about Ken’s artistic temperament which he viewed as effeminate. As a result, Ken took up boxing and won a gold medal for South London in his teens. His art continued to flourish with his trademark striking use of color. His main medium oils and he favors romantic subjects of Edwardian times. Ken has traveled extensively and spent 2 years working for major galleries in New York. The Royal Academy nominated him in 1976 as being one of the few promising young artists to emerge this century: "Ken Moroney has considerable talent, any painting purchased now can only be seen as a sound long term investment." Ken Moroney's work now hangs in many important collections and has had paintings exhibited at The Royal Academy (London), and the Kline Galleries (Canada). The painting came from a private collection and previously came from Duncan Miller...

Oil On Canvas On Panel, Mediterranean View With Sailboat And Cliffs ** SOLD WITHOUT FRAME ** Additional information about the work: Title: Mediterranean View Medium: oil on canvas...

Gesture, color, and surface enliven the new harmonies and patterns Liberti creates as he works, generating a distinct back-and-forth between representation and abstraction. Although ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

A violinist, playing a melancholy tune, helps conjure up the change of season from fall to winter on Halloween, as represented by the black cat. The cat is holding the Tempest in the Teapot kettle. The raven, who is bursting forth from the steam of this tempest, represents the cold, dark and harsh winter to come. Juxtaposing and altering unrelated natural objects with the machinations of man to create a scene of an impossible surreal world, the viewer enters the mind of artist Christopher Klein...

Hunt Slonem "Dazzling Conjures" Multicolor Parrots on Orange Background A group of three birds gestured in yellow, green, red, blue and black on a light orange background in a vintag...

Een Gouden Oogst Golden Harvest Oil Painting on Panel Still Life In Stock - Sizes are excluding the frame Walter Elst Born in Antwerp, Belgium - 1955 After finishing his study Me...

Dan McCaw's (US based) "Seated Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white seated at an abstracted table within a neutral interi...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a silver and gold background with beautiful accents...

Carol Stewart Back From Morocco oil on paper mounted on panel 36h x 48w x 1.50d in 91.44h x 121.92w x 3.81d cm CST019 Through her ethereal and often dreamlike paintings Carol Stewa...

Sandra Cohen’s “lilies” is a 18 x 18 x 1 inch acrylic painting on cradled wood, in blue, green and yellow. Suspended flowers grow from a single stem in a ...

"Fragment 9" by Rudolf Kosow is a striking miniature painting that employs a minimalist yet impactful use of color and form to convey deep emotional and psychological states. The art...

The strength and patience of the feminine form resound in the echoing smile of Alex Sher’s underwater photograph “Surprise”. The female body becomes almost unrecognizable as the nude...

"Fast and Loose explores environmental abstraction, sequence, and escapism." Becca Fuhrman says of her work... My work aims to express the small moments that make up a life; quilti...

Anne Sargent Walker’s "Space Between" is a 24 x 18 x 1 inch oil and acrylic on wood panel done in misty grays and deep blues. Two Lushly painted evergreen trees stand together in sil...

"Pasture" by McKenzie West is a captivating 24 x 18 inch oil painting on panel, featuring a young brown calf standing against a softly rendered green landscape. West’s classical oil ...

Robin Cole's (US based) "Underfoot" is an original, handmade charcoal drawing in a diptych format that depicts grey monochrome grasses and pinecones. Nature and those that inhabit ...

"View From Baxter" is an oil on panel painting by Darius Yektai. It's large scale, at 6 feet tall x 4 feet wide, and 3 inches deep. A graphic, saturated contemporary landscape inspir...

Panther in the Grass is by artist Jeff Slemons .There is the use of the palette knife which builds up a texture of the oil paints used in this landscape...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Black bear with layers of potential meanings. Mainly oil on panel.

Mary Newcomb Ram and Small Lamb 1922-2008 Oil on panel, signed & dated twice lower left, signed and titled verso Image size: 14 1/4 x 15 3/4 inches (36 x 40 cm) Original frame This ...

“Gather” is an elegant still life by Boston-based artist McKenzie West, capturing a delicate arrangement of shells and crab claws nestled in a dark bowl. This intimate composition ex...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

"Great Lakes South Shore" is an oil painting of a sunset over a harbor in Minnesota. Painted en plein air by Midwest realist painter Carl Bretzke. Framed. Signed "C.Bretzke" lower left Carl Bretzke is a representational painter who specializes in urban scenes, nocturnes, and plein-air landscapes. He is a member of the Plein Air Painters of America since 2021. Carl's work has been exhibited extensively in Minnesota and California, including the Minneapolis Institute of Art. Carl's work has been described in the Washington Post as "simultaneously intimate and detached…The artist's unadorned style recalls Edward Hopper and The Ashcan school." Carl holds an MD degree from the University of...

Awakening is a painting by Taïwanese artist Chen Yiching created with mineral pigments and silver leaf. Dimensions are 100 cm × 100 cm (39.3 x 39.3 in). The artwork is sold framed (...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.

Behind the Curtain is an original composition realized by the Belgian artist Martine Goeyens. Acrylic on panel. Hand-signed on the lower right corner. Very good conditions. The co...

A New York City winter steet scene (possibly Madison Ave?) by American Impressionist, Kenneth Frazier (1867 - 1949). This oil painting on panel measur...

Provenance Acquired by the gallery directly from the artist. Signed "Mirich" on the bottom left. Artist Statement "A winter evening in December at Royal Palms State Beach; White Point, San Pedro...

"Landscape No. 108" is an abstract Post War oil on panel painting by Hans Hofmann in 1941. The artwork is 23 1/4 x 29 1/4 inches and with the frame is 31 1/8 x 37 1/8 x 2 5/8 inches,...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

Lori Larusso, an American visual artist, explores themes of domesticity in her work, including this stunning flower painting series. By using layers of bright acrylic paint, often wi...

Contemporary colorful abstract landscape painting by New Jersey based artist Russ Rubin. The work features an otherworldly landscape winding in muted desert...

Le misure senza la cornice in legno intagliata e dorata sono 97 x 72 cm. Il compianto su Cristo morto è uno dei temi più diffusi dell'arte cristiano cattolica, dove il corpo stesso ...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...