Art by Medium: Panel

In Conditioned Uprising, Daniel Ketelhut visualizes the core principle of dependent origination by depicting simple life forms emerging from a primal soup. The work emphasizes that b...

In "Alien Landscape 4", Daniel Ketelhut presents a radiant, warm-toned composition that marks a significant shift in color dynamics within the "Karma and Rebirth" series. The canvas ...

In "Alien Landscape 5" Daniel Ketelhut explores the delicate balance between "concealment and revelation", a core tenet of his "Karma and Rebirth" series. The composition is grounded...

In "Alien Landscape 6", Daniel Ketelhut explores the fluid boundary between "abstraction and figuration", drawing from the subconscious imagery of Surrealism. The vertical oil-on-pan...

In "Alien Landscape 7", Daniel Ketelhut captures a more atmospheric and ethereal stage of the "Karma and Rebirth" cycle. The composition is dominated by a cooler, bruised palette of ...

"Summertime Exuberance" by Daniel Kettelhut is an oil painting filled with warmth, motion, and rhythmic flow. Against a sand-colored ground, rounded oval and circular shapes drift do...

Promesse I & II ( Diptych) is a magnificent abstract oil painting of ephemeral clouds floating on an elegant deep blue sky . A unique view of clouds at twilight, in rich shades of...

Green, yellow and bronze abstract Impressionist reflective scene alludes to light on water. Created with a rich range of golden tones. The late-career established artist paints thinl...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

"Lyrical Miracle" is built from layers of paper, resin, paint and wood,. The geese are suspended between abstraction and figuration. The resin’s translucence invites the viewer to lo...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Abysses is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminum, patina fixed with beeswax, dim...

Many who experience a painting of Patricia Larsen think it’s the work of a Zen monk, someone who’s mastered the elements of purity - but it’s Larsen’s memories of playing in Albertan...

AUSPICE 2020 Paris, France An auspice is a ‘prophetic sign’ which the artist was inspired by. This textured, abstract piece features a lying skull, looking up to the sky...

This abstract painting by Roger Mudre features a warm red and orange palette, with light, imperfect circle shapes layered over one another throughout the composition. The painting is...

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on...

"Mini Token" (2018) by Catherine Hart Acrylic, gouache, and graphite on wood panel; pink and purple palette with text Framing available COA included

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Tombe du Ciel, (Night Fall), is an abstract oil and dry pigment painting with the unique and elegant look of pastel. A unique view of snow falling at twilight, rich in shades of dee...

acrylic on birch panel

"Door #22 (Paint)" (2018) by Francesca Reyes Original oil painting on wood panel; measures 8" H x 6" W x 1" D Rich blue palette with white doorway; accents of cranberry, pink, beige and green From the artist's door series...

Abstract diptych painting by Katherine Filice created with layered ink, stucco, mica, charcoal, and found materials on two wood panels. Part of her "Common Ground" series, this work ...

Ink, chalk, and paper abstract painting by Katherine Filice, mounted on wood panel and framed, completed in 2026. This work represents a thoughtful culmination within her recent "Com...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Finding My Way # 2 in the series Finding . Also shown are other paintings by Cheryl on 1stdibs By Cheryl D. McClure oil on paper on wood panel 20 x 20 x 0 in Price $1800 To make my...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Rebecca Klundt’s "Pals" uncovers the unique beauty of original paintings, geometric abstractions, and textural mixed-media art. This 32-inch high by 25-inch wide artwork transforms reclaimed wood into a stunning assemblage finished with layers of acrylic paint, highlighting Klundt's commitment to sustainability and creative renewal. Perfect for lovers of eco-friendly art and modern textural compositions, "Pals" features a playful yet sophisticated design of figures composed of bold lines and shapes against a distressed wood-texture background. Klundt’s use of found materials and geometric patterns creates a sense of harmony and order, while the vibrant accents of orange and teal bring dynamic energy to this visually captivating piece. Key Features: Mixed-Media Assemblage: Crafted from reclaimed wood and layered with acrylic paint, resulting in a textured, geometric composition. Compact Statement Size: At 32 x 25 inches, this original artwork is ideal for adding a unique touch to smaller spaces or as part of a gallery wall. Eco-Friendly Art: Made with sustainable materials, reflecting Klundt’s passion for repurposing and renewal. Ready to Hang: Mounted on a sturdy wood panel, wired, and painted on the sides, eliminating the need for additional framing. Authenticity Guaranteed: Signed on the back by Rebecca Klundt, with a certificate of authenticity included. About the Artist: Rebecca Klundt, a native of Salt Lake City, Utah, holds a BFA from Brigham Young University and is widely recognized for her innovative use of reclaimed materials in art. Inspired by the natural world and the process of transformation, Klundt creates abstract works that explore themes of renewal, order, and the beauty of lines. Her artistic philosophy embraces using "the unusable" and turning discarded materials into thoughtful, organized compositions. Drawing from the textures and fissures of Utah’s slick rock formations, Klundt’s works are a testament to her love of significant lines and her ability to imbue each piece with a sense of natural balance and human ingenuity. Why "Pals" Stands Out: Rebecca Klundt’s "Pals" is a perfect example of her ability to merge sustainability with contemporary art. Its playful geometric forms and eco-conscious construction make it an ideal addition for collectors seeking modern, textural art that tells a story of creativity and renewal. "Pals", a one-of-a-kind original mixed-media painting by Rebecca Klundt adds sustainable elegance to any home or office space. This unique, eco-friendly artwork celebrates the beauty of reclaimed materials and modern abstraction. Klundt's artworks have been exhibited in Utah and California and have been collected throughout the USA. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 Art and Soup Charity Expo, Salt Palace, Salt Lake City, UT 2021 Rouge Show, Sears Art Museum, St George, UT Certain Women: Reflections on a Mother in Heaven, Salt Lake City, UT 2020 Spring Salon, Springville Museum, Utah Holy Visitation: The Dawning of the Restoration, Washington, DC 2019 Religious Spiritual Show, Springville Museum, Springville, Utah BDAC Statewide Annual, Bountiful, Utah Statewide Annual, SLC, Utah SLCC President’s Show, SLC, Utah Spring Salon, Springville Museum, Springville, Utah LDS International Art Competition, SLC Utah Certain Women Show, Anthony’s Fine Art...

Abstract geometric mixed media painting with acrylic, ink, polymers, and layers of complex and beautiful lines and marks that delve into the connection between mathematics and scienc...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Alejandro Rubio Striped Landscape #2, 2025 Acrylic on panel 36 x 36 inches This is a one-of-a-kind acrylic painting on panel.

"Bluepoint" (2024) by Jessica Cook is an original, handmade oil painting on canvas mounted on panel. This piece depicts a cat on an abstracted background.

Bands of light, blue green orange and red are stacked at angles, intersecting like shards from a kaleidoscope in this acrylic by Burton Kramer. The apt title of this dynamic composit...

Promesse I & II ( Diptych) is a magnificent abstract oil painting of ephemeral clouds floating on an elegant deep blue sky . A unique view of clouds at twilight, in rich shades of...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, brandi...

"QUEEN VICTORIA" is created and from acrylic and found objects on round MDF panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure, p...

Kimberly Blackstock’s vibrant abstract painting, "My Grandpa Was a Toy Salesman," is a joyous celebration of color, texture, and playful design, offering a sense of wonder and deligh...

"Leaping Without Annette" is an original, handmade oil painting on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometr...

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

This abstract portrait by Ned Martin is made with oil paint on panel. Part of his Spirits Through Time series, it features a woman in profile - her face and hair are rendered realist...

Three dimensional abstract sky blue, indigo, mauve, purple, and violet wooden wall sculpture Dyed and painted wood on panel with paper collage detail 36 x 24 x 2 inches Can be orie...

Striking in colour and form, this contemporary composition is by Yvonne Lammerich. The Canadian artist has garnered an international reputation for her inspired exploration of abstra...

Anthony Falcetta Smp#17, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal009)

Peter Stephens Rob Roy, 2025 acrylic on wood 30 x 46 in. (ste033)

Blissfully Obvious is a beautiful surrealist original oil painting created by renowned artist Christopher Clark, depicting a woman in spiritual repose, her eyes locked to a key being...

Anthony Falcetta Smp#11, 2023 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal004)