Art by Medium: Pastel

Ira Moskowitz, Polish/American (1912 - 2001) - Two Men, Year: circa 1989, Medium: Ink and Pastel on Paper, signed, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), Description: Ira Moskowitz's intimate portrait of two men conversing...

Arnold Hoffmann, Sr., Russian (1886 - 1966) - Nude Woman with Bed Sheet, Year: 1950, Medium: Pastel on Laid paper, signed and dated in pencil lower right, Image Size: 15.5 x 11 inch...

Ira Moskowitz, Polish/American (1912 - 2001) - Trumpeter - I, Year: circa 1989, Medium: Ink and Pastel on Paper, signed, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), Description: Ir...

Ira Moskowitz, Polish/American (1912 - 2001) - Clarinet Player, Year: circa 1989, Medium: Ink and Pastel on Paper, signed, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), Description: ...

Adela Smith Lintelmann, American (1902 - 1996) - Untitled - 28, Medium: Pastel on Paper, Size: 19.5 in. x 25 in. (49.53 cm x 63.5 cm)

Aeron’s Gift Oil on panel 24 x 18 inches Framed: 32.5 x 26.5 inches

Judith Brenner Sophie Seated 3 Original Figurative Painting Mixed Media on Paper Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Sophie Seated 3 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is to capture the essence of the pose using line and wash...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

A captivating pastel drawing by the artist James W. Ferguson, depicting a view of Ben Lomond in winter. Signed to the lower right-hand corner. The artist's name and title are inscrib...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

A highly accomplished pastel depicting a languorous woman sat nude in an armchair. Unsigned. On watercolour paper.

An ethereal equine portrait showing a white horse with mane flowing in an icy breeze. The artist has initialed to the lower right corner and the portrait has been presented in a cont...

An accomplished female nude in blues and yellows. Unsigned. On watercolour paper.

Pastel and conté crayon with partial foil star on Rives BFK paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in ...

"Lifting Fog" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created in Morgan Hill, CA. This calming painting depicts a lonely road with a monumental tree to the right-hand side. Tones of violet, orange, blues, and greens, can be found in this piece. Mancuso ventured out prior to the Plein Air Paint Out event and became inspired by the landscape of the quiet town. This painting is offered in a traditional wood frame with an ornate gold fillet. Framed: 9.5"W x 11.75"H Unframed: 6"W x 8"H Framing includes a black matte border with an ornate gold fillet on top of museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery...

Subtle conte is used in a sculptural manner to render a delicate study of a child. The artwork has been completed on a piece of pale rose wove, which perfectly complements the rich t...

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - Runner with Torch. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25 x 19.5 in. (63.5 x 49.53 ...

A wonderful celebration of Britishness in this 1977 study of a street party table for the Queen's Silver Jubilee. Well presented in a simple wood frame. Signed and inscribed to the r...

Well presented in a simple wood frame. Signed and inscribed to the reverse. With a label from the Ewart Johns Retrospective exhibition fixed to the reverse. On board.

Artist: Raphael Soyer (1899-1987) Title: Two Reclining Nudes Year: Circa 1987 Medium: Watercolor & Pencil Drawing on Archival paper Size: 17 x 14 inches Condition: Excellent Inscript...

pastel on toned paper signed bottom left

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - 100m Race. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 19.5 x 25.5 in. (49.53 x 64.77 cm), ...

Raphael Soyer, Russian/American (1899 - 1987) - Lounging Figure. Medium: Graphite and Pastel on Paper, signed in pencil, Size: 16.5 x 22 in. (41.91 x 55.88 cm)

Two Women at Cafe Batia Magal, Israeli (1951) Acrylic and Pastel on Paper, signed lower right Size: 26 in. x 40.5 in. (66.04 cm x 102.87 cm)

A pastel scene showing the road into the village. Well presented in a double card mount in a simple wooden frame. Signed to the lower left. On wove.

Subrata Biswas - Untitled - 11.5 x 8.25 Inches ( unframed size ) Charcoal on Paper. ( Unframed All in Delivered Price ) Style : The motive of a child in its most basic form appears ...

James Wilson Rayen's 'Untitled Pastel #10' is from a series of studies of spring and summer rural landscapes.This piece, loose and impressionistic in technique, depicts a cluster of ...

Layers of whispy chalk lines build up a compelling portrait of a bearded man in a hat. The artwork Captures the scored nature of the weathered subject's face and is signed in the low...

Catch a deer, 2023, 78x54 cm

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - Athlete with Ball. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25.5 x 19.5 in. (64.77 x 49....

Daydream, 80x60cm, acrylic, pastel, canvas

Pink Landscape Pastels 2023 8.5 x 8.5

A captivating depiction of a winter downpour with glimpses of sun breaking over a wet and winding country lane. Signed illegibly to the lower right. The pastel has been immaculately ...

Gifts on Sixth (Abstract Painting) Acrylic and pastel on un-stretched canvas - Unframed This artwork is on un-stretched canvas as per the artist's aesthetic's choice and does not n...

Blue Landscape Pastels 2023 8.5 x 8.5

A fine and charming pastel drawing by the artist Chris Stinchcombe, depicting a view of Pill Harbour. Signed to the lower left-hand corner. There are two artist's labels on the rever...

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), ...

This is a soft pastel on toned sanded archival paper suitable for framing under glass. Signed and dated on the bottom right hand cornerABOUT Stephen Basso Stephen Basso's highly ori...

A very pretty portrait in a wonderful palette showing a young girl sitting elegantly poised, with her hands in her lamp, on a wooden chair. She is wearing a pink cardigan with green...

Almazan Realistic Still Life Acrylic Painting MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and translates ...

A large female nude in pastel with a pink background. Presented glazed in a brown and cream double mount and a wooden frame. Signed and dated to the l...

A large nautical scene of retired fishing trawlers rusting in a city dockland. Unsigned. Well-presented in a reeded wood frame. On paper.

A vibrant and dynamic pastel scene showing a woman and a strange blue figure performing a circus routine, watched by faceless onlookers in the stands behind them. The artist's use of...

Layered of expressive pastels depict a marvellous floral still life, full of warm hues and soft depth. The artwork is signed in the bottom right-hand corner, and is well presented in...

A precisely drawn pastel study of Rupert St on a quiet Sunday morning. Pops of colour take you on a journey passed closed shops, drawing your gaze further towards the centre vanish p...

Standing Nude 2003 Pastel on paper 22.5 x 17.5 inches Framed: 32 x 24 inches

Pastels are used to render a fine portrait of two twin girls in matching blue frocks. A remarkable portrait of two twin girls. Signed and dated. On wove.

"7" Abstract Painting 47" x 39" inch by Yevhenii Shapovalov ATT: SHIPS ROLLED IN TUBE ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian ...

A charming winter scene depicting a the idyllic streets of castle combe. A horse and rider hack down the quiet lane under barren January trees. Signed to the lower right. On paper.

Yvonne Jacquette uses pastel on a heavy rag paper to depict an ariel city scene at night with pulsing lights. There is a heavy texture to the paper and the surface is rich and vibra...

Soft pastel on toned archival sanded paper signed and dated bottom right corner. One of many pastel nudes by the artist who has done extensive work in the medium in addition to his o...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

In Djinn guerrier, Pierre Morquin invites us on a journey into the beyond. The emotionally intense painting is an ode to the power and resilience of the human spirit. Vivid colors an...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Bay Light II pastel on paper 6 x 6inches 12 x 12 inches 2023

Elsie Marian Henderson (British, 1880-1967) Crouching Leopard Charcoal and pastel on paper 8 x 12.1/8 in. (20.3 x 30.8 cm.) Provenance: The estate of the artist Sally Hunter Fine Art, London Elsie Marian Henderson was born in Eastbourne in Sussex and with the encouragement of her mother, a keen amateur painter, she attended the South Kensington Schools before studying at the Slade School of Fine Art between 1903 and 1905. She continued her art education in Paris and in 1916, after returning to London she enrolled at the Chelsea Polytechnic, where she was taught lithography by the artist Francis Ernest Jackson...

Lola Carnaval Enrique Grau, Colombian (1920–2004) Date: 1992 Charcoal and Pastel, signed, titled and dated Size: 43.25 x 39.5 in. (109.86 x 100.33 cm) Fra...

This painting and 'Release' are pure abstracts, demonstrating the effects of different attitudes. Passion Waves reflects anticipation, liveliness, and happiness. It's a very active p...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...