Art by Medium: Photogram

Marie Craig's "Dilexit 4" is an original deep blue photograph of an old cathedral with superimposed leaves and branches. This piece was created using cyanotype, an early photographic...

Marie Craig's 'Knotweed’ is an original deep blue photograph of leaves and branches of the Japanese Knotweed plant. This piece was created using cyanotype, an early photographic proc...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Ferns are some of the oldest plants on earth. Ferns embody resilience. Many forms have come and gone since they first appeared on the planet; 10,000 species exist today, in tropical, temperate and arctic regions. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Blue Gum trees, native to Australia, have survived for millennia by adapting and thriving in a climate where wildfires are common. Now invasive in many parts of the world, this 'gasoline tree' is a dangerous fire hazard, especially in the face of climate change, which is expected to make wildfires more common. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

Marie Craig's 'Roiling’ is an original deep blue photograph of ocean waves partially obscured with fern leaves. This piece was created using...

Marie Craig's 'Buckeye’ is an original deep blue photograph of leaves from the Bottlebrush Buckeye tree. This piece was created using cyanotype, an early photographic process which u...

Marie Craig’s “New York Skyline” is a pen and ink drawing of the skyline of New York City on a unique cyanotype photograph of leaves and blossoms which has been toned to fade away ar...

Marie Craig's 'Crane 5’ is an original deep blue photograph of an industrial crane superimposed by leaves. This piece was created using cyanotype, an early photographic process which...

Marie Craig's "Sign City Galore" is an original deep blue photograph of an old buildings obscured by leaves. This piece was created using cyanotype, an early photographic process whi...

Marie Craig's "Newnes Oven 3" is an original deep blue photograph of an old coal oven obscured by leaves. This piece was created using cyanotype, an early photographic process which ...

Marie Craig's "Forest for the Trees 1" is an original dark green photograph of a skyscraper imposed into a silhouette of a leaf. This piece was created using cyanotype, an early phot...

Marie Craig's "Forest for the Trees 3" is an original dark green photograph of a rustic cabin imposed into a silhouette of a leaf. This piece was created using cyanotype, an early ph...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. The Wollemi Pine, thought to be extinct, was known only from 200-million-year-old fossils until 1994, when the 100 ft trees were discovered living happily in the impenetrable forests of New South Wales. The personification of longevity and adaptability, this beautiful tree is critically endangered. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

Marie Craig’s “Entanglement 12” is a pen and ink drawing of an oil refinery drawn on a unique cyanotype photograph of leaves and blossoms which has been toned to fade away areas of t...

Marie Craig’s “Entanglement 1” is a pen and ink drawing of a coal-fired power plant drawn on a unique cyanotype photograph of leaves and blossoms which has...