Art by Medium: Photogravure

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Fisherman is an artwork on white cardboard realized after Italian Artist Mario Sironi (1885-1961) in 1925. Phototype print. Signed on the low corner. Good conditions.  Printed on...

Vie Privée et Publique des Animaux is an original modern rare book engraved by Jean Jeacques Grandville (Nancy, 1803 – Vanves, 1847) and written by Various Authors in 1868. Original...

Dons des Féminines is an original Rare Book illustrated by Valentine Penrose (1898 – 1978) and by Pablo Picasso (Malaga, 1881 – Moujins, 1973) in 195...

Foot is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.

The Face is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Portrait is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Composition is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect ha...

Profile is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. Good conditions with slight foxing. The artwork is depicted thro...

The Ears is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Composition is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect ha...

Figure is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.

Polichinel ex-roi des Marionnettes devenu philosophe is an original modern rare book illustrated by Alcide-Joseph Lorentz (1813-1891) in 1848. Original Edition. Published by Willer...

La Coda di Paglia is an original modern rare book illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) and written by Alfonso Gatto in 1949. Original First Edition. Published by...

Out West is a beautiful rare book illustrated by 24 panels with photolithographs realized by various authors. Printed probably in Germany, around 1900. Black and gold embossed title...

Young Boy is an original photolithograph realized by Jean Cocteau (1889 -1963) in 1930 ca. With the blue stamp of” Collezione Contessa Anna Labtitia Pecci” on the rear. Excellent c...

Interior Scene is an original artwork realized by Henri Matisse (after) in 1933. Filigree paper from publisher J.B. . Dry stamp of the publisher at the bottom of the back. Good co...

Rémy Duval, 'Pont Marie, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives paper; the sheet with dec...

Georges Rouault, After, French (1871 - 1958) - Auguste, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 12.5 x 8.5 inc...

Georges Rouault, After, French (1871 - 1958) - Mother and Child, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 14 x ...

Available individually ($2500), and as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved to C...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documen...

Artist: Georges Rouault Title: Jean-Francois ne Chante Alleluia (Jean-Francois Never Sings Alleluia) no. 25 from the Miserere et Guerre series Year: 1923 (published 1948) Medium: Aqu...

Motifs and Symbols is an artwork on white cardboard realized after Italian Artist Mario Sironi (1885-1961) in 1960. Phototype print. Signed on the low corner. Good conditions.  P...

Families is a artwork realized after Corrado Cagli in the middle of the 20th century.  Photype print. Signed on the low side. Good condition.   Corrado Cagli (Ancona, 1910 - Rom...

Morocco 93 by Aaron Siskind presents an abstract image, a close up of a textured rock slab. Small dark square holes scatter across the rock. The subject is cropped, emphasizing the t...

Portrait and Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perf...

Profiles and Fingers is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and ...

The Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

The Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

The Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Foot is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.

The Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Figure is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.

President's Wilson Great Message is an original vintage poster, realized n 1917. The status of preservation is quite Good.

A Camp in the Desert is an original Photogravure realized by an anonymous artist in the Early 20th Century. Good Conditions. The artwork is depicted through confident strokes in a ...

Les Réfugiés is an original Rare Book illustrated by Frans Masereel (1889 – 1972) and written by Louis Piérard (Frameries,1886 - Paris, 1951) in 1942. Original First Edition. Published by Arthaud Editeur, Grenoble. Format: Small 8°. The dimensions and the weight are indicative. The book includes 116 pages with 9 full page reproductions of drawings. Good conditions. Frans Masereel (1889 – 1972). He was a Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such as war and capitalism. He completed over 40 wordless novels in his career, and among these, his greatest is generally said to be Passionate Journey. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as Clifford Harper, Eric Drooker, and Otto Nückel. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as George Walker, Clifford Harper, Eric Drooker, and New Yorker cartoonist Peter Arno. Masereel's woodcut series, mainly of sociocritical content and expressionistic in form, made Masereel internationally known. Among them were the wordless novels 25 Images of a Man's Passion (1918), Passionate Journey (1919), The Sun (1919), The Idea (1920), Story Without Words (1920), and Landscapes and Voices (1929). At that time Masereel also drew illustrations for famous works of world literature by Thomas Mann, Émile Zola, and Stefan Zweig.

La Tartaruga Gallery Catalogue is an original print in 1955. The artwork is designed for the exhibition of A.Raphael Mafai in La Tartaruga Gallery. Good conditions but aged with co...

Girl with Flowers Vase is an original Contemporary Artwork realized by Franco Gentilini in the 1980s. Original Lithograph. Hand signed in pencil by the artist on the lower right ...

The girl with a rose is a photolithograph on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the Late 20th Century. Good conditions. Franco Genti...

Giuseppe Garibaldi e i suoi Garibaldini is a beautiful photo-type after a drawing attributed to Giuseppe Garibaldi. Photographic portrait in very good condition. Hand-signed and da...

Portrait of a Man is a wonderful phototype print realized in the second half of XIX century. Signed on the lower right margin. Fair conditions, with a browing of paper due to the t...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documen...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Known for his remarkable documentation of Native Americans in the early tw...

The Ferry Boat by Alfred Stieglitz is a photogravure on tissue. The photograph depicts a ferry boat on the water with a crowd of people on the lower level o...

Single photogravure from the Mexican Portfolio, 1932-33. Published by Da Capo Press, New York, 1967 Edition of 1,000 Printed 1967

Single photogravure from the Mexican Portfolio, 1932-33. Published by Da Capo Press, New York, 1967 Edition of 1,000 Printed 1967

Signed Single photogravure from the Mexican Portfolio, 1932-33. Published by Da Capo Press, New York, 1967 Edition of 1,000 Printed 1967

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documentation of Native Americans in the early twentieth century, Edward S. Curtis, chronicled over 80 different tribes in the Southwest, the Great Plains...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Tissue gravure Known for his remarkable documentation of Native Americans ...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...