Art by Medium: Pigment

Archival Pigment Print - MOUNTED AND FRAMED 60 x 75 inches – edition of 5 Ask us for custom framing options. CHROMA presents David Burdeny EUROPE series. Limited edition prints, w...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Conversations, from the folio George Condo, Drawing Paintings, originates from the 2011 edition published by Skarstedt Gallery, New York, and printed by Transcontinental Litho Acme, Montréal, 2011. Conversations exemplifies Condo’s synthesis of classical technique and psychological distortion, uniting humor and existential tension through his concept of “Artificial Realism”—a vision in which the absurd and the profound coexist within a single image. Executed as a four color process archival pigment print on velin paper, this work measures 10.75 x 9.25 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Transcontinental Litho Acme, Montréal, and the high production standards of Skarstedt Gallery, New York. Artwork Details: Artist: After George Condo (born 1957) Title: Conversations, from the folio George Condo, Drawing Paintings Medium: Four color process archival pigment print on velin paper Dimensions: 10.75 x 9.25 inches (27.3 x 23.5 cm) Inscription: Unsigned and unnumbered as issued Date: 2011 Publisher: Skarstedt Gallery, New York Printer: Transcontinental Litho Acme, Montréal Condition: Well preserved, consistent with age and medium Provenance: From the folio George Condo, Drawing Paintings, Skarstedt Gallery, New York, 2011 Notes: Excerpted from the folio, Published on the occasion of the exhibition, George Condo, Drawing Paintings, November 4 - December 17, 2011, Skarstedt Gallery, 20 East 79th Street, New York, NY 10075. Project Coordinators: Brady Doty and Dina Shaulov-Wright; Design: And Smith, LLC; Printing: Transcontinental Litho Acme. All images © George Condo. Photographs by Benjamin Provo and Chris Hood. Edition of CD + C, signed and numbered examples. About the Publication: George Condo, Drawing Paintings (2011), published by Skarstedt Gallery, New York, stands as a definitive documentation of one of Condo’s most acclaimed bodies of work. The publication accompanied the landmark exhibition of the same name, held at Skarstedt Gallery from November 4 through December 17, 2011, which brought together a series of works exploring the intersection of drawing and painting—two modes of creation that Condo masterfully fused into a single, psychologically charged process. Produced with meticulous attention to detail, the folio exemplifies the gallery’s commitment to fine art publishing, combining archival printing, and scholarly design to convey the visual complexity and intellectual depth of Condo’s practice. Printed by Transcontinental Litho Acme in Montréal, the edition reflects the technical precision and tonal richness necessary to convey Condo’s painterly surfaces and dynamic compositions. The project was realized under the direction of Project Coordinators Brady Doty and Dina Shaulov-Wright, with design by And Smith, LLC, ensuring the publication’s seamless integration of artistic and curatorial vision. More than a catalogue, the folio serves as both a visual archive and an aesthetic object in its own right, capturing the tension between chaos and order that defines Condo’s work. George Condo, Drawing Paintings remains an essential record of the artist’s ongoing dialogue between imagination, art history, and the fractured psychology of contemporary existence. About the Artist: George Condo (born 1957) is an American contemporary artist celebrated for his visionary fusion of abstraction, figuration, and psychological portraiture that bridges the grandeur of Old Master painting with the fractured sensibilities of modern and postmodern art. Born in Concord, New Hampshire, Condo studied art history and music theory before moving to New York City in 1979, where he became a central figure in the East Village art scene alongside Jean-Michel Basquiat, Keith Haring, and Julian Schnabel. His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that merges classical draftsmanship with the chaos of contemporary life. Profoundly influenced by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Condo inherited from them a spirit of radical invention, surrealism, and intellectual play, transforming these legacies into his own psychologically charged idiom. His signature “psychological cubism” reimagines portraiture through fractured, expressive figures that embody the instability of modern identity, fusing beauty and grotesque distortion in a single image. Condo’s mastery of color, structure, and emotional tension draws upon the legacy of Velazquez, Goya, and Rembrandt while channeling the existential depth of Giacometti and the conceptual wit of Duchamp. His collaborations with William S. Burroughs and his iconic 2010 album cover for Kanye West’s My Beautiful Dark Twisted Fantasy exemplify his ongoing dialogue between high art and pop culture. Like Picasso, Miro, Dali, and Duchamp before him, Condo’s work captures the delirium and multiplicity of the human psyche through a language of visual fragmentation that continues to shape contemporary art. His influence can be seen in later artists such as Dana Schutz, Adrian Ghenie...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

image size: 8 7/8 x 8 inches This listing is for William Wegman's photograph, "Frame Work", 2010. This is a limited edition photograph with an edition size of 12. This piece is num...

Contemporary still life photograph of domestic objects and gardening tools by David Halliday "Garden Chair", ed. 1 of 7, archival pigment print 29.75 x 20 inches unframed, 34 x 24.5...

archival inkjet print on watercolor paper 16 x 16 inches unframed 2018 Photographed in Maine, this color archival pigment print by Betsy Weis captures a grouping of trees at dusk. The serenity of the moon's gentle light against a deep blue evening sky illuminates the dark forest below. This photograph is available unframed. The image measures 16 x 16 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design. What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...

Archival pigment print Signed and numbered, verso 10 x 8 inches, sheet 9 x 6 inches, image This photograph is offered by ClampArt, located in New York City. About the artist: This p...

“Carrier Pigeon,” 2012, Limited edition silkscreen print by Baltimore street artist Gaia. Three-color hand-pulled silkscreen on Coventry Rag, 100% Cotton Archival Paper. Edition 25/...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Internal Voices, from the folio George Condo, Drawing Paintings, originates from the 2...

Juliette Jourdain Big headed series - Self Portrait 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition of 8 Archival Pigment Print Si...

Record Room, Havana, Cuba, 2014 Edition of 10 + 2AP Archival Pigment Print Framed “These works present my abiding interest in the thresholds that divide and connect the sea to land....

archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Ochre Room, Havana, Cuba, 2014 Edition of 10 + 2AP Archival Pigment Print Framed “These works present my abiding interest in the thresholds that divide and connect the sea to land. ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10 CURRENT EXHIBITION - runs through June 10, 2018. Any framed photographs purchased during the show will be a...

image size: 9 3/8 x 11 1/2 inches 2011, pigment print photograph, Edition of 12. Signed and numbered on reverse by the artist. William Wegman is a renowned photographer famous fo...

Into the center of the earth Herself (Clematis, Tulip) 2023 Signed, titled, dated, and numbered on label, verso Archival pigment print 28 x 21 inches (Edition of 5 + 2 APs) $3,000...

Archival pigment print (Edition of 5) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Please note that prices increase as e...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Archival pigment print (Edition of 8) Signed and numbered, verso $14,950, including mounting + framing This photograph is offered by ClampArt, located in New York City. Adam Ekbe...

Nautical color still life photograph of colorful fishing bobbers on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size ...

Nautical color still life photograph of blue and orange buoys on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The image of colorful fishing buoys...

Betsy Weis (Photography) Summer Lilies, 2006 20" X 30" $1,700.00 archival inkjet print on watercolor paper (Also available with 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,000) Image: 20 x 30 inches Paper: 24 x 36 inches Photographed in Wellfleet in Cape Cod, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Him" This artwork is offered by ClampAr...

This aerial photograph was taken by Klaus Leidorf from an airplane (which he also flies). It was not staged or manipulated and can be custom size.

Betsy Weis (Photography) Lily Pond, 2006 20" X 30" archival pigment print on watercolor paper (Also available 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,...

Betsy Weis (Photography) Dusk Lilies, 2006 20" X 30" archival inkjet print on watercolor paper 27 x 37 inches in white frame with white mat & AR non-glare glass Image: 20 x 30 inche...

image size: 8 3/4 x 8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from convention...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Full Sweep, from the folio George Condo, Drawing Paintings, originates from the 2011 e...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

This beautiful wall sculpture by David Gerstein is made of laser cut steel that is hand painted with special colors. As all of Gerstein's pieces, it is very colorful, dynamic and vib...

These photographs are Dye Sublimation Prints. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape. Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life. In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning. His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection. Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City. In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals. Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda. He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery...

Nautical color still life photograph of a white oar and coiled rope archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The antique white oar image is part of the artist's 'Portal' series photographed in an old fish shanty...

Haute Couture - Yasmeen Ghauri at Christian Lacroix

Betsy Weis (Photography) Dusk Lilies, 2006 20" X 30" archival inkjet print on watercolor paper (Available in 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,00...

JOAQUIM NABUCO Surfboard Rio 2, Rio de Janeiro series 70 x 20 x 2.5 inches polyester resin; hand-shaped polyurethane foam; digital print Swallowtail: 7...

Archival pigment print Signed and inscribed in pencil, verso 16.5 x 23.25 inches, sheet 9 x 7.25 inches, images (each) (Total edition of 35 + 21 APs) This work is offered by ClampArt...

Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imm...

Archival pigment print Signed and numbered, verso 12 x 18 inches, image (Edition of 8 + 1 AP) 20 x 30 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...

Donald Trump, Dove of Peace 1985 Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American photog...

This is a photograph of pink flowers against a black background by Doris Mitsch, offered by CLAMP in New York City. 32 x 40 inches (Edition of 7) 20 x 25 inches (Edition of 7) 14 ...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

American Dream Park, Shanghai, China, 1997 1997/2023 Signed in black ink, verso Archival pigment print 6 x 6 inches, sheet 4.5 x 4.5 inches, image This work is offered by CLAMP i...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

Andy Warhol and his corsets at the fourth factory, New York, 1986 "Andy had to wear corsets ever after he was shot in the abdomen. The ever-devoted Brigid "Polk" Berlin dyed them f...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Wonderland Orange Poppy (Mid-Fire Black + Gray) 2022 Signed and numbered on label, verso Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs) 18 x 12 ...

Archival pigment print Signed and numbered on label, verso 17 x 22 inches, sheet size (Edition of 15) 27 x 38 inches, sheet size (Edition of 9) From the series, "New York Unseen" This artwork is offered by ClampArt, located in New York City. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth...

Abstract concept photograph featuring a woman. About the photographer: Artists' work can be found regularly in the pages of Italian Vogue, Vanity Fair, GQ, L’Uomo Vogue...

Archival pigment print Signed and numbered, verso 24 x 30 inches (Edition of 6) 30 x 40 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

Archival pigment print (Edition of 10) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Charles Street 2007 Signed, titled, dated, and numbered, verso Archival pigment print 22 x 17 inches, sheet (Edition of 15) $2500.00 17 x 11 inches,...

Archival Pigment Print - MOUNTED AND FRAMED 60 x 75 inches – edition of 5 Ask us for custom framing options. CHROMA presents David Burdeny EUROPE series. Limited edition prints, w...

"Aspens" Color Nature Photography by Alexandra Steedman Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by art...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...