Art by Medium: Screen

Tom Sachs (US American, b. 1966) NASA Chair (Space Program: Rare Earths), 2020 Medium: Screenprint and felt-tip pen on Samsonite folding chair ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Taillandaise Aviation Campaign - Campata Green Screen Print Limited edition of 60 copies Canson paper 24 x 12 cm with borders 18.8 x 6.4 cm without Signed in pencil by the art...

This beautifully printed serigraph titled "Falling Man" by Ernest Trova is a limited edition piece created for his exhibition held at Pace Columbus in Columbus, Ohio, in 1972. Known ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Shoes Year: 1974 Medium: Etching, signed and numbered in pencil Edition: II 14 Image Size: 19 x 28 inches Size: 27.5 x 36 ...

Flying High by Amy Gardner [2020] limited_edition Screen Print, Lino Print Edition number 35 Image size: H:45 cm x W:45 cm Sold Unframed Please note that ...

22 color hand pulled silkscreen print in colors on wove paper. Hand signed lower right by CB Hoyo. Hand numbered 124/315 lower left. Sheet size 23.62 x 15.75 inches. Frame size 3...

Artist: Robert Indiana Title: The Hartley Elegies - KvF IX Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 50 Paper Size: 60 x 60 inches Printer: Bob Blant...

Cape Cod from the New England suite is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. N...

This nature based work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural northeast P...

Mark TOBEY (1890-1976) Blue Composition, 1976 Original color screenprint Signed with the artist's stamp Numbered / 77 copies On Auvergne vellum 64.5 x 50.5 cm INFORMATION: Authenti...

Laberinto Serpentino is a striking and enigmatic work that invites the viewer into a dreamlike maze of fluid motion and layered symbolism. Rich in texture and depth, this piece evoke...

Broqpa is the name of a small village in Nepal. Ziesook first learned of it from a TV documentary, The Last Empire. Ziesook was moved by what she learned about a small village locate...

Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...

The work of Luis Gordillo spans more than five decades. He began his career by developing a new pictorial language that became a point of reference for an entire generation of artist...

Richard Anuszkiewicz New York City Opera, 1968 Silkscreen poster 35 x 25 inches Unsigned Anuszkiewicz created this poster, which was part of "Seve...

Hand signed and numbered by the artist. Serigraph on paper. Edition of 275. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be ...

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

Artist: LeRoy Neiman (American, 1921-2012) Title: Casino Year: 1972 Medium: Silkscreen, signed and marked A P ( Artist Proof)  in pencil Edition: AP Paper  Size: 31¾  x 26 inches LeRoy Neiman was a sports artist, a chronicler of contemporary lifestyles and a creator of the action-subject. He is credited with reviving figure painting during the years of the abstract movement when the figure, and realism in general, were abandoned. Neiman paints with a technique that often starts with his own Impressionistic style and continues with a process that looks very similar to the action paintings of the Abstract Expressionists. Accident and chance seem to play significant roles in determining the final appearance of his creations. This is seen in Neimans spontaneous application of paint and color. He paints quickly to grasp moments in time. His works are held in the collections of both the Baseball...

This exquisite silkscreen by Stuart Davis (1892–1964), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum...

Pez Kunoichi Screen Print 88 x 62 cm Limited Edition out of 195 Includes COA

'Universal Personhood' by Shepard Fairey, 2013 18 x 24 Inches (45,7 x 61 cm) Screen print on cream, speckle tone fine art paper Limited edition of 450 (#388/450) Hand-signed and dat...

CARLOS CRUZ-DÍEZ - COULEUR ADDITIVE PERSEUS Date of creation: 2017 Medium: Three screen prints on paper Edition: 50 Size: 100 x 70 cm (each work) Condition: In perfect conditions, br...

Screen print in colors on wove paper. Hand signed, dated and numbered by KAWS. Edition 61/100 (there were also 15 artist's proofs). Published by KAWSONE, Brooklyn. Frame size ap...

after Andy Warhol Colored Campbell's Soup - Peach Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never display...

Jane Dickson has been exhibiting her paintings, drawings and prints in museums and galleries domestically and internationally for three decades. She frequently works with unusual sur...

The Proposal, 2022 20 x 30" Cyanotype Unique Variant Print Limited Edition of 7 + Cyanotype hand-printed on Arches BFK Rives French watercolor paper + Deckled Edges on all four sides + Signed and editioned on front in pencil + Letter of Authenticity + Printed in Los Angeles, CA WHAT IS A CYANOTYPE? cyan = blue type = print Cyanotype is a historic photographic processes, invented in 1842 and used by Anna Atkins–the first female photographer. The process involves coating watercolor paper with light-sensitive chemistry made of iron salts. Photographic negatives are laid on top, exposed in the sunlight, and then washed in water to develop into the deep Prussian-blue unique to cyanotypes. Brings a moment of beauty and conversation to any space. ABOUT THE ARTIST: Alexandra DeFurio...

serigraph, Edition of 100 image of abstract flower from KINETIC PORTFOLIO

Image Size: 23" x 16.5" Unframed Limited Edition Fine Art Print of 295 Hand Signed by Annora Spence

This work is hand signed in pencil "R. Lichtenstein" at the lower right margin on the mount board. It is also signed, verso. It is also hand numbered in pencil from the edition of 20...

Michel Delacroix Passerelle des Halles in Summer from the Four Seasons Suite of Memories of Paris Silkscreen Hand-signed lower right Numbered AP 38/50 lower left Image size 35 x 35 c...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

France-Lise McGurn Papillon, 2023 Screen print on Somerset Satin 300gsm paper hand-signed and numbered on the front 56 x 76 cm Edition 3 of 30 McGurn predominantly works with painti...

9-color silkscreen print on plexiglass, 5 x 12” (12,5 x 31cm) Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich Ed. 45/XX, signed and numbered certificate

Richard Estes Roma (from Urban Landscapes III), 1981 Signed and numbered "33/250" in pencil, lower margin Color screenprint on white wove paper 14 x 20 inches Edition 33/250 Richar...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1091 (After Painting Number 7, CR324), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Fritz Scholder (United States, 1937-2005) 'Mask of a mystery woman', 1982 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-002-000 Unframed

Cecile DE BRUIJN Woman with Bird, c. 1995 Original screen print Handsigned in pencil Numbered / 20 ex On vellum 76 x 56 cm (c. 30 x 22 inch) Excellent condition

18 3/4" x 24 1/2" Unframed Digital and Screenprint with Blind Embossing Hand Signed by Ronnie Wood

Cottonwoods is a hand-pulled, limited edition serigraph, no. 32 / 165 and is signed in pencil by the artist. Published by Aspen Mountain Graphic it is ...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Frank Stella b.1936 Mysterious Bird of Ulieta (from the Exotic Bird series) 1977 screenprint and lithograph in colors on Arches 88 sight: 33 h × 45¼ w in (84 × 115 cm) Signed, dated...

This artwork titled "Vacance" 1980 is an original color serigraph on paper by renown artist Hiro Yamagata (Japanese, b. 1948) It is signed and numbered 204/300 in pencil by the artis...

ADRIANA OLIVER - FAMILY Date of creation: 2020 Medium: 18 layer screen print on Somerset Velvet paper Edition: 75 Size: 67 x 67 cm Condition: In mint conditions Description: This pi...

Sergio Hernández (Mexico, 1957) 'Corral IV, 2011 silkscreen on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 10 Unframed

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition 219/300. Printed By Brand X Editions. Published by Donald J. Christal, Los Angeles, CA. Ver...

Hand-Finished Screenprint Size: 75 x 54.6 cm 29.5 x 21.5 inches Limited Edition of 70 Signed, numbered, and embossed Certificate of Authenticity included

A pair of original hand printed screen prints on paper by American contemporary female artist Kari Achatz.

Roby Dwi Antono - Di Restoran Date of creation: 2021 Medium: Screen print on Somerset Velvet paper Edition: 99 + 8AP Size: 51 x 69 cm Condition: In perfect conditions Di Restoran i...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Screenprint in colors on paper. Hand signed and numbered by the artist. Artwork size 36 x 36 inches. Custom framed as pictured. Frame size approx 42 x 42 inches. From the edition...

Screenprint on off-white wove paper Signed and numbered in pencil: 44 from 300 plus an unknown number of AP (inscribed A/P).

Silkscreen Hand signed and numbered Edition: 161 In great condition

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

A vibrant abstract screenprint by an unknown artist created in 1973. This work is signed "A. Murray" or something similar but the exact artist has not been determined.

Hand-Finished Screenprint 29 x 21 inches (73.6 x 53.3 cm) Limited Edition of 30 Signed, numbered, and embossed Certificate of Authenticity included

"Bedroom Blonde with Green Drape" is a serigraph, a type of screen print that involves creating a stencil on a screen and using it to apply layers of ink. This method allows for vibr...

"Rolled Wrongly - Portfolio 1, Folder 18, Image 2 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972 and was previously titled "Falsch Gerickelt". This ...