Art by Medium: Screen

Carnivalesque Composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 11/1...

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Opaque), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50: Han...

Mate is a color silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Not signed and not numbered. Good condition, ex...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Big Sky Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 200; AP 30 Size: 40 x 34 inches (101.6 x 86...

Artist: Knox Martin, American (1923 - ) Title: Diamond Year: circa 1979 Medium: Screenprint, Signed and numbered in pencil Edition: AP Size: 22 in. x...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Untitled 7 Chryssa, Greek (1933–2013) Date: circa 1975 Screenprint Size: 33 in. x 20 in. (83.82 cm x 50.8 cm)

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Date: circa 1975 5 screenprints in colors each consisting of 5 die-cut sheets of wove paper, signed and numbered in ink Edition of 89/175 Size: 23.5 x 23.5 in. (59.69 x 59.69 cm) Pri...

Image dimensions: 18 x 18 cm. "Composition" is an original colored serigraph on paper, realized by the Italian artist Antonio Calderara (1903-1978) and published in 1978 by La Nuov...

Set of 10 colour screenprints by Josef Albers. Edition of 250 copies on Mohawk Superfine Bristol. Sheet dimensions each: 43 x 43 cm Illustrations each: 28 x 28 cm All works labell...

Artist: Larry Zox Title: Green Card Sound II Year: 1980 Medium: Screenprint, Signed in Pencil l.r. Edition: 185 Size: 40 x 30 in. (101.6 x 76.2 cm)

Artist: Anne Youkeles, Austrian (1920 - ) Title: Kaleidoscope Year: 1969 Medium: 3-D Silkscreen on plastic, signed, numbered, dated, and titled in pencil Size: 23 x 22 in. (58.42 x ...

Color screenprint on white wove paper, 1972. Signed by the artist dated in pencil lower left. Numbered 67/150 in pencil lower right. Printed by Kelpra Studio, London, with the ink ...

Abstract Composition is a screen print on paper realized by Antonio Sanfilippo in 1971. Hand-signed and dated in pencil on the lower right. Numbered on the lower, Edition 61/100 pr...

Red composition is a contemporary artwork realized by Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left. Edition ...

Artist: Al Held, American (1928 - 2005) Title: Scholes I Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

Sun is an original screen print realized by Luigi Veronesi in 1995. Excellent condition on a white cardboard. Hand-signed with pencil by the artist on the lower left corner. Luigi...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Artist: Arman (1929-2005) Title: Yves Kline Violins Year: 1978 Edition: 102/150, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 22.25 inches Cond...

Artist: Darryl Hughto, American (1943 - ) Title: Good Earth Grey XV Date: 1982 Screenprint with Acrylic Painting, signed, titled and dated in pencil Image Size: 37 x 24 inches Size...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Brightly colored one-of-a-kind multi-layer abstract composition in primary colors, one of one created by Michael William Eggleston (American, 20th Century). Initialed "MWE" on the bo...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

Red composition is an original contemporary artwork realizedby Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin. ...

ZAO Wou-Ki Orchid Screenprint on Limoges porcelain Signed bottom centre BSN Edition, 1986 25 cm diameter Excellent condition

Tramatura is an original print realized by Emilio Scanavino in 1971 Black screen print on paper. Hand-signed in pencil on the lower margin. Artist's proof. Edited by Grafica d'Ar...

Carmen Louis Cicero, American (1926 - ) - Untitled 9, Year: circa 1971, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24 i...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 16 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Carmen Louis Cicero, American (1926 - ) - Untitled 8, Year: 1971, Medium: Screenprint, signed, numbered and dated in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24 ...

The signals is an original lithograph print realized by Leo Guida in 1984. Hand-signed on the lower left and dated in pencil. Numbered from the edition of 15 prints. Titled on the l...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 27/54 Sheet Size: 29 5/8" x 8 3/4"...

Untitled is an original realized by Tommaso Cascella in 1972. Serigraph on paper. Signed and dated on plate on the lower margin (Tommaso Cascella 72). Edition on 50 prints. Printed b...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 89 Year: 1969 Medium: Screenprint, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 361 Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Image Size: 25 x 20 inches Size: 29...

A purple butterfly print with diamond dust. A purple butterfly appears in front of a white background. Additional information: Claire Robinson: Papilio Ulysses - Aubergine. Foam on ...

Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 54 Year: 1969 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Ibram Lassaw, American (1913-2003) Title: Continuity Year: 1971 Medium: Silkscreen, signed and numbered in pencil Edition: 150 Size: 24 in. x 32 in. (60.96 cm x 8...

Malcolm Morley, British (1931 - 2018) - Asteroid, Year: 1974, Medium: Screenprint and mixed media on Arches, signed, numbered and dated in pencil, Edition: 32/100, Image Size: 30 x 2...

This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Artist: Carmen Cicero, American (1926 - ) Title: Untitled 3 Year: 1971 Medium: Silkscreen, signed and numbered in pencil Edition: 55 Image Size: 18 x 20 inches Size: 23 x 24 in.

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

Coloured serigraphy on Arches paper, edited in 1990 Limited edition of XX copies , numbered as P.A VII/XX (Artist's proof) in lower left corner. Hand-signed by artist in pencil in th...

Guido Molinari (1933-2004) is one of Canada's most beloved abstract painters. Notable among his accomplishments was his representation of Canada at the 1968 Venice Biennale. Molinar...

Artist: Josef Albers, German (1888 - 1976) Title: Portfolio 1, Folder 1, Image 1 from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Editi...

ADDITIONAL INFORMATION; Tree Frog by Gavin Dobson [2020] limited_edition Screen Print on Paper Edition number 100 Image size: H:71 cm x W:50 cm Complete Size of Unframed Work: H:71 ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

Vincent Longo, American (1923 - 2017) - Yellow, Blue and Green Composition, Year: 1979, Medium: Screenprint, signed, dated and numbered in pencil, Edition: II 24/25, Image Size: 15.7...

Theodoros Stamos was one of the original Abstract Expressionist artists working alongside Jackson Pollack and Willem de Kooning in New York City. His ...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

Artist: Budd Hopkins, American (1931 - ) Title: Jutland III Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: AP 45 Image Size: 21.5 x ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Pool Boy Aqua By Gavin Dobson [2021] Brand new edition in the popular Pool boy series. Celebrating summer, positivity and the male form. Pool boy aqua is a CMYK screen print with a bold spot layer for the aqua pool. Additional Information: Limited Edition Cymk screen print Edition number 40 Signed and numbered Image Size: H:50 cm x W:35 cm Complete Size of Unframed Work: H:50 cm x W:35 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Gavin Dobson's artworks are available to buy online with Wychwood art and in our art gallery. ARTIST PROFILE: Originally from the North East of England, Gavin graduated in Fine art in 2000, and has been building his portfolio as an artist specialising in painting and screen printing - often combining the two, which helps communicate his chosen narrative. Gavin uses both vivid colours and expressive strokes to create engaging and lively pieces - his recent painting series ‘Landscapes of the Mind’ used the fluidity and movement of the paint to convey how an environment can effect ones state of thinking. Alongside his painting, Gavin is an established screen-printer exhibiting at many galleries across the U.K. and with new clients in New York his international profile is starting to expand. A regular at the Affordable Arts Fair, Gavin was one of 20 artists chosen to work alongside Film Four for an exhibition at Somerset House. His screen-prints often depict colourful, nostalgic images. Iconic designs which are humorous ornamentation and invite an opening for conversation. Gavin takes an original painting and creates many separate layers of half tones to screen-print by hand the final piece. Using this method he captures many textures and depths of colour within a piece of work. He recently designed and created a piece of work for the charity Help Refugee's 'Choose Love' campaign in conjunction with Printclub and the celebrated designer Katharine Hamnett, highlighting the current plight of refugees. Gavin's ongoing dedication has led to various interviews surrounding his work and being featured in The Times by the art critic, Nancy Durrant, as part of her great art gift guide...