Art by Medium: Wood Panel

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses o...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

This is an oil painted on linen mounted on cradled wood panel titled signed and dated on reverse. It is a humorous allegory depicting a bather holding a large golden yellow lobster....

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

An iconic city scene by the renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism and...

Acrylic & watercolor on paper with wood panel Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art director, she was involv...

Dintino's abstract oil paintings have to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion...

Fields in Waiting by Annie green [2021] original Mixed media on wood panel Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:3cm Frame Size: H:54 c...

Depicts Carole Garland reveling in a hot summer day at the Venice Beach. Colorful beach umbrellas shield the timid from the burning sun while sunbathers bask in the searing heat. Yellow and blue ribbons floating on the wind celebrate Venice’s chaos and its whimsy. To focus the figure of a preteen who stands sentinel, Garland fades out the foreground sunbather on right and obfuscates the crouching man on left. The artist leads us to the groups of mysterious standing and sitting figures in the shadows and beyond. Garland’s collection of figurative work speaks to a contemporary sensibility in her approach to painting, while expressing a curiosity about the human form and an irrepressible concern for the human spirit. Carole Garland graduated from Knox College, Galesburg, Ill., studied at the Chicago Art Institute and the University of the Americas in Mexico City. She has worked privately with artists Keith Finch and Ron Pekar, taken numerous workshops and was mentored by David Gallup...

"Labyrinth" is a striking modern geometric abstract painting, with a soft mid-century modern contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

“Temptation” (Cat) 10" x 10" gouache on Aquabord, sealed with Renaissance Wax.Also shown are other animal paintings in this series of gouache . Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: ...

Pedro Miguel de Cervantes Salvadores (Born 1933) is a Mexican sculptor who has exhibited in Mexico and abroad and has created large monumental works for various locations in the country. This is a group of 5 wooden panel...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with white calli...

Oil painting on panel portrait of a lady by Harry Humphrey MOORE Harry Humphrey Moore ( 1844, New York City - 1926, Paris) was an American painter; best known for his works depicti...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Dahlias and Roses is a 14" x 10" oil on panel painting by European /Croatian artist Tina Orsolic Dalessio who is classically trained. This is part of her new 2024 series of still-...

Cocktails (after Rosemary Mahoney) Interior scene People Restaurant Texas Artist Cocktails (after Rosemary Mahoney) is by Texan artist Max Guarnaccia...

Mersing by Alanna Eakin [2021] original Oil paint on wood panel Image size: H:30 cm x W:23 cm Complete Size of Unframed Work: H:30 cm x W:23 cm x D:0.5cm Framed Size: H:36 cm x W...

Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...

Sloe Blossoms is a 14" x 10" oil on panel painting by European /Croatian artist Tina Orsolic Dalessio who is classically trained. This is part of her new 2024 series of still-life ...

Stunning original mirror made by the artist, with 144 uniquely handmade terracotta tiles. Signed by the artist in one of the tiles. This large, striking mirror has a great Brutalist and Modernist feel. Another slightly smaller mirror of the same style is available on our page. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Tuscan red...

'Figure no. 1, 2025' by John Goodman. The artwork is 40 x 30 inches, professionally framed in maple measuring 40 3/4 x 30 3/4 inches. Artist signed, dated in ink verso. Condition is ...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

Attributed to Godfried SCHALKEN (Made 1643 – The Hague 1706) Young fischer Oil on panel in one board H. 32.5 cm; L. 25.5 cm Around 1670/75 Related works: - Autograph version with nu...

"Moonlight makes me dizzy, Sunlight makes me clean. Down is the dizziness of a hot summer night and Up is the cool calm of the morning." Becca Fuhrman says of her work... My work a...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 9"x12" A certif...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

A Mother and her Children. A mother clutches her toddler to her breast and grabs her young son as they make for the shoreline to escape the churning Pacific Ocean waters. Are they ru...

Recent oil on linen canvas mounted on cradled wood panel signed and dated on reverse. Part of an ongoing series by the artist in his humorous observation of humans and their pets ABO...

Hellemans Pierre-Jean Brussels 1787 – 1845 Belgian Painter A Summer Landscape Signature: Attributed to Hellemans Pierre-Jean Medium: Oil on oak panel Dimensions: Image size 62 x 78 cm, frame size 72,50 x 92,50 cm Biography: Hellemans Pierre-Jean was born on November 21, 1787, in Brussels. He was a Belgian pre-romantic painter of landscapes. He was married with his niece, Jeanne Marie-Joséphine Hellemans (1796-1837). She was a painter of still lifes with flowers and fruits. Hellemans studied at the Acade...

Acrylic & watercolor on paper with wood panel Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art director, she was involv...

Artist: Varouján Hovakimyan Title: Memories Medium: Wax, Oil, Graphite, Ink, Collage on Wood Panel Year: 2019 Style: Contemporary Art Dimensions: 20" x 16'' x 1.5" inch (51 x 41 x 4c...

This is an oil on linen canvas mounted on a cradled wood panel. Framing recommended but not necessary. It is signed and dated on the reverse

"Natura Pura" is an abstract painting featuring the full rainbow of colors. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. “...

My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice. Within t...

German School 17th Century Portrait of Philip Melanchthon Oil on panel, unsigned Image size: 9 x 12 inches (22.6 x 30.3 cm) This charming portrait depicts Philip Melanchthon, the ac...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Oil on wooden table realized by Giovanni Gromo in 1980s. Hand monogrammed. Good condition.

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings ...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

Sketch Of Three Horses Feeding, 19th Century circle of John Frederick II HERRING (1815-1907) 19th Century English School sketch of three horses feeding, oil on panel. Excellent qu...

Last of the light by Rebecca Tucker [2021] original Acrylic on wooden panel Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:25 cm x W:25 cm x D:0.5cm Sold Unframe...

Lisa Bostwick has had pieces exhibited at the Legion of Honor, Napa Valley Museum, Marin Museum of Contemporary Art and the de Young Museum. Her North Am...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Gold leaf floater framed included. 21" x 17" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and runni...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on an Aqua green background with thick use of paint. I...

Sandra Cohen’s “disinheritance” is a 30 x 24 x .25 inch abstract acrylic painting on tempered hardwood, in pink, green, yellow, tan and black. Flowers, biological forms, spinal bones...

'Fractured Mind' - Abstract Painting on Board by British Urban Graffiti Artist, Chris Pegg, using red, black & golden yellow. Chris Pegg is a self-taught Street Artist producing artw...

Attributed To French Master Jean-Baptiste Pillement (1728 - 1808). Magnificent rococo pair paintings depicting scenes from the life of Europe of the 18th century. Two scenes tell us about the lives of travelers and fishermen of the time. Two frames of the same century perfectly complement these paintings. Paintings made in the technique: Pastel, Bodycolor, chalks, and perhaps gouache on paper or paperboard supported by wooden boards. Gold leaf neoclassical frames of early 1800s (not examined under frames). On the reverse side of the wooden substrate, there is a stamp, "Bundesdenkmalamt Wien", Perhaps Jean-Baptiste Pillement (1728 –1808). Antique old paintings...

"Dark Matter" by Sandra Cohen is 14 x 14 x 1 inch acrylic painting on crradled wood in bold yellow sand black. A disintegrating black circle (made of circles) creates another sun-lik...

HIGH RESOLUTION IMAGES AVAILABLE Sunny Day is a 16 x 23 oil painting by artist Jeff Slemons. Jeff Slemons brings out the movement of the people on the bea...

"Giant At Sea" is an Asian Inspired Painting with a colorful Samurai and sailing boats in the ocean, with lots of white waves. The piece is created using ink, egg-tempera, and a gold...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

Vendiendo Platanos is a 18 x 12 oil on panel paininting by William Kalwick. This was done on site in Nahuala , Guatemala. A frame has been ordered for the painting. This Nahuala Coop, 100% women farmer produced washed Guatemala heirloom coffee features sweet, clean and bright aromas of hazelnut. The flavor is rich, with notes of chocolate, citrus and roasted nuts, finishing smooth and lingering. Nearly the entire population of the municipality is made up of ethnic K'iche' Maya who speak the K'iche' language. The population of the township is estimated to be between 50,000 and 85,000 individuals, about 10% of whom live in the head-town. Statistics vary widely because much of the township's territory and several large villages are also claimed by Nahualá' sister township, Santa Catarina Ixtahuacán. Kalwick’s paintings cover a wide range of subject matter. However, he is best known for his Guatemalan market scenes, Guatemalan figurative work, and portraits. Recent portrait commissions include Harold Hook, retiring CEO of American General Corp.; Reese Jones, international golf course designer; and Paul Merriman, retiring CEO of Hisco Corp. Kalwick was honored for the second time with a one-man show sponsored by the United States Embassy at the Museo Ixchel in Guatemala City. Southwest Art magazine featured Kalwick’s work on the cover and elaborated upon his style in an article titled “Guatemala Days.” He also was featured in Art of the West magazine . Kalwick’s portrait painting was featured in Southwest Art magazine . Kalwick has participated in many shows including the Masters of the American West at the Autry Museum in Los Angeles, California; the Prix de West...

Neutral-toned abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with black calligraphic-l...

Washes of charcoal and ochre merge with a tactile surface in this atmospheric plaster and pigment painting by Jutta Naim. Marks pulled by hand through the plaster, thick and cracking...