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Alan DavieMagic Camp n. 16 - Mixed Media by Alan Davie - 19721972
1972
$8,068.65
£6,017.12
€6,800
CA$11,231.16
A$12,053.56
CHF 6,461.18
MX$145,059.06
NOK 81,465.97
SEK 74,285.67
DKK 51,811.89
About the Item
Mixed media on paper realized by Alan Davie in 1972.
Hand signed and dated lower left.
Titled upper left.
A vibrant and highly characteristic work by Alan Davie, Magic Camp n. 16 encapsulates the artist’s celebrated post-war visual language—an imaginative synthesis of abstract expression, private symbolism, and playful, ritual-like imagery. Executed in 1972, at the height of Davie’s mature period, the composition unfolds like a pictographic theatre: a boldly simplified interior space is animated by floating signs, totemic motifs, and brightly articulated forms, rendered with the immediacy of improvisation and the deliberation of a personal code.
Dominating the scene is a checkered, altar-like structure supporting a stylized sculptural head, accompanied by emblematic elements—crescent form, spiral figure, and scattered dot clusters—suggesting Davie’s enduring fascination with music, mythology, and the spiritual dimension of mark-making. The palette is vivid and rhythmic, with saturated greens, reds, ochres and blacks set against open, luminous reserves of paper. The surface bears evidence of layered techniques—brushwork, staining, and graphic line—typical of Davie’s mixed-media approach, where spontaneity and structure coexist.
Presented in a frame, this sheet stands as a compelling example of Davie’s iconographic universe, where abstract form becomes narrative and the picture plane reads as a site of performance and invention.
- Creator:Alan Davie (1920, British)
- Creation Year:1972
- Dimensions:Height: 22.84 in (58 cm)Width: 32.68 in (83 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1586901stDibs: LU650317445212
Alan Davie
Painter, born in Grangemouth, Stirlingshire. His father was also an artist and Davie junior was encouraged to enrol at Edinburgh College of Art, 1937-40, where he was taught by John Maxwell. Following army service with the Royal Artillery in World War II, Davie worked variously as a jazz musician, textile designer, potter and as a jewellery designer. In 1946, he held his first solo exhibition at Grant's Bookshop, Edinburgh and soon after travelled around Europe meeting Peggy Guggenheim which was to broaden his artistic outlook. His work over the years was much influenced by Abstract Expressionism, Oriental mysticism and Indian mythology. His first London show took place at Gimpel Fils, London in 1950 and his first New York exhibition at the Catherine Viviano Gallery, New York in 1956. During the 1960's and later many of Davie's drawings appeared in print form executed by the Curwen Press and also were seen in the eclectic magazine Motif. Davie was awarded the Gregory Fellowship at Leeds University 1957-59 and in 1962 he held a retrospective exhibition in Amsterdam at the Stedelijk Museum. Other retrospective exhibition venues include the McLellan Galleries, Glasgow, 1992, RWA Bristol, 1992, Barbican Art Gallery, London, 1993 and 'Jingling Space' held at Tate St. Ives. This highlighted Davie’s works from the 1930’s to the millennium. Examples of his work are in the collections of the City Arts Centre, Fleming Collection, Harrogate Art Gallery, Jerwood Foundation, Lillie Art Gallery, MoMa, New York, Museums Sheffield, NCAS, Peterborough Museum
Art Gallery, Tate Gallery, Towner Art Gallery, Ulster Museum, University of Warwick Art Collection, V&A, Worcester Art Gallery and major museums around the world including MoMA, New York. Alan Davies was appointed CBE in 1972, a senior member of the RA in 2012 and a major exhibition of his work opened at the Tate Britain a few days after his death.
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