Antonio Asis

Interferences cercles noir et blanc

2010

Richard Anuszkiewicz Op Art Bowl for Hirshhorn Museum, 1976 Glazed Enamel on Metal Bowl. Artists Signature Fired in Plate Anuszkiewicz' signature fired ont...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...

Richard Anuszkiewicz ANUSZKIEWICZ by Karl Lunde (hand signed and inscribed by Richard Anuszkiewicz), 1977 Hardback monograph with dust jacket (hand signed and inscribed by Richard An...

Bridget Riley: Reconnaissance (hand signed and inscribed by Bridget Riley), 2001 Hardback monograph (book) with no dust jacket as issued (hand signed and...

Victor Vasarely Planetary Folklore (Hand signed by Victor Vasarely), 1973 Hardback monograph with dust jacket Hand signed by Victor Vasarely on the first front end page 9 1/2 × 9 7/...

BASF Luran mounted on aluminum. Hand signed lower front by Victor Vasarely; Signed, titled, dated and numbered on label to verso. From the edition of 8. Additional images availa...

TECHNICAL INFORMATION: Victor Vasarely Cinetique 1973 Silkscreen in two parts; paper and mylar 12 1/4 x 10 x 1 1/2 in. Edition of 50, numbered in Roman Numerals Signed in ink on myl...

TECHNICAL INFORMATION: Victor Vasarely Cinetique 1973 Silkscreen in two parts; paper and mylar 12 3/4 x 10 1/2 x 1 1/4 in. Edition of 10, numbered in Roman numerals Signed in ink on...

Abstract geometrical Scene is an original artwork realized by Rodolfo Aricò (Milan, 3 June 1930 – 22 June 2002) in the 1970s. Colored lilac film on ca...

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...