Horizontal Mixed Media

In his early years Colin Kent studied and worked as an architect. He was elected a member of the Royal Institute of Painters in Watercolours in 1971 and then became a full time paint...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object. The guided coincidence plays a ...

“Pap Art is the collaborative expression of ex-paparazzi photographer David Koppel and figurative painter John Kiki. In the tradition of it’s predecesso...

Medium: paint chip sample mosaic on panel, vintage frame [New Orleans, LA ::: b.1971 - Cincinnati, OH] Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters...

The Course of Things by Joseph Conrad-Ferm 2019 84 x 114 inches Mixed Media on Canvas Shipping is not included. See our shipping policies. Please contact us for shipping quotes and...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Adam Bartlett My little Friends Mixed Media On Reverse Glass Size: H 20cm x W 28cm Sold Framed Free shipping Please note that in situ images are purely an indication of how a piece m...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

"Skies Are Not Blue Anymore" Abstract Painting 48 x 96" inch by Yoram Katz Medium: Acrylic and Enamel on Canvas Comes in frame Size framed: 49 x 97 in ABOUT THE ARTIST: Born in Is...

Gelatin monotype with acrylic paint on white BFK Rives Printmaking Paper. Approx. image size: 3" x 9" Paper size: 10" x 14" At the core of the dialogue between the artist and the ...

True peace can only come through the surrendering of the heart. With a brushstroke of elegance and a palette of tranquility, my artistic aim in this series is to explore the transfor...

The abstract series of sizable works done in a mixed-media technique pays homage to the great modernists and abstract expressionists such as Mondrian, Kandinsky, Still and Motherwell...

Painting is fearlessly following an instinct for Togolese artist Olympio. His work is honest and palpable—exposed, raw, and direct. It is an unfiltered manifestation of his soul. Bright, energetic marks encircle rough textures, balanced by peaceful compositions emanating from below the surface. Olympio’s art transforms walls into landscapes of color and form, creating an engaging focal point that elevates any room's aesthetic to a new level. The heavily textured layers in Olympio’s work create a tangible sense of depth, drawing the eye and enriching the space with a bold yet nuanced presence. Olympio signs this 20-inch high by 24-inch wide mixed-media painting on the back of the canvas. The many layers in his work further emphasize the texture and visceral nature of his canvases. The painting is wired and ready to hang. Free local Los Angeles delivery. Affordable U.S. and global shipping is available. A Certificate of Authenticity issued by Artplex Gallery is included. For the abstract artist Olympio, art is a dance of textures and colors, woven from an eclectic medley of canvas and textiles. Each stroke on his canvas is a nod to the classical ideals of modern abstraction, a harmonious blend of purpose and spontaneity. The linens and canvases he selects have borne witness to various conditions and interactions, embracing the imprints of their past experiences. Olympio meticulously stretches, glues, and layers these diverse fabrics together, infusing them with additional layers of acrylic paint, a fusion of careful craft and serendipitous revelation. In Olympio's art, deliberate strokes mingle with accidental splashes, forming a mesmerizing canvas that speaks to the ethos of modernism's evolution. It's a reminder that the legends of yesteryears now manifest as a distinct style, a testament to their enduring influence. His mastery over the medium amplifies, imbuing each piece with a romantic essence carefully counterbalanced by his practiced modesty. The strokes, swirling and turbulent, are immersed in a rich, opulent application of paint, akin to an expansive honeysuckle-pink landscape or a brooding soot-gray abyss. Yet within this whirlwind of impressions, Olympio maintains a sense of purpose, an elusive process that surrenders control to the animated paint and sculptural fabrics. Olympio possesses a rare duality, orchestrating the delicate balance between sensuality and subtlety within his creations. Navigating these opposing forces, he transcends distractions and attains the perfect pitch, crafting a visual symphony that resonates deeply. Olympio was born into a large family of eight children in Lomé, Togo, West Africa. He began his creating art by using building scraps to make sculptures. By the time he was in high school, he started to experiment with mixed-media and collage. He later transitioned to acrylic and oil on canvas. In 2001, Olympio left his home in Africa to live in Paris. Olympio moved to the United States in 2003 and has continued to paint. His work has been exhibited at Art Basel Miami, where in 2018 he was ranked one of the Top 10 Artists by Red Dot Miami. He was also recently interviewed for France 2, TV5Monde, and the BBC. His work has been exhibited and collected internationally. REPRESENTATION Artplex Gallery, Los Angeles, California EXHIBITIONS 2019 Artplex Gallery, Los Angeles, CA Art Palm Springs, Karyn Mannix Contemporary, Palm Springs, CA “Voltage,” Artplex Gallery, Los Angeles, CA LA Art Show, bG Gallery, Los Angeles, CA “Immigration Celebration, Part I,” Laurent Proneur Gallery Superfine! Fair, Magic Box LA, Los Angeles, CA 2018 Red Dot Miami, Miami, FL Art Basel, Miami, FL Los Angeles Art Show, Los Angeles, CA Latino Art Museum, Pomona, CA BG Gallery, Santa Monica, CA Wallspace at the Brewery Fall Art Walk, Wallspace, Los Angeles, CA 2017 LA Art Walk, Los Angeles, CA LA Art Show, Los Angeles, CA The IXA, Art Show, Venice, CA Gallery AF, Lome, Togo Haz Gallery, San Pedro, CA Beverly Hills Art Show, Beverly Hills, CA 2016 LA Art Walk, Los Angeles, CA “Everything & Nothing: Artworks by Olympio,” Huz Gallery, San Pedro, CA The North Hollywood Show, Van Nuys, CA “Everything & Nothing,” Olympio Art Space, North Hollywood, CA The Old Town Show, San Diego, CA BG Gallery, Santa Monica, CA 2015 Solo Show, Blackstone Gallery, Los Angeles, CA Hamilton Galleries, Santa Monica, CA Blackstone Gallery, Los Angeles, CA 2014 Gallery Sommerlath...

The Accounting Women, 2019 collage on paper 11 13/16 H x 15 3/4 w in 30 H x 40 W cm The artist’s collages describe a series of faces composed of different materials – cardboards, te...

This artwork depicts a marine landscape, a flat calm before sunset, with clouds hiding the sun. This piece was created with a mixed technique of acrylic painting on photograms on rice paper mounted on a wood panel. Some edges of the paper cuts are left visible. Philippe Saucourt...

Painting for Togolese artist Olympio is fearlessly following an instinct. Olympio’s work is honest and palpable: exposed, raw, and direct. His work is an unfiltered manifestation of his soul. Bright, energetic marks encircle rough textures balanced by the peaceful compositions emanating from below the surface. This 20-inch high by 24-inch wide mixed media painting is signed by Olympio on the back of the canvas. The many layers in his work further emphasize the texture and visceral nature of his canvases. The painting is wired and ready to hang. Free local Los Angeles delivery. Affordable U.S. and global shipping available. A Certificate of Authenticity issued by Artplex Gallery is included. For the abstract artist Olympio, art is a dance of textures and colors, woven from an eclectic medley of canvas and textiles. Each stroke on his canvas is a nod to the classical ideals of modern abstraction, a harmonious blend of purpose and spontaneity. The linens and canvases he selects have borne witness to various conditions and interactions, embracing the imprints of their past experiences. Olympio meticulously stretches, glues, and layers these diverse fabrics together, infusing them with additional layers of acrylic paint, a fusion of careful craft and serendipitous revelation. In Olympio's art, deliberate strokes mingle with accidental splashes, forming a mesmerizing canvas that speaks to the ethos of modernism's evolution. It's a reminder that the legends of yesteryears now manifest as a distinct style, a testament to their enduring influence. His mastery over the medium amplifies, imbuing each piece with a romantic essence carefully counterbalanced by his practiced modesty. The strokes, swirling and turbulent, are immersed in a rich, opulent application of paint, akin to an expansive honeysuckle-pink landscape or a brooding soot-gray abyss. Yet within this whirlwind of impressions, Olympio maintains a sense of purpose, an elusive process that surrenders control to the animated paint and sculptural fabrics. Olympio possesses a rare duality, orchestrating the delicate balance between sensuality and subtlety within his creations. Navigating these opposing forces, he transcends distractions and attains the perfect pitch, crafting a visual symphony that resonates deeply. Olympio was born into a large family of eight children in Lomé, Togo, West Africa. He began his creating art by using building scraps to make sculptures. By the time he was in high school, he started to experiment with mixed-media and collage. He later transitioned to acrylic and oil on canvas. In 2001, Olympio left his home in Africa to live in Paris. Olympio moved to the United States in 2003 and has continued to paint. His work has been exhibited at Art Basel Miami, where in 2018 he was ranked one of the Top 10 Artists by Red Dot Miami. He was also recently interviewed for France 2, TV5Monde, and the BBC. His work has been exhibited and collected internationally. REPRESENTATION Artplex Gallery, Los Angeles, California EXHIBITIONS 2019 Artplex Gallery, Los Angeles, CA Art Palm Springs, Karyn Mannix Contemporary, Palm Springs, CA “Voltage,” Artplex Gallery, Los Angeles, CA LA Art Show, bG Gallery, Los Angeles, CA “Immigration Celebration, Part I,” Laurent Proneur Gallery Superfine! Fair, Magic Box LA, Los Angeles, CA 2018 Red Dot Miami, Miami, FL Art Basel, Miami, FL Los Angeles Art Show, Los Angeles, CA Latino Art Museum, Pomona, CA BG Gallery, Santa Monica, CA Wallspace at the Brewery Fall Art Walk, Wallspace, Los Angeles, CA 2017 LA Art Walk, Los Angeles, CA LA Art Show, Los Angeles, CA The IXA, Art Show, Venice, CA Gallery AF, Lome, Togo Haz Gallery, San Pedro, CA Beverly Hills Art Show, Beverly Hills, CA 2016 LA Art Walk, Los Angeles, CA “Everything & Nothing: Artworks by Olympio,” Huz Gallery, San Pedro, CA The North Hollywood Show, Van Nuys, CA “Everything & Nothing,” Olympio Art Space, North Hollywood, CA The Old Town Show, San Diego, CA BG Gallery, Santa Monica, CA 2015 Solo Show, Blackstone Gallery, Los Angeles, CA Hamilton Galleries, Santa Monica, CA Blackstone Gallery, Los Angeles, CA 2014 Gallery Sommerlath...

The Cubist, 2019 collage on paper 11 13/16 H x 15 3/4 W in. 30 H x 40 W cm The artist’s collages describe a series of characters composed of different materials – cardboards, textil...

Animal, 2019 collage on paper 11 13/16 H x 15 3/4 W in. 30 H x 40 W cm The artist’s collages describe a series of characters composed of different materials – cardboards, textiles, ...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #57" is an 11 x 13 inch abstract painting on paper mounted on a board. The artist works with natural earth, charcoal, straw, pigm...

"Homage to Klee" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference formed as...

Las Cuatro Brujas Triptych, 2019 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Overall size: 120 cm H x 255 cm W (10 cm white border) Individual size: 120 cm H...

Electric Coffin is a Seattle-based artist collaboration between Duffy De Armas and Stefan Hofmann. Electric Coffin are based in Seattle, Washington but exhibit nationally and interna...

Analog Collage 6.5 x 7 inches Collage on Paper Exhibition History: THE COLLAGE SHOW Morgan Jesse Lappin is a collage artist and curator based in Brooklyn. He seeks to explore the boundaries of collage, identify artists pushing the medium forward, and inspire others along the way. In 2013, he founded the Brooklyn Collage Collective, which consists of four core members: Morgan Jesse Lappin, Jessie Laura, Joseph Karwacki, and Michele Luger. The Brooklyn Collage Collective has worked and exhibited with other collage artists all over the world, including New York, London, Australia, and Italy. Lappin's art is a combination of comedy and chaos, with elements of music, vintage horror and sci-fi. His work ranges from seven-foot-long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with video animations. He also uses nostalgic material from his childhood in the ‘90s, such as VHS Tape...

Johnny Banks (1912-1988) San Antonio Artist Size: 11 x 14 Frame: 17 x 20 Medium: mixed media Dated 1979 "The Lonely Wild" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

18 minute and 26 seconds single channel video, original soundtrack Edition 1/3 RUTH OWENS graduated in 2018 with an MFA from the University of New Orleans after leaving her medical...

Maria Poroy (American, born 1952) "Cloud Trees" 2024 Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "Cloud Trees" by Maria P...

Medium: found aluminum cans, copper leaf, wire Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. PAUL VILLINSKI has...

(This piece is on two panels) Contextually within the framework of postmodern Neo-pop and Post-pop, Miller utilizes a semiotic process of mining familiar pictorial codes from the pop...

Vivien Abrams Collens is a mid-career abstract artist born in Cleveland, Ohio, whose current practice includes site specific installations, sculpture and painting. After graduatin...

Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

"FEEL" is an abstract mix media painting on cardboard, measuring 77 x 57 x 3,5 cm, by contemporary Polish artist Monika Widenka. It invites you to feel — beyond what’s visible, in ...

Artist Unknown (20th century) New York City Skyline, 1950s Oil, watercolor and gouache on paper 13 1/2 x 19 1/2 inches A bright abstract skyline view of a metropolis on a blue / teal background with red, yellow, and blue lights...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Gail Lehman (American, born 1950) "Village" 2022 Acrylic paint, Gesso, Canvas, Stretcher Bars The artist signed the bottom right of the painting. Within this captivating composition...

This envelope was produced as part of "International Volunteer Day", a human right's cause created by the World Federation of the United Nations. This mailer includes stamps, the art...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Original artwork, oil and wire on board. Russell West’s intensely coloured, dripping paint artworks draw the eye into a three-dimensional labyrinth of layers and hollows, colours an...

Kiki Smith (b. 1954) is a celebrated American artist renowned for her multidisciplinary exploration of the human body and themes of existentialism, transformation, and the natural wo...

Romans Suta Born on April 28, 1896 in the vicinity of Cesis (Latvia), died on July 14, 1944 in Tbilisi (Georgia), rehabilitated posthumously. Painter, graphic artist, decorative and stage designer, art critic and theoretician. Studied at the J. Madernieks' Art Studio (1913), Riga City Art School (1913-1915), and Penza Art School (1915 -1917). A prominent figure and active protagonist of modernist trends in Latvian art. Travels to Berlin and Paris, where he made the acquaintance of A. Ozanfant, Le Corbusier, and others. The influences of Cubism and Constructivism. A member of the Riga Artists' Group (1920-1924) and the Riga Graphic Artists' Society. Painter of still lifes and figural compositions. After the first experiments in Modernism, he turned to a more realistic manner of representation. The initiator and developer of a national constructive style, especially in interior design; the founder of Baltars creative workshop for porcelain painting (1924-1928); a designer and painter at Kuznetsov...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

Untitled (Seascape at night) Tissue paper collage on Fabriano wove paper, 1964 Signed in ink lower left Annotated 42 in pencil on verso Condition: Excellent Image/Sheet size: 10 x 13 7/8 inches Part of a suite of collages created during the artist's sabatical leave from teaching, spent in Florence, Italy, studying at the Accademia D'Arte Firenze in 1963-1964. Ray H. French: The Evolution of an Artistic Innovator Printmaker, painter, and sculptor Ray H. French was born in Terre Haute, Indiana on May 16, 1919. Terre Haute was a cultural wasteland before the opening of the Sheldon Swope Art Museum in 1942. Thus, with a father as a coal miner and carpenter, art remained a luxury for Ray. Nevertheless, local art teachers Mabel Mikel Williams and Nola E. Williams helped to foster his creativity and unshakable drive to create things of beauty. After high school, Ray attended the John Herron School of Art in Indianapolis. His studies there were interrupted by the outbreak of World War II, during which he developed surveillance photographs for the Army Air Force. After the war, Ray transferred to the University of Iowa on the G.I. Bill, where he received both his BFA and MFA degrees. The University of Iowa during the 1940s was a cultural mecca with many major art historians and artists. While in Iowa, Ray played an important role in this culture by becoming a founding member of the Iowa Print Group under Mauricio Lasansky. Following his graduation in 1948, Ray experienced firsthand the rapid rise in creative printmaking in America. By 1949, he had exhibited at The Brooklyn Museum, the Walker Art Center, and MOMA New York. Ray’s early style of printmaking is characterized by pure line engraving on copper plates, a technique suited perfectly to his study of the beauty of animals. This charming and whimsical subject ran counter to the concurrent trends of Lasansky’s horrors of war and Hayter’s non-objectivity, but was equally effective in capturing the public’s attention. Walruses was purchased by the Victoria and Albert Museum, exhibited at MOMA New York and received the Arthur D. Allen Memorial Purchase Prize for its “skillful and economic use of line.” Shortly thereafter, Ray’s treatment of animals developed further into larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style evolved into organic non-objectivity, in which he incorporated personal autobiographical vignettes and symbolism. His work during this time was further characterized by a departure from the traditional squared compositional format to his cutting and rounding of the plate to accentuate organic shapes. Ray’s 1959 Enchantment remains particularly illustrative of his use of etching and soft ground intaglio. Enchantment was successfully exhibited at the Brooklyn Museum of Art for the 12th National Print Exhibition of The American Federation of the Arts and received the Pennell Purchase Prize from the Library of Congress in 1960. In the 1960s, Ray also started to focus on blind embossing, which he had first experimented with at the University of Iowa. He was extremely prolific and successful with this medium, selling hundreds of prints in small editions of 10 through the Associated American Artist Gallery in New York. In 1966, Ray built upon his mastery of embossing and began developing a shadow box presentation called a graphic construction that combined color, blind embossing, and multi-layered cutouts to revel intaglio compositions. Noted curator William Lieberman purchased Ray’s masterpiece graphic construction, Moon Rays...

Lalu Prasad Shaw Babu & Bibi Tempera on Board 29 x 20 inches 73.6 x 50.8 cm ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and c...

made of silk and wood

A textured, unique and vivid poured enamel painting on stretched canvas, with red, yellow, black and white colours. Ready to hang. Framing on request.

THORMOTHRSSON (Turn the storm) Collage on wood (Signed on reverse) 23 1/5 H × 23 3/5 W in 59 H × 60 W cm Powerful colours seize the viewer, while the numerous individual pieces of t...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Artist: Roberto Matta Title: Sans Titre Original Mixed Media (1) Medium: Mixed Media on paper Signed: Hand Signed Measurements: 12" x 17" Framed: 22.5" x 27" Certificate of Authe...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Martin Whatson Surfer Canvas Original Painting on Canvas Framed professionally in a black tray frame Signed on reverse by Martin Whatson 39.3 x 27.5 inches 42 x 30 with frame ...

Painting measures 28 X 36 inches. There is a sulpture quality to the suitcase, it has texture to the piece. It subtly recalls the european Holocaust, travel and displacement. Provena...

Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...

Believed to be signed lower right, but little is known of this works' artist or origin.