Oversized Mixed Media

Sognare I by artist Kim Fonder is a abstract contemporary white, grey, and gold mixed media on burlap painting that has texture and is minimal. This painting meausures 67 x 49 and is priced at $5,900. Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each piece; these two attributes remain her focus. She seeks to honor Leonardo Da Vinci’s words, “Simplicity is the ultimate sophistication. Born Corvallis, Oregon creative director, aberson exhibits master of science in applied behavioral studies, school psychometrics bachelor of science degree education group shows and juried exhibitions biting the apple, IAO gallery, oklahoma city, oklahoma 1999 mayfest invitational gallery tulsa, oklahoma may 1999 biting the apple,IAO gallery, may 2001 mayfest invitational gallery may 2002 j joseph gierek fine art/ group show tulsa, oklahoma 2003-2004 oklahoma visual artists coalition “visionmakers” January 2006 “oklahoma friendly” oklahoma artist guild, march 2008 -honorable mention- “personal space” gallery RFD swainsboro, georgia october 2008 tubac center for the arts tubac, arizona october 2008 artspace international juried exhibition raleigh, north carolina november 2008 gallery shows fashionhaus, manhattan, new york june 2008 jordan art gallery corsicana, texas october 2008 marziart international galerie, hamburg, germany october 2008 helen yi, chicago, illinois october 2008 exhibit by aberson tulsa, oklahoma april 2009 fashionhaus, manhattan, new york 2010 leslie powell...

The election of Donald Trump placed a spotlight on lower-class white families. This work lampoons the stereotypes we often have of those families. The piece is intentionally whimsical. The point is that until we see beyond superficial (and misleading) stereotypes, we have little hope of making any progress toward solving issues related to this, or any, class of individuals. --- Kat Flyn is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables, which she began using to create assemblage art in the 1990's. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art – a soft drink box into a tenement building (Affordable Housing 2017), a jewelry box into a wheelchair (Last Lily Foot 2016), an old shoe shine box into a hearse (Katrina 2018). The result is her work is closer in appearance to Folk Art than Assemblage Art. STATEMENT: Strictly speaking I am an assemblage artist, but in fact I construct more than assemble my works. I search out collectables, artifacts and woodcarvings and then build scenes to make statements regarding American society. Even when using artifacts from earlier centuries, my theme is almost always about contemporary America. Social injustice, racism, sexism, and violence - aspects of our national psyche – exist in the present but have their seeds planted in our past. Additionally, the artifacts I use often are meant to amplify the meaning of the work. For instance, the Black stereotype wood figures I use in many of my pieces were almost certainly crafted by a White person. By using such artifacts I ask: what kind of society produces such items in the first place? In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional value, having been discarded by its owner as worthless or broken. A saved object on the other hand has retained value, either because it was intrinsically valuable or because emotional value had been added to it (such as a photograph, an old shoe, a vintage toy) and consequently it was saved rather than discarded. The fact that I only use “saved objects” often results in viewers being attracted to the individual pieces within my works rather than seeing the narrative I am attempting to portray. The pieces on display in this exhibit are from my American Home Series. I have assembled an array of old artifacts, carved figures, and iconic symbols, each spotlighting an aspect of living conditions within our borders; and as is consistent with my art, focus is placed on failings in our social contract – overcrowded tenements, trailer parks...

This is an abstract painting by Bianca Wellwood, an Irish American artist living in Los Angeles. It is not stretched so could be mailed in a tube. Further framing possible. Please c...

'Undercurrents: Struggle' is a black and white figurative work made of cut paper. Jerushia Graham is inspired by the works of Elizabeth Catlett, Kerry James Marshall, John Biggers, Leo & Diane Dillon...

Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the pas...

Kim Fonder, MONOLITHI III, Mixed Media on Canvas, 60.00 X 42.00 in, $4,400.00, Grey, White, Abstract, contemporary, mixed media, minimal, fine art Kim Fonder loves texture and touch...

Matt Flint is a painter from the mountain town of Lander, Wyoming. He grew up surrounded by woods, animals, and family. As a boy, He spent endless days creating art and exploring the fields and woods around him. Now he spends time with his family, painting, and exploring the rugged Wind River...

Van.I.T is a unique drawing by contemporary artist Cécile Bisciglia. The drawing is made with ballpoint pen, acrylic and posca on canvas, dimensions are 150 × 150 cm (59.1 × 59.1 in)...

Contextually within the framework of postmodern Neo-pop and Post-pop, Miller utilizes a semiotic process of mining familiar pictorial codes from the popular culture of his youth for ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Restrained Supersaturation No.18 (Fuck that world) is a unique painting by contemporary artist Ahn Hyun-Ju. The painting is made with polyester, pigments and acrylic resin on alumini...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Jacquelyn Strycker One Day Tomorrow Will be Yesterday, 2024 collage of risographs and screenprints on Japanese and handmade fibers papers with sewing and acrylic gouache 57 x 76 in. ...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contem...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

From the tender age of eight, John-Herbert Wright gravitated to painting as an escape, expressing a rich inner world. His work heavily relies upon dark figurations amongst an urban ...

Five papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ returning from hades.' -'...

Olympio, a prominent figurative abstract artist from Togo, creates artwork that is driven by an unapologetic sense of instinct. Olympio’s work is honest and palpable: exposed, raw, and direct. Through a bold use of color and texture, Olympio creates dynamic, multi-layered works that demand the viewer's attention. His work is an unfiltered manifestation of his soul. Bright, energetic marks encircle rough textures balanced by the peaceful compositions emanating from below the surface. This 48 inch high by 24 inch wide colorful mixed media painting is signed by Kodjovi Olympio on the back of the canvas. The many layers in his work further emphasize the texture and visceral nature of his canvases. The painting is wired and ready to hang. Free local Los Angeles area delivery. Affordable U.S. and global shipping are available. A Certificate of Authenticity issued by Artplex Gallery is included with this original artwork. Olympio was born into a large family of eight children in Lomé, Togo, West Africa. He began his creating art by using building scraps to make sculptures. By the time he was in high school, he started to experiment with mixed media and collage. He later transitioned to acrylic and oil on canvas. In 2001, Olympio left his home in Africa to live in Paris. Olympio moved to the United States in 2003 and has continued to paint. His work has been exhibited at Art Basel Miami, where in 2018 he was ranked one of the Top 10 Artists by Red Dot Miami. He was also recently interviewed for France 2, TV5Monde, and the BBC. His work has been exhibited and collected internationally. REPRESENTATION Artplex Gallery, Los Angeles, California SELECT EXHIBITIONS 2019 Artplex Gallery, Los Angeles, CA Art Palm Springs, Karyn Mannix Contemporary, Palm Springs, CA “Voltage,” Artplex Gallery, Los Angeles, CA LA Art Show, bG Gallery, Los Angeles, CA “Immigration Celebration, Part I,” Laurent Proneur Gallery Superfine! Fair, Magic Box LA, Los Angeles, CA 2018 Red Dot Miami, Miami, FL Art Basel, Miami, FL Los Angeles Art Show, Los Angeles, CA Latino Art Museum, Pomona, CA BG Gallery, Santa Monica, CA Wallspace at the Brewery Fall Art...

"Ego 097" is an exceptional unique artwork by the spanish artist, Chidy Wayne, part of the acclaimed "Ego" series. While the series explores identity and self-reflection across diver...

"Strength" archival print, oil paint and mixed media encased in resin artwork by artist Raphael Mazzucco.

The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...

This is a very active and textured painting. There are figures outline in red while guitars fall in line with them. There are various animals (bears, birds, cats) littered across the canvas. Each subject matter is contained by its own box of color, as if claiming its real estate on the canvas. The background colors are mostly blue. To view more images, pelase send us a message. Casey McGlynn grew up in rural Ontario, where he would sit in front of the television and draw on old grocery bags and scrap paper tirelessly, creating self-taught surrealist pop art. McGlynn attended the Ontario College of Art and Design, however, he was not enrolled in the visual arts. McGlynn’s work contains reoccurring symbols such as animals from his upbringing, birds from his studio window sill and numbers that derive from when he memorized math tables in his early years. McGlynn’s work is as much about revealing the truth and expressing emotions as it is about documenting actual fact. His paintings reach into a wealth of historical influence and skill. Creating symphonic glyphs on rudimentary, raw quilt-like patterns, the works simultaneously evoke rural Southern quilts...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

"Vestiges I" 32" x 83" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a tho...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

EMBEDDED MESSAGES / TERMS Sing us the song, you’re the piano man / Sing us a song tonight / Well, we’re all in the mood for a melody / And you’ve got us feelin’ alright - BILLY JOEL...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Information about the art: Neon colors may change. With the choice of LEDs, neons, optical fibers and mirrors as materials, his works are experienced live by the spectators. Playing with spaces between play of light and effects of infinity, Falcone places himself directly in the line of kinetic artists." Information about the artist: Falcone is a self-taught designer and artist whose roots are firmly anchored in the history of art. The art foundation of his grandfather, who was passionate about geometric and kinetic artworks, was his childhood playground. The unstructured paintings of Carmelo Arden...

“Keep It Unreal” (2023) by Mr. Brainwash is a striking silkscreen and mixed-media original on paper, measuring 127 x 96 cm (50 x 38 in). The artwork features Mr. Brainwash’s signatur...

Collaboration between photographer John Mazlish & artist John Wright.

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

This mixed media painting has various subject matter. The painting's content ranges from cars, to boats, to horses, people, and other forms of transportation. These objects are composed like a collage across the canvas. The background color behind these various vignettes is mostly yellow. Please contact for more images. Casey McGlynn grew up in rural Ontario, where he would sit in front of the television and draw on old grocery bags and scrap paper tirelessly, creating self-taught surrealist pop art. McGlynn attended the Ontario College of Art and Design, however, he was not enrolled in the visual arts. McGlynn’s work contains reoccurring symbols such as animals from his upbringing, birds from his studio window sill and numbers that derive from when he memorized math tables in his early years. McGlynn’s work is as much about revealing the truth and expressing emotions as it is about documenting actual fact. His paintings reach into a wealth of historical influence and skill. Creating symphonic glyphs on rudimentary, raw quilt-like patterns, the works simultaneously evoke rural Southern quilts...

"Black" is a painting created by Enrico Benetta in 2012. The artwork is the first of a series of monochromatic square canvasses created each in one of the primary colors. The paintin...

Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the pas...

Mixed media on canvas.

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera - including fragment...

Psychological Space is comprised of a photograph, acrylic paint and resin. The base materials for the work include a wooden paneled canvas that supports the adhesion of a rolled fin...

MoJo’s Blush Sunset Paint (2025) is a commanding abstract portrait that spans 48 x 36 inches (framed to 50.25 x 38.25 inches), combining mixed media and acrylic with the artist’s sig...

Original acrylic and spray paint on metal. Hand signed and dated lower front and verso by John 'Crash' Matos. Artwork size: 48 x 22 inches. Artwork is in excellent condition. Certi...

Maroon Carborundum Robe (C. 47), 1991 Published by Pace Editions, New York Jim Dine (American, b. 1935) Woodcut Print Hand Signed, Dated, and Numbered Lower Left Edition 1/12 Lower L...

Collage by Swiss artist Albert Chubac, signed and numbered 7/8, measuring 127cm x 87cm.

JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the University of California Santa Cruz. Her exhibition record most recently includes the Phoenix Art Museum, Blue Star Art Museum, in San Antonio, TX, Arte Laguna in Venice, Italy, Czong Institute for Contemporary Art in Korea, and Elmhurst Museum in Chicago, IL. Day's work has been supported by an Elizabeth Greenshields Grant in 2018, Contemporary Forum Artist Grant from the Phoenix Art Museum in 2017, a Barron Purchase Award in 2016 and through participation at the Ucross Foundation, the Jentel Foundation, Playa Foundation For The Arts, Kimmel Harding Nelson Art Center, and the Armory Art Center. Jenny Day is an exhibiting artist at Jonathan Ferrara Gallery. STATEMENT I walked in the Mohave desert. Listened to the bees as they hummed and sucked from yellow creosote flowers. I watched the desert blur by as I drove eighty-miles per hour on I-40. I couldn’t hear the bees. The Mohave backdropped a science-fiction film I watched from my couch...

In the heart of the North Fork of Long Island in the sleepy hamlet of Mattituck lies Landcraft, the brain child of two talented men. Landcraft is situated amongst perhaps the most b...

Mixed media - artwork can be shipped only framed in a crate

"Fading Out, Fading In" from the "Presences" series by Joan Giordano Mixed Media, Caste Handmade Paper (made from Kozo or Abaca Paper with natural pigment), B...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the pas...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

"Shining City" 51" x 75" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a t...

José Bedia (Havana, Cuba, 1959) Lives and works in Miami, FL José Bedia is the most solid representative of post-1959 revolution Cuban art. He was part of the now mythical group s...

Echo by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 32 x 52. This is part of a new 2022 series. According to Umerlik, " I became a mother this past year. ...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about ...

This is a beautiful monochrome on paper by Alexis Portilla. This is sold unframed. Thors Twins II 26x41 in. Monochrome on Paper Alexis Portilla holds an MFA from Columbia Universi...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, color pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned...

Kim Fonder ETNOGRAFICA BIANCO A mixed media on burlap 72.00 X 60.00 in $7,560.00

Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the pas...

"Yellow" is a painting created by Enrico Benetta in 2014. The artwork is part of a series of monochromatic square canvasses created each in one of the primary colors. The painting co...

Seek One Monroe, 2025 Mixed media on wood panel 48 x 48 in (121.92 x 121.92 cm)

Doug Glovaski is a professional artist, now living and working in the small town of Spreckels, Ca. located in Monterey County. He has been a professional artist for over thirty years...