Oversized Mixed Media

This diptych titled "Warm In The Summer, Even When It's Dark" is an original artwork by Hyland Mather made of acrylic, aerosol, string, ink and pins on canvas, wooden box frame. It m...

My paintings explore the relationship between elements such as the skies, the oceans, the natural environment such as the formation of rocks, cliffs, and weathered material. In my wo...

Vincent George creates highly refined and modeled 2-dimensional works on wood using pyrography, or wood burning.

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

Eric Blum Untitled No. 1064, 2025 ink, silk, and beeswax on panel 72 x 48 in. (blum099)

Munroe, who is formally trained as a printmaker, creates sublime paintings with imagery inspired by archetypal forms of the circle and the square. Employing tools and processes from ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Carefully applied nontraditional materials including light yellow sulfur in glass vials, wood ash, and crushed precious minerals such as sunstone, red tiger's eye, volcanic rock, ser...

Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and c...

This is a beautiful patchwork piece by Zita Chocarro. Her exploration of color plays with form and contrast, as the intersection of the shapes she uses masterfully come together to ...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

Beautiful Buttercup shows a fashionable young woman on a bicycle. "Self-Made" is a captivating series of artwork created by the talented artist Alawaye Tope...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed This is an ori...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

My process is focused on maintaining authentic energy resolved when the shapes, marks and passages of color find a balance of harmony and dissonance.  Arranging elements dynamically ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist Joy Eyitayo...

Struggle teaches you a lot of things, and I am happy that I witnessed a roller coaster ride. The journey has improved me as a person and made me more mature. Life is like a roller co...

This striking wall-mounted light installation is crafted from a reclaimed vintage bed spring frame and fitted with warm bulb lights, forming the wo...

"Summer Time" is an original piece by Sean 9 Lugo made from acrylic, marker, ink on paper and mixed media on a decommissioned street sign .This pieces measures 41”h x 42”w and comes ...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ingenious way. ...

Nancy Cohen Light Tangle, 2024 paper pulp and handmade paper 55.5 x 38 in. (coh116)

Dan Corbin's sculptures are a convergence of conceptualism and the human figure, illuminating what it feels like to be alive during current times; a conflux of beauty, complexity, co...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams...

"Golden path of victory", Gold Leaf Painting, 2024" "Golden path of victory” is a piece of letter art inspired by a vision she had of walking on a golden path. Addison Jones artwork...

This brightly colored mixed media artwork titled "Mask On, You’re Happy Now" is an original artwork by Kelly Kozma made of hand embroidery, latex paint, marker and handmade sequins o...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors, and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textures and patterns, referencing popular European textile designs of the fifties and sixties. Rös-Nickel’s work translates the geometric and organic elements of an era that hoisted the flags of modernism and which, due to a trend to return to a rather retro style, has become topical once more. This 43-inch high by 63-inch wide contemporary oil painting is ready to hang. This artwork is double wired and may be installed vertically or horizontally. The sides of this artwork are painted and it does not require framing. Free local Los Angeles area delivery. Affordable U.S. and global shipping are available. A certificate of authenticity issued by the art gallery is included. Petra was born 1963 in Wathlingen near Celle, Germany, and breaks completely new ground with her abstract forms of painting and expression. After studying fashion design at the professional school for clothing in Bremen, 1980, Petra Rös-Nickel changed her field of study to architecture in Eckernförde, 1982. She now lives in Hamburg, Germany. Preferring the creative aspects of the studies to the technical ones, the artist developed the basics of her painting, never denying the roots of applied design and soon ending in a refreshing, distinctive style. Petra Rös-Nickel experiments with form, along with the use of a technique that draws attention to the processes used in creating a painting. Essential is the color space presented in multiple layers that offers the beholder access to more profound color planes. These details, scratchings, and rubbings lead to various elements of tension, such as “patchwork” or harmonious-contemplative forms (“windows”) and “oscillating lines”. Rös-Nickel's modernist paintings develop an energetic impact on the space they‘re displayed in, conveying her joy of life and self-confidence. Her abstract geometric textured artworks have been exhibited and collected worldwide, including Germany, Belgium, USA, Canada, Singapore, and Hong Kong. Notable collectors include Chris Rock...

Blurring the distinction between figure and abstract settings, Swiss artist Edith Konrad’s spectral forms—human in shape—inhabit muted abstract environm...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Alex Lord's images are classical studies of the eternal beauty of the female form. The use of fiberglass connects these classical artistic interests to contemporary culture, but it i...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Home is an original painting by Emmanuel Ojebola. Emmanuel created Beauty and Time with Mixed Media and Coffee on a 36W by 48H inches primed canvas. ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Alon Seifert (b. 1968) creates works that delve into the interplay between logic and the fluidity of sense, challenging the constructs of reason itself. His creative process unfolds ...

Marilla Palmer Ecstasy of the Sun, 2025 watercolor, gold leaf, embroidery, millinery foliage, pressed flowers, Durabright prints on Arches paper 29.5 x 41 in. (pal256) Marilla Palm...

"Suncatcher 2" is an original piece by Roxana Azar made from digital print on digital Print on acrylic, nylon chain. This pieces measures 50"h x 16"w and comes with a signed Certifi...

Figurative Mixed Media Portrait Painting by Cuban Artist Hector Frank. Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost livi...

Untitled 05, 2016 Mixed media on metal sheet (Signed on reverse) 69,78 H × 39,98 W x 12,6 D in 177 H × 99 W x 32 D cm Berszán’s black silicone structures arise through a process of ...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object."" The guided coincidence plays ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Ray Diaz Nebula, 2011 Mixed media on wood panel 16 x 50 7/8 x 1 in. Signed and dated lower right Signed, titled, and dated verso San Diego artist Ray Diaz has been involved in art ...

Collaboration between artists Elsa Marie Keefe John Mazlish. Shot during the height of the pandemic in June 2020. At that time more than ever, n...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...